The new field of spatial history has been driven by digital mapping tools, which can readily show change over time in space. But long before this software was developed, mapmakers around the world represented time in sophisticated and nuanced ways in static maps that offer lessons for us today. In this collection, historians Karen Wigen and Caroline Winterer bring together leading scholars to consider how mapmakers depicted time. The essays show that time has often been a major component of what we usually consider to be a spatial medium. Focusing on 500 years of mapmaking in Europe, the United States, and Asia, these essays take us from the Aztecs documenting the founding of Tenochtitlan, to early modern Japanese reconstructing nostalgic landscapes before Western encroachments, to nineteenth-century Americans grappling with the new concept of deep time. The book also features a defense of traditional paper maps by digital mapmaker William Rankin. With more than one hundred color maps and illustrations, Time in Maps will draw the attention of anyone interested in cartographic history.

The stories selected for this collection include the author's novella A View by the Sea, which was awarded both the Mombusho and Noma literary prizes. Five other short stories represent the best of Yasuoka's writing from the 1950s and 1960s.

Miles of shelf space in contemporary Japanese bookstores and libraries are devoted to travel guides, walking maps, and topical atlases. Young Japanese children are taught how to properly map their classrooms and schoolgrounds. Elderly retirees pore over old castle plans and village cadasters. Pioneering surveyors are featured in popular television shows, and avid collectors covet exquisite scrolls depicting sea and land routes. Today, Japanese people are zealous producers and consumers of cartography, and maps are an integral part of daily life. But this was not always the case: a thousand years ago, maps were solely a privilege of the ruling elite in Japan. Only in the past four hundred years has Japanese cartography truly taken off, and between the dawn of Japan's cartographic explosion and today, the nation's society and landscape have undergone major transformations. At every point, maps have documented those monumental changes. Cartographic Japan offers a rich introduction to the resulting treasure trove, with close analysis of one hundred maps from the late 1500s to the present day, each one treated as a distinctive window onto Japan's tumultuous history. Sixty distinguished contributors-hailing from Japan, North America, Europe, and Australia-uncover the meanings behind a key selection of these maps, situating them in historical context and explaining how they were made, read, and used at the time. With more than one hundred gorgeous full-color illustrations, Cartographic Japan offers an enlightening tour of Japan's magnificent cartographic archive.

Knren Wigen probes regional cartography, choerography, and statecraft to redefine restoration ("ishin") in modern Japanese history. As developed here, that term designates not the quick coup dOCO(r)tat of 1868 but a three-centuries-long project of rehabilitating an ancient map for modern purposes. Drawing on a wide range of geographical documents from Shinano (present-day Nagano Prefecture), Wigen argues that both the founder of the Tokugawa Shogunate (1600OCo1868) and the reformers of the Meiji era (1868OCo1912) recruited the classical map to serve the cause of administrative reform. Nor were they alone; provincial men of letters played an equally critical role in bringing imperial geography back to life in the countryside. To substantiate these claims, Wigen traces the continuing career of the classical courtOCOs most important unit of governanceOCothe provinceOCoin central Honshu."

"Despite the recent surge of interest in geographical concepts and ideas, most social, cultural, and political studies are riddled with unexamined spatial assumptions. "The Myth of Continents initiates a much-needed consideration of this state of affairs. Through a wide-ranging analysis of such metageographical constructs as East, West, Europe, and Asia, Lewis and Wigen provide provocative insights into the nature and significance of the ways we usually divide up the world. Moreover, they do so in an engaging and highly readable style. Readers of "The Myth of Continents will never again see the world regions in quite the same way."--Alexander B. Murphy, author of "The Regional Dynamics of Language Differentiation in Belgium

"An exciting, thoughtful, engaging, innovative book that demonstrates the need to reexamine commonly held assumptions about the world's division into continents, East/West, First/Second/Third World, etc. Readers will be drawn to its 'big-think' quality of shattering commonly held assumptions and to its up-to-the-minute contemporary feel."--Benjamin Orlove, coeditor of "State, Capital, and Rural Society: Anthropological Perspectives on Political Economy in Mexico and the Andes

"An important and long overdue housecleaning of old geographical concepts, based upon an impressively wide reading of regional literatures."--Edmund Burke III, editor of "Struggle and Survival in the Modern Middle East

Contending that Japan's industrial and imperial revolutions were also geographical revolutions, Karen Wigen's interdisciplinary study analyzes the changing spatial order of the countryside in early modern Japan. Her focus, the Ina Valley, served as a gateway to the mountainous interior of central Japan. Using methods drawn from historical geography and economic development, Wigen maps the valley's changes--from a region of small settlements linked in an autonomous economic zone, to its transformation into a peripheral part of the global silk trade, dependent on the state. Yet the processes that brought these changes--industrial growth and political centralization--were crucial to Japan's rise to imperial power. Wigen's elucidation of this makes her book compelling reading for a broad audience.