Using an assemblage approach to study how Muslim women in Norrebro, Denmark use their phones, Karen Waltorp examines how social media complicates the divide between public and private in relation to a group of people who find this distinction of utmost significance. Building on years of ethnographic fieldwork, Waltorp's ethnography reflects the trust and creativity of her relationships with these women which in turn open up nuanced discussions about both the subject at hand and best practice in conducting anthropological research. Combining rich ethnography with theoretical contextualization, Waltorp's book alternates between ethnography and analysis to illuminate a thoroughly modern community, and reveals the capacity of image-making technology to function as an infrastructure for seeing, thinking and engaging in fieldwork as an anthropologists. Waltorp identifies a series of important issues around anthropological approaches to new media, contributing to new debates around the anthropology of automation, data and self-tracking.

Examines emergent technologies and systems Considers the implications and practicalities of an imagined future Demonstrates the value of anthropology in an increasingly technological world

Examines emergent technologies and systems Considers the implications and practicalities of an imagined future Demonstrates the value of anthropology in an increasingly technological world

Using an assemblage approach to study how Muslim women in Norrebro, Denmark use their phones, Karen Waltorp examines how social media complicates the divide between public and private in relation to a group of people who find this distinction of utmost significance. Building on years of ethnographic fieldwork, Waltorp's ethnography reflects the trust and creativity of her relationships with these women which in turn open up nuanced discussions about both the subject at hand and best practice in conducting anthropological research. Combining rich ethnography with theoretical contextualization, Waltorp's book alternates between ethnography and analysis to illuminate a thoroughly modern community, and reveals the capacity of image-making technology to function as an infrastructure for seeing, thinking and engaging in fieldwork as an anthropologists. Waltorp identifies a series of important issues around anthropological approaches to new media, contributing to new debates around the anthropology of automation, data and self-tracking.

Everyday life as we knew it is increasingly challenged in a world of climate, social, health and political crisis. Emerging technologies, data analytics and automation open up new possibilities which have implications for energy generation, storage and energy demand. To support these changes we urgently need to rethink how energy will be sourced, shared and used. Yet existing approaches to this problem, driven by engineering, data analytics and capital, are dangerously conservative and entrenched. Energy Futures critically evaluates this context, and the energy infrastructures, stakeholders, and politics that participate in it, to propose plausible, responsible and ethical modes of encountering possible energy futures. Imagining anthropocene challenges, emerging technologies and everyday life otherwise through empirically grounded studies, opens up possible energy futures. Energy Futures proposes and demonstrates a new critical and interventional futures-oriented energy anthropology. Combining the theories and methods of futures anthropology with the critical expertise and perspectives of energy anthropology creates a powerful mode of engagement, which this book argues is needed to disrupt the dominant narratives about our energy futures. Its contributors collectively reveal and evidence through innovative ethnographic practice how new knowledge about imagined and possible energy futures can be mobilised in engagements with emerging technologies, anthropocene challenges and everyday realities. In doing so it brings together authors, analytical expertise and ethnographic evidence from the global south, north and places in between, generated through innovative methodologies including remote video and comic strip methods and documentary video practice as well as long term fieldwork.