Literary Translation and the Making of Originals engages such issues as the politics and ethics of translation; how aesthetic categories and market forces contribute to the establishment and promotion of particular "originals"; and the role translation plays in the formation, re-formation, and deformation of national and international literary canons. By challenging the assumption that stable originals even exist, Karen Emmerich also calls into question the tropes of ideal equivalence and unavoidable loss that contribute to the low status of translation, translations, and translators in the current literary and academic marketplaces.

This book deals with historical consciousness and its artistic expressions in contemporary Greece since 1989 from the point of view that contemporary Greeks have been faced with the contradictions between on the one hand a glorious, world-famous yet distant past and, on the other, a traumatic contemporary history of wars, expulsions, civil strife and political and economic crises. Such clashes of imaginary identifications and collective traumas call for interpretations not only from historians but also from artists and storytellers. Therefore, the chapters in this volume explore the ways in which sensitive and creative perspectives of art approach and appropriate history in Greece. Through a rich collection of analytical case studies and creative reflections on Greece's past, present, and future this volume presents the reader with the ways a set of contemporary Greek storytellers in different genres have incorporated previously under-explored or little-known themes, events, and epochs in modern Greek history showing how the past, by being interpreted and represented in the present, can teach us a lot about contemporary Greek society. The themes that form the point of departure for the stories told or retold cover various significant components of Greek history and culture such as ancient myths, the Ottoman period, the Greek War of Independence and the Greek Civil War, but also less prominent or known aspects of Greek history such as the Greek Enlightenment, the long and tragic history of Greek Jewry, and migration to and from Greece.

Seeking to escape the paralysing effects of the Greek economic crisis, a group of Athenian friends move to an Aegean island in the hopes of starting over. Viewed with suspicion and disdain by the locals, they soon find themselves enmeshed in the same vicious cycle of money, power, and violence they thought they had left behind.

A moving saga about love and survival, Dust of a Day is the story of a Greek family's struggles through a hundred years of wars and rebellions, population exchanges, and massacres. Elizabeth, matriarch of a family in flight, leads her charges with determination, bent on ensuring they enjoy a brighter future, while the loyal servant girl Sophie guards her secrets for almost a century. Through the original family's trials and tribulations-and then through the eyes of their children, and their children-the entire twentieth century unrolls, along with the new generation's journey toward redemption, love, and happiness.

Literary Translation and the Making of Originals engages such issues as the politics and ethics of translation; how aesthetic categories and market forces contribute to the establishment and promotion of particular "originals"; and the role translation plays in the formation, re-formation, and deformation of national and international literary canons. By challenging the assumption that stable originals even exist, Karen Emmerich also calls into question the tropes of ideal equivalence and unavoidable loss that contribute to the low status of translation, translations, and translators in the current literary and academic marketplaces.