Notes from the Dream House is a `best of’ selection of reviews by the celebrated Observer film critic Philip French. Spanning half the history of cinema, his reviews cover a great variety of films, from westerns and gangsters to art movies and musicals – the hits and the misses, the good, the bad and the ugly. French takes on films as disparate as The Gospel According to St Matthew and Ted, The Remains of the Day and Caligula. His reviews are personal, witty, and sharply perceptive. Time and again he reveals not only an encyclopaedic knowledge of cinema but also an erudition, an enthusiasm, and a boundless curiosity. Taken together, they form an illuminating commen¬tary on modern culture; but above all they are a distillation of one man’s lifelong love of cinema, a worthy memorial to one of the most respected and beloved of modern critics.

In April 1974, 500 million television viewers across Europe witnessed the bizarrely thrilling sight of four garishly-dressed unknowns from Sweden storm their way to victory in the Eurovision Song Contest. The song was 'Waterloo'. Abba had arrived. Over the next three decades, the band moved on through an almost unbroken succession of hit albums and singles. Abba have sold some 400 million records around the world, and their songs inspired a musical which since opening in October 2001 has been seen by more than 10 million people. In Abba: Unplugged, Karl French, a journalist and author specialising in popular culture, brings his inimitable wry perception to bear on the band's whole story. Born in Sweden, and raised in England, he comes to the subject as someone with first-hand knowledge of the very particular social and political climate from which Abba emerged. He has been a fan - although not necessarily an uncritical one - for three decades.