This book provides a feminist analysis of #MeToo and the sexual assault allegations against celebrity perpetrators which have emerged since the Weinstein story of October 2017. It argues for the importance of understanding #MeToo in relation to an on-going history of Anglo-American feminist activism, theory and interdisciplinary research. Boyle investigates how speaking out about rape, sexual assault and harassment on social media can be understood in relation to second-wave feminist traditions of consciousness-raising. Her argument explores the media depiction of feminism - and feminists - in the wake of Weinstein and the cultural values associated with men's abuse, particularly within the film and television industries. The book concludes with an exploration of what the #MeToo era has meant for men as victims/survivors and as alleged perpetrators, in relation to narratives of victimisation and of monstrosity.

The first comprehensive edited collection to look at Media and Violence from a Gender and feminist perspective Includes a range of international authors Covers news media, online behaviour and reality television

Public and academic debate about 'porn culture' is proliferating. Ironically, what is often lost in these debates is a sense of what is specific about pornography. By focusing on pornography's mainstream - contemporary commercial products for a heterosexual male audience - Everyday Pornography offers the opportunity to reconsider what it is that makes pornography a specific form of industrial practice and genre of representation.

Everyday Pornography presents original work from scholars from a range of academic disciplines (Media Studies, Law, Sociology, Psychology, Women's Studies, Political Science), introducing new methodologies and approaches whilst reflecting on the ongoing value of older approaches. Among the topics explored are:

• the porn industry's marketing practices (spam emails, reviews) and online organisation
• commercial sex in Second Life
• the pornographic narratives of phone sex and amateur videos
• the content of best-selling porn videos
• how the male consumer is addressed by pornography, represented within the mainstream, understood by academics and contained by legislation.

This collection places a particular emphasis on anti-pornography feminism, a movement which has been experiencing a revival since the mid-2000s. Drawing on the experiences of activists alongside academics, Everyday Pornography offers an opportunity to explore the intellectual and political challenges of anti-pornography feminism and consider its relevance for contemporary academic debate.

Public and academic debate about porn culture is proliferating. Ironically, what is often lost in these debates is a sense of what is specific about pornography. By focusing on pornography s mainstream contemporary commercial products for a heterosexual male audience Everyday Pornography offers the opportunity to reconsider what it is that makes pornography a specific form of industrial practice and genre of representation.

Everyday Pornography presents original work from scholars from a range of academic disciplines (Media Studies, Law, Sociology, Psychology, Women s Studies, Political Science), introducing new methodologies and approaches whilst reflecting on the ongoing value of older approaches. Among the topics explored are:

• the porn industry s marketing practices (spam emails, reviews) and online organisation
• commercial sex in Second Life
• the pornographic narratives of phone sex and amateur videos
• the content of best-selling porn videos
• how the male consumer is addressed by pornography, represented within the mainstream, understood by academics and contained by legislation.

This collection places a particular emphasis on anti-pornography feminism, a movement which has been experiencing a revival since the mid-2000s. Drawing on the experiences of activists alongside academics, Everyday Pornography offers an opportunity to explore the intellectual and political challenges of anti-pornography feminism and consider its relevance for contemporary academic debate.

Media and Violence pays equal attention to the production, content and reception involved in any representation of violence. This book offers a framework for understanding how violence is represented and consumed. It examines: - The relationship of media, gender and real-world violence - Representations of violence in screen entertainment - The effects of violent media on consumers - The ethics and gender politics of the production processes of screen violence The discussions are illustrated with topical and well-known examples, enabling the reader to critically engage with the debates. The book includes chapter outlines; key questions for discussion; further reading lists; glossary; appendix of summaries of criminal cases discussed. It will be relevant for students of Media and Cultural Studies, Criminology, Gender Studies and Psychology.