Proto-State Media Systems explores how decisions by contemporary violent extremist groups create, develop, and sustain media systems. Focusing on the cases of al-Qaeda and ISIS, this book showcases how standard media systems theory fails to fully explain the media systems of these organizations as a basis for building a revised theoretical lens that comprehends these emergent systems in the 21st century global media context. Utilizing constitutive and online networking theories, Winkler and El Damanhoury explore how militant proto-states create lasting, adaptable, identity-based systems that work to attract and sustain the attention of followers. The groups' appeals to transhistorical and transpatial identity formations in their media products reveal new insights about community formation and how we analyze media systems in the proto-state context. Recognizing that nation-states no longer exercise monopoly control over online and offline media systems, Proto-State Media Systems investigates how certain violent extremist groups bent on establishing sustained territorial and governing control over populations have revolutionized the media environment of the 21st century.

Proto-State Media Systems explores how decisions by contemporary violent extremist groups create, develop, and sustain media systems. Focusing on the cases of al-Qaeda and ISIS, this book showcases how standard media systems theory fails to fully explain the media systems of these organizations as a basis for building a revised theoretical lens that comprehends these emergent systems in the 21st century global media context. Utilizing constitutive and online networking theories, Winkler and El Damanhoury explore how militant proto-states create lasting, adaptable, identity-based systems that work to attract and sustain the attention of followers. The groups' appeals to transhistorical and transpatial identity formations in their media products reveal new insights about community formation and how we analyze media systems in the proto-state context. Recognizing that nation-states no longer exercise monopoly control over online and offline media systems, Proto-State Media Systems investigates how certain violent extremist groups bent on establishing sustained territorial and governing control over populations have revolutionized the media environment of the 21st century.

Photographic Warfare explores the processes of visual contestation at work in the competing official media campaigns of state forces and militant, nonstate actors in the online environment. Islamist and far-right militant groups are increasingly weaponizing their visual media by displaying their actions-beheadings, trainings, fighting on the battlefield, services provision to locals, and so on- as spectacles that circulate around the globe to challenge statebased media messaging and policy agendas. In response, numerous states and coalitions have expanded their online media presence to counter such threats. Using the conflict between ISIS and the Egyptian state over the Sinai Peninsula as a case study, Kareem El Damanhoury introduces an analytical framework of visual contestation to guide future studies of competing visual media campaigns in the online environment. The proposed model provides a rubric for dissecting and understanding contemporary photographic warfare using visual framing, semiotic analysis, contextual interpretations, and comparative applications. Photographic Warfare further emphasizes the many situational factors that influence visual output and content, including militant attacks, counterterrorism operations, loss of leaders, and introduction of new groups into the battlefield.

Photographic Warfare explores the processes of visual contestation at work in the competing official media campaigns of state forces and militant, nonstate actors in the online environment. Islamist and far-right militant groups are increasingly weaponizing their visual media by displaying their actions-beheadings, trainings, fighting on the battlefield, services provision to locals, and so on- as spectacles that circulate around the globe to challenge statebased media messaging and policy agendas. In response, numerous states and coalitions have expanded their online media presence to counter such threats. Using the conflict between ISIS and the Egyptian state over the Sinai Peninsula as a case study, Kareem El Damanhoury introduces an analytical framework of visual contestation to guide future studies of competing visual media campaigns in the online environment. The proposed model provides a rubric for dissecting and understanding contemporary photographic warfare using visual framing, semiotic analysis, contextual interpretations, and comparative applications. Photographic Warfare further emphasizes the many situational factors that influence visual output and content, including militant attacks, counterterrorism operations, loss of leaders, and introduction of new groups into the battlefield.