In 2008 the level of poets of colour published by major presses was less than 1%. In 2020 it was over 20%. The Complete Works Poetry – an initiative spearheaded by Booker Prize winner Bernardine Evaristo – played a significant role in this change. Supporting 30 poets from 2008 through to 2020, The Complete Works produced an unprecedented number of prizewinners, including the Forward Prizes (3), T.S. Eliot Prize (2), Ted Hughes Award (2), Somerset Maugham Award, Dylan Thomas Prize, Rathbones Folio Prize and Sunday Times Young Writer of the Year Award. TCW Fellows have also gone on to judge every major poetry award, and to take on significant roles in academia and translation, publishing over 40 collections. The Complete Works has become the most successful collective ever formed in British poetry. Mapping the Future offers new work by all 30 writers it has supported, including Warsan Shire, Raymond Antrobus, Mona Arshi, Roger Robinson, Inua Ellams, Malika Booker, Sarah Howe, Will Harris, Kayo Chingonyi, Jay Bernard, Yomi Sode and Karen McCarthy Woolf. It also includes fierce essays re-drawing the map of British poetry by 10 of the 30 poets, touching on the most significant topics of our time. Mapping the Future is not just a magnificent anthology of some of the best UK poets, it is also an exploration on how poetry in Britain has become much more inclusive over the past 15 years: what has been won, and what is still being fought for. This anthology offers a timely insight into British poetry and how the voice of the ‘other’ continues to take centre-stage in pivotal times. Mapping the Future is edited by poet Karen McCarthy Woolf, editor of the second two Ten anthologies in The Complete Works series, with Dr Nathalie Teitler, director of The Complete Works.

Ten: the new wave presents poetry from some of the most exciting new poets in Britain today. These ten poets were selected for The Complete Works 2 mentoring project, a groundbreaking initiative to promote diversity and quality in British poetry, initiated by the writer Bernardine Evaristo. The poets follow on from the first group to take part in this scheme, whose work was published in Bernardine Evaristo and Daljit Nagra's anthology Ten: new poets from Spread the Word (2010). Most of those poets have gone on to win awards and have their poetry collections published. The new poets in this anthology are Mona Arshi, Jay Bernard, Kayo Chingonyi, Rishi Dastidar, Edward Doegar, Inua Ellams, Sarah Howe, Adam Lowe, Eileen Pun and Warsan Shire. These poets have backgrounds in Asia, Europe, the Caribbean and Africa, and their work draws on their multicultural heritage and tapestry. Many of them also work across art forms and have enjoyed success as playwrights, graphic artists and even in the martial arts. Talented, adventurous and culturally rich, these poets will open up new landscapes for the reader.

Ten: poets of the new generation presents the work of ten exciting British poets from diverse backgrounds. It is the third anthology from The Complete Works poetry mentoring scheme, a national programme supporting exceptional black and Asian poets founded by the writer Bernardine Evaristo in 2007. Already making a big impact on the British poetry scene, poets from the series have included Sarah Howe, the 2016 winner of both the T.S. Eliot Prize and the Sunday Times Young Writer of the Year Award; Mona Arshi, winner of the Forward Prize for Best First Collection 2016; and Warsan Shire, who collaborated with Beyonce on her visual album, Lemonade in 2016, which featured many of Shire's poems. This latest anthology in the Ten series will not disappoint readers hoping to discover more exceptional talent. It includes poets with even more diverse backgrounds ranging from Somalia and Nigeria through to Jamaica and the multiculturalism of Macau, and features the first poet from Latin America. These are poets who interrogate race and explode any ideas of a page/stage divide. Fierce, unexpected, sometimes beautiful and always passionate, here are ten poets to savour and enjoy. The poets included are: Raymond Antrobus, Natacha Bryan, Leonardo Boix, Victoria Adukwei Bulley, Will Harris, Ian Humphreys, Jennifer Lee Tsai, Momtaza Mehri, Yomi Sode and Degna Stone. The Complete Works III is directed by Dr Nathalie Teitler, with thanks to Arts Council England for their generous funding. Copublication with The Complete Works III.

The complex, lyrical, hilarious and completely wonderful debut novel by award-winning poet and campaigner, Karen McCarthy Woolf. An entitled porcelain doll struggles to cope with reality when her lifetime companion, a reclusive billionaire heiress, is admitted to hospital. This is their story. Top Doll is a verse novel and a highly unreliable, semi-fictional biography of the eccentric American billionaire heiress Huguette Clarke, who died in New York's Beth Israel Hospital, age 106, not having been outside for more than 50 years. She trusted no one and spoke to few, except for accountant, her lawyer and her vast collection of dolls, who together narrate this miniature epic. It is both deadly serious and incredibly funny in its exploration of the emotional influence dolls exert on the human psyche and how this embodies family power dynamics and the politics of race, wealth and desire.

The lyrical, hilarious and totally original debut novel by award-winning poet and campaigner, Karen McCarthy Woolf. An entitled porcelain doll struggles to cope with reality when her lifetime companion, a reclusive billionaire heiress, is admitted to hospital. This is their story. Top Doll is a verse novel and a highly unreliable, semi-fictional biography of the eccentric American billionaire heiress Huguette Clarke, who died in New York's Beth Israel Hospital, age 106, not having been outside for more than 50 years. She trusted no one and spoke to few, except for accountant, her lawyer and her vast collection of dolls, who together narrate this miniature epic. It is both deadly serious and incredibly funny in its exploration of the emotional influence dolls exert on the human psyche and how this embodies family power dynamics and the politics of race, wealth and desire.

Vodou is among the most misunderstood and maligned of the world's religions. Mama Lola shatters the stereotypes by offering an intimate portrait of Vodou in everyday life. Drawing on a 35 year long friendship with Mama Lola, a Vodou priestess, Karen McCarthy Brown tells tales spanning five generations of Vodou healers in Mama Lola's family, beginning with an African ancestor and ending with Claudine Michel's account of working with Mama Lola after the Haitian earthquake. Out of these stories, in which dream and vision flavor everyday experience and the Vodou spirits guide decision making, Vodou emerges as a religion focused on healing brought about by mending broken relationships between the living, the dead, and the Vodou spirits. Deeply exploring the role of women in religious practices and the related themes of family and of religion and social change, Brown provides a rich context in which to understand the authority that urban Haitian women exercise in the home and in the Vodou temple.

Second Place winner of the 2020 Laurel Prize for Ecopoetry. A 2017 Poetry Book Society Recommendation. Following her groundbreaking 2014 debut An Aviary of Small Birds (`technically perfect poems of winged heartbreak' - Observer), Karen McCarthy Woolf returns with Seasonal Disturbances. Set against a backdrop of ecological and emotional turbulence, these poems are charged yet meditative explorations of nature, the city, and the self. A sinister CEO presides over a dystopian hinterland where private detectives investigate crimes against hollyhocks; Halcyon is discovered as a dead kingfisher, washed up on an Italian beach. Lyrical and inventive, McCarthy Woolf's poems test classic and contemporary forms, from a disrupted zuihitsu that considers her relationship with water, to the landay, golden shovel, and gram of &. As a fifth-generation Londoner and daughter of a Jamaican emigre, McCarthy Woolf makes a variety of linguistic subversions that critique the rhetoric of the British class system. Political as they may be, these poems are not reportage: they aim to inspire what the author describes as an `activism of the heart, where we connect to and express forces of renewal and love'.

An Aviary of Small Birds is both elegy to a stillborn son and testament to the redemptive qualities of poetry as a transformative art. The book opens at the birth, which paradoxically becomes the moment of death when, after a long labour and an emergency caesarean, the baby's heart gives out. For the mother, her body flooded with endorphins, euphoria gives way to shock, followed by an intense and visceral grief. However, just as grief itself is not linear, so too the book follows an emotional rather than a strictly chronological arc, lyric rather than narrative. At the same time, McCarthy Woolf's formal experimentation allows an intellectual and metaphysical line of enquiry to emerge. Ultimately, it is a closely felt connection with the natural world, particularly with water and birds, that allows the author to transcend the experience and honour the spirit of her son.

All humans need restoration, restoration from their fallen state and restoration after falling or drifting away from God's Light as a Christian. We have a God that is full of love, compassion and mercy. When we are defeated after battling the giants in our lives, He offers restoration and healing. Throughout the Holy Scriptures, there are beautiful illustrations of God's restorative power in creation and in the heart's of mankind. These examples of Divine restoration are examined. God knows our weaknesses and failures. He will mend those who come to Him with a broken and contrite heart. He wants the best for us spiritually. Psalm 103