Originally published in Spanish and edited by Cuban historian Daisy Rubiera Castillo and playwright and theater critic Ines Maria Martiatu Terry, this ground-breaking edited collection is the first work of its kind. It places the experiences of black and mulata women at the center of Cuban history. Including essays from a mix of well-known and newly published Cuban authors, the volume examines the lives of Afrocubanas from the late nineteenth century to the present. The volume's contributors collect and interrogate the voices of black Cuban women and the political, cultural, social, and ideological contributions they have made to the history of their nation. One of the unique qualities of Afrocubanas is that the text is the product of a grassroots community working group in Havana. A number of antiracist organizations emerged to fight racial inequality in light of Cuba's new economic challenges after the fall of its chief trading partner, the Soviet Union in 1991. But, the Afrocubanas Project (founded in the mid-2000s) is one of the few groups that challenges racism and sexism together. The members of the Afrocubanas Project hail from a variety of professions, ages, and sexual orientations. They share a collective interest in challenging negative stereotypes about black women. This volume merges their activism and scholarship to offer a counter discourse to existing narratives about black women in Cuba while also creating and disseminating new knowledge about Afrocubanas. There is no other published work in English devoted to analyzing the political and intellectual dimensions of black Cuban women's thought across the island's history. This text is essential reading for scholars and students of Africana Studies, Afro-Latin American Studies, Caribbean history, and courses focusing on black women in the Atlantic region.

Focusing on the contributions of Frantz Fanon's writing to the construction of a theory of the postcolonial subject, this book engages post-structuralist discussions on subjectivity and explores the most important readings and discussions of Fanon's work. Problems such as historicity, contingency, and the positions of the subject in postcolonial contexts receive special attention together with phenomenological approaches to Fanonian writing. The central idea is to give Fanon a privileged place in social, political, and cultural analysis. The objectives of the book are to insert Fanon's texts in contemporary critical theory on modernity and coloniality and to incorporate Fanon in the epistemological and conceptual context of the academy. This innovative work allows us to understand Fanon's writing as key to linking the experiences and critical developments between the global south and the global north.

Originally published in Spanish and edited by Cuban historian Daisy Rubiera Castillo and the late playwright and theater critic Ines Maria Martiatu Terry, this is the first work of its kind. It places reflection on the experiences of black and mulata women at the center of Cuban history. Including essays from a mix of well-known and newly published Cuban authors, the book examines the lives of Afrocubanas from the late 19th century to the present. The book is the first one to collect and interrogate the voices of black Cuban women in terms of the political, cultural, social, and ideological contributions they have made to the history of their nation. One of the unique qualities of Afrocubanas is that the text is the product of a grassroots community working group in Havana. A number of contemporary antiracist organizations have emerged to fight racial inequality in light of Cuba's new economic challenges since the fall of its chief trading partner the Soviet Union. But, while the Afrocubanas Project (founded by Daisy Rubiera Castillo and Ines Maria Martiatu Terry in the mid-2000s) is one of most prominent groups in Havana, it is also one of the few groups that challenges racism and sexism together. The members of the Afrocubanas Project hail from a variety of professions, ages, and sexual orientations. This group of black women shares a collective interest in challenging negative stereotypes. This book merges their activism and their intersectional scholarship to create and disseminate new knowledge about black Cuban women. There is no other published work in English devoted to analyzing the political and intellectual dimensions of black Cuban women's thought across the island's history. This text is essential reading for students of Afro-Latin American studies, Caribbean history, or courses focussing on black women in the Atlantic region.