The remarkably accurate original translations of Native American myths from one of 19th-century America's foremost linguists. Native American mythology shows vestiges of religious concepts already old when the Egyptians evolved their form of worship. This volume offers an unusual collection of myths from two Native American cultures, the Wintu and Yana, recorded and translated in the 1880s by Jeremiah Curtin, one of the outstanding American linguists of the later 19th century. Because Curtin sought out storytellers who were not influenced by other cultures, his translations offer remarkably accurate accounts of the fundamental beliefs of Native Americans. In his introduction, Curtin explains the profound antiquity of these myths of creation, which preserve some of the earliest religious expression. He also provides an unflinching account of the appalling genocidal attacks on the peaceful Yana by white Californians in the 1860s. Because the Yana became extinct, Curtin's rendering of some of their important myths is an especially valuable contribution to contemporary understanding of Native American mythology. Introduction by scholar Karl Kroeber offers new insight into the significance of Curtin's collection for understanding the creation myth system of Native America Contains original translations of the system of creation myths as told to Curtin by members of the Yana and Wintu tribes

The life story of Ishi, the last Yahi Indian, lone survivor of an exterminated tribe, is unique in the annals of North American anthropology. For more than forty years, Theodora Kroeber's biography has captivated readers. Now recent advances in technology make it possible to return to print the 1976 deluxe edition, filled with plates and historic photographs that enhance Ishi's story and bring it to life.
Ishi stumbled into the twentieth century on the morning of August 29, 1911, when, desperate with hunger and terrified of the white murderers of his family, he was found in the corral of a slaughter house near Oroville, California. Finally identified as a Yahi by an anthropologist, Ishi was brought to San Francisco by Professor T. T. Waterman and lived there the rest of his life under the care and protection of Alfred Kroeber and the staff of the University of California's Museum of Anthropology.
Karl Kroeber adds an informative tribute to the text, describing how the book came to be written and how Theodora Kroeber's approach to the project was a product of both her era and her special personal insight and empathy.

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The life story of Ishi, the Yahi Indian, lone survivor of a doomed tribe, is unique in the annals of North American anthropology. For more than forty years, Theodora Kroeber's biography has been sharing this tragic and absorbing drama with readers all over the world.
Ishi stumbled into the twentieth century on the morning of August 29, 1911, when, desperate with hunger and with terror of the white murderers of his family, he was found in the corral of a slaughter house near Oroville, California. Finally identified as an Indian by an anthropologist, Ishi was brought to San Francisco by Professor T. T. Waterman and lived there the rest of his life under the care and protection of Alfred Kroeber and the staff of the University of California's Museum of Anthropology.

With the aid of new analytic techniques, including the computer, Karl Kroeber examines the fictional styles of three consecutive English novelists, presenting an objective and systematic comparison of the stylistic coherence of their work. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

With the aid of new analytic techniques, including the computer, Karl Kroeber examines the fictional styles of three consecutive English novelists, presenting an objective and systematic comparison of the stylistic coherence of their work. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Kroeber argues that literary criticism needs to reestablish connections to a wide range of social activities, especially the thinking of contemporary scientists.

This new kind of criticism, "ecological literary criticism," sets out to correct the abstractions of current theorizing about literature, and to make humanistic studies more socially responsible. Though applicable to any writer of any period, Kroeber points out that the proto-ecological tendencies of the English Romantic poets make them especially useful as a starting point for this approach. Since the Romantics believed that people were, and should be, at home in the natural world.

"Ecological Literary Criticism" asks that we examine poetry from a perspective that assumes that the imaginative acts of cultural beings offer valuable insights into how and why cultural and natural phenomena have interrelated in the past and how they could more advantageously interrelate in the future. Kroeber argues that this approach to criticism will help us to develop mutually enriching links between humanistic and scientific modes of understanding humankind and the earth we inhabit.

Originally intended to introduce William Blake's major prophecies, the late Karl Kroeber's Blake in a Post-Secular Era: Early Prophecies is an accessible and astute survey of the prophetic work that Blake executed between 1788 and 1794. For Kroeber (1926-2009), former Mellon Professor of the Humanities at Columbia University, the post-secular era we are now entering should re-establish Blake's central presence in academic literary humanism, which-in its secular phase-has excluded Blake due to his radical Christianity. Such exclusion, Kroeber notes, has not diminished Blake's immense-and still growing-impact on popular culture and concepts of individuality. In stark contrast to the idea of a "universal heart" and to the ideal rational societies envisioned by his contemporaries, Blake argued that each individual was absolutely unique and that only social structures based not on reason but on the imagination, like Golgonooza, the City of Art, can realize and sustain the individual's innate divinity. 28 illus.

Ishi in Three Centuries brings together a range of insightful and unsettling perspectives and the latest research to enrich and personalize our understanding of one of the most famous Native Americans of the modern era-Ishi, the last Yahi. After decades of concealment from genocidal attacks on his people in California, Ishi (ca. 1860-1916) came out of hiding in 1911 and lived the last five years of his life in the University of California Anthropological Museum in San Francisco. Contributors to this volume illuminate Ishi the person, his relationship to anthropologist A. L. Kroeber and others, his Yahi world, and his enduring and evolving legacy for the twenty-first century. Ishi in Three Centuries features recent analytic translations of Ishi's stories, new information on his language, craft skills, and his personal life in San Francisco, with reminiscences of those who knew him and A. L. Kroeber. Multiple sides of the repatriation controversy are showcased and given equal weight. Especially valuable are discussions by Native American writers and artists, including Gerald Vizenor, Louis Owens, and Frank Tuttle, of how Ishi continues to inspire the creative imagination of American Indians.

This challenging study analyzes nearly forty superb stories, from mythic narratives predating Columbus to contemporary American Indian fiction, representing every traditional Native American culture area. Developing recent ethnopoetic scholarship and drawing on the critical ideas of Mikhail Bakhtin and Pierre Bourdieu, Karl Kroeber reveals how preconceptions deriving from our hypervisual, print-dominated culture distort our understanding of essential functions and forms of oral storytelling.

Kroeber demonstrates that myths do not merely preserve tradition but may transform it by performatively reenacting the concealed sociological and psychological conflicts that give rise to social institutions. Showing how the variability of mythic narrative fosters communal self-renewal, Kroeber offers startling insight into Native Americans' perception of animals as "cultured, " their creation of visually unrepresentable tricksters by aural imagining, and the rhetorical means through which oral narratives may not only reflect but even redirect political change.

By making understandable the forgotten artistry of oral storytelling, Kroeber enables modern readers to appreciate fully the tragic emotions, hilarious ribaldry, and haunting beauty in these astonishing Native American mythic narratives.

This anthology fills the need for a comprehensive, up-to-date collection of the most important contemporary writings on the English romantic poets. During the 1980s, many theoretical innovations in literary study swept academic criticism. Many of these approaches--from deconstructive, new historicist, and feminist perspectives--used romantic texts as primary examples and altered radically the ways in which we read. Other major changes have occurred in textual studies, dramatically transforming the works of these poets. The world of English romantic poetry has certainly changed, and Romantic Poetry keeps pace with those changes. Karl Kroeber and Gene W. Ruoff have organized the book by poet--Blake, Wordsworth, Coleridge, Byron, Shelly, and Keats--and have included essays representative of key critical approaches to each poet's work. In addition to their excellent general introduction, the editors have provided brief, helpful forewords to each essay, showing how it reflects current approaches to its subject. The book also has an extensive bibliography sure to serve as an important research aid. Students on all levels will find this book invaluable.

PRAISE FOR THE FIRST EDITION: "Thanks to Mrs. Kroeber's simple, supple style, the stories all succeed as stories; they please, engage, move, or divert without depending for their effect on their exotic source."--"The New Yorker" "The varying but almost always superb story style of these narratives will speak to all."--"New York Herald Tribune ""This is a jewel of a book."--"San Francisco Chronicle" "These stories enlarge life. They remind us of Shakespeare and Aeschylus. . . . That Mrs. Kroeber's book should generate such thoughts is proof of its power and beauty."--"New York Times Book Review