In this dark, genre-defying picture-book adaptation of Snow White, acclaimed artist Beatrice Alemagna tells the story from the point of view of the jealous stepmother queen, to complicate the question of goodness and set into high relief the shadow side, with its capacity for evil, of human life.Once upon a time, a child was born with skin as white as snow, lips as red as blood, and hair as black as ebony: the princess Snow White. She is possessed of beauty and innocence, but there in the shadows lurks a queen who will remarry her widower father, a queen who is as empty and envious, as narcissistic and fractured as is every life that gets stuck in the endless reflecting pool or mirror of the self. Void of love, it is hatred that animates her. But like all true fairy tales, this story doesn't ask us to judge and condemn the queen and her hatred, but rather to consider the kinds of behaviors and situations that invite evil, and where true innocence or goodness might lie. Following the first-person account of the queen, this picture book for older readers illuminates her blinding obsession and insatiable jealousy, right up to the point of her violent undoing.This large format picture book is made up of a repeating pattern of text and image: each double spread of text is followed by four striking full-spread paintings, which are as riveting as they are unsettling. A bold adaptation of the Grimm's original text, this version of Snow White brilliantly puts us all in touch with the messy, shadowed, fraught, and fragile inwardness we each possess. This is the second book to appear under Unruly, an imprint of picture books for older readers, and will include an author's note and a short note to readers about how it continues to build this experimental framework of visually complex, sophisticated picture books for teens and adults.

“Raphael loves Jerome. I say it. It’s easy.”

This story follows a little boy named Raphael, whose daily rhythm is steeped in his immense affection for his friend Jerome. The two boys share jokes and snacks and plan future adventures to the Himalayas. Even when Raphael’s constant talk of Jerome is driving his parents crazy, he remains steadfast: “Raphael loves Jerome. I can say it. It’s easy.” And the truth is, when he’s with Jerome, Raphael feels happy, liked, and understood― even special. Thomas Scotto’s simple, strong, and insightful prose and Olivier Tallec’s delightful, expressive illustrations give much emotion and immediacy to the story.

With lush art by NYT Best Illustrated recipient Violeta Lopiz, a picture book about a boy and his larger-than-life immigrant grandfather, who shares with him the kind of learning that's not taught in classrooms. At six years old, the child-narrator of this picture book loves nothing more than spending time with his grandpa, Luis-especially in his marvelous garden, where green beans reach as high as the sky. Luis's garden is where the little boy practices reading and writing. But just as importantly, it's also where he learns wonderful things from Luis, like the names of all the birds in the trees and new expressions that are so much fun to say. Luis's playful vocabulary is as vibrant and full of life as his garden, and phrases that are particular to his way of talking, like "at the drop of a cat" (which means right away), are soon adapted into the little boy's lexicon, too. A talented cook, artist, and gardener, Luis has much wisdom to impart and many experiences to share with his grandson-even though, as a war refugee, he never went to school himself and never learned to read and write. A loving testament to the intergenerational transmission of knowledge and the breathtaking beauty of the natural world, illustrated with evocative, multilayered art by Violeta Lopiz.