Alan Bennett is one of the UK's most well-known and successful writers. His oeuvre is one where populist art forms and intellectually complex arguments co-exist seamlessly, allowing the work to appeal to a wide audience. Bennett's familiar voice combines both an appreciation for the past with a critical assessment of contemporary Britain, often through relentlessly detailed observation of himself and of others. Bennett has acted, written, directed, presented or edited in almost every conceivable dramatic medium, including stage, television, radio, film and print media. This book is the first to focus on his often neglected work for television, from the mid-1960s right through to the present. It encompasses formats such as the single play (the rarely seen 1970s collaborations with Stephen Frears and Lindsay Anderson), the two Talking Heads series, perceived as a reinvention of the television monologue, and his autobiographical documentaries. While providing a context of television drama in which Bennett's output is embedded, this study also provides compact overviews of his work in other media. The book is intended for those interested in Alan Bennett, his many voices and the history of television drama. -- .

This illustrated study is a resource for opera scholars, opera workers and opera lovers. It explores the field of opera studies in three ways: Through history: Opera North is presented through a historical lens within the UK operatic landscape. The chapter amalgamates extensive archival resources and interview material, including many illustrations from its 35 year history. Through ethnography: the day-to-day workplace behaviour of an opera company is explored in its rehearsal and performance spaces, and the production cycle from first music rehearsal to first night is traced through detailed observation and photographic records. Through production analysis: selected productions of recent years are given a dramaturgical focus, with aspects of conceptual, textual and visual analysis. Opera North was founded as English National Opera North in 1978. It became independent from English National Opera in 1981 and holds a reputation for fostering artistic talent, for adventurous programming choices and for high production values. This study explores universal issues relating to the production of opera, based on the very specific example of our National Opera Company in the North.