It sets the Pazyryk Culture into the landscape using recent studies on climate, technology, human and animal DNA, and local resources. It shows that this was a powerful, semi-sedentary, interdependent group with contacts in Eurasia to their west, and to their east in Mongolia and south in China.

It sets the Pazyryk Culture into the landscape using recent studies on climate, technology, human and animal DNA, and local resources. It shows that this was a powerful, semi-sedentary, interdependent group with contacts in Eurasia to their west, and to their east in Mongolia and south in China.

Are All Warriors Male? is a lively inquiry into questions of gender on the ancient Eurasian steppes. The book's contributors are archaeologists who work in eastern Europe, Central Asia, and eastern Asia, and this volume is the result of their field research in this vast. As little has been written about the evidence of gender roles in ancient-or modern-pastoralist societies, this book helps to fill an empty niche in our understanding of how sexual roles and identities have shaped and been shaped by such social and cultural circumstances. Are All Warriors Male? is a groundbreaking work that challenges current conceptions about the development of human societies in this great cauldron of humanity.

The catalogue for the groundbreaking exhibition at New York University's Institute for the Study of the Ancient World, Nomads and Networks presents an unparalleled overview of the sophisticated culture of pastoral nomadic populations who lived on the territory of present-day Kazakhstan from roughly the middle of the first millennium BCE to the early centuries CE. Focusing on material from the Altai and Tianshan regions, Nomads and Networks explores the specific conditions of mobile lifeways that resulted from particular ecological conditions in the steppes and high valleys of Inner Eurasia. Highlights of the exhibition are grave goods from the burial mounds at the site of Berel and gold mortuary ornaments from Shilikty, Zhalauli, and Kargaly. Attesting to a sophisticated decorative art flourishing among these nomadic populations, the objects skillfully combine older iconographic traditions of animal style in the steppe with more recent influences from foreign cultures--most notably Persia and China. Contributors include Nursan Alimbai, Nikolay A. Bokovenko, Claudia Chang, Bryan K. Hanks, Sagynbay Myrgabayev, Karen S. Rubinson, Zainolla S. Samashev, Soren Stark, and Abdesh T. Toleubaev. Cover photograph (c) Bruce M. White, 2016