Can a drop of perfume tell the story of the twentieth century? Can a smell bear the traces of history? What can we learn about the history of the twentieth century by examining the fate of perfumes? In this remarkable book, Karl Schloegel unravels the interconnected histories of two of the world's most celebrated perfumes. In tsarist Russia, two French perfumers - Ernest Beaux and Auguste Michel - developed related fragrances honouring Catherine the Great for the 300th anniversary of the Romanov dynasty. During the Russian Revolution and Civil War, Beaux fled Russia and took the formula for his perfume with him to France, where he sought to adapt it to his new French circumstances. He presented Coco Chanel with a series of ten fragrance samples in his laboratory and, after smelling each, she chose number five - the scent that would later go by the name Chanel No. 5. Meanwhile, as the perfume industry was being revived in Soviet Russia, Auguste Michel used his original fragrance to create Red Moscow for the tenth anniversary of the Revolution. Piecing together the intertwined histories of these two famous perfumes, which shared a common origin, Schloegel tells a surprising story of power, intrigue and betrayal that offers an altogether unique perspective on the turbulent events and high politics of the twentieth century. This brilliant account of perfume and politics in twentieth-century Europe will be of interest to a wide general readership.

Can a drop of perfume tell the story of the twentieth century? Can a smell bear the traces of history? What can we learn about the history of the twentieth century by examining the fate of perfumes? In this remarkable book, Karl Schloegel unravels the interconnected histories of two of the world's most celebrated perfumes. In tsarist Russia, two French perfumers - Ernest Beaux and Auguste Michel - developed related fragrances honouring Catherine the Great for the 300th anniversary of the Romanov dynasty. During the Russian Revolution and Civil War, Beaux fled Russia and took the formula for his perfume with him to France, where he sought to adapt it to his new French circumstances. He presented Coco Chanel with a series of ten fragrance samples in his laboratory and, after smelling each, she chose number five - the scent that would later go by the name Chanel No. 5. Meanwhile, as the perfume industry was being revived in Soviet Russia, Auguste Michel used his original fragrance to create Red Moscow for the tenth anniversary of the Revolution. Piecing together the intertwined histories of these two famous perfumes, which shared a common origin, Schloegel tells a surprising story of power, intrigue and betrayal that offers an altogether unique perspective on the turbulent events and high politics of the twentieth century. This brilliant account of perfume and politics in twentieth-century Europe will be of interest to a wide general readership.

In Ukraine: A Nation on the Borderland, now available in paperback, Karl Schloegel presents a picture of a country which lies on Europe's borderland and in Russia's shadow. In recent years, Ukraine has been faced, along with Western Europe, with the political conundrum resulting from Russia's actions and the ongoing Information War. As well as exploring this confrontation, Schloegel provides detailed, fascinating historical portraits of a panoply of Ukraine's major cities: Lviv, Odessa, Czernowitz, Kiev, Kharkov, Donetsk, Dnepropetrovsk and Yalta - cities whose often troubled and war-torn histories are as varied as the nationalities and cultures which have made them what they are today, survivors with very particular identities and aspirations. Schloegel feels the pulse of life in these cities, analysing their more recent pasts and their challenges for the future.

History is usually thought of as a tale of time, a string of events flowing in a particular chronological order. But as Karl SchlOgel shows in this groundbreaking book, the where of history is just as important as the when. SchlOgel relishes space the way a writer relishes a good story: on a quest for a type of history that takes full account of place, he explores everything from landscapes to cities, maps to railway timetables. Do you know the origin of the name "Everest"? What can the layout of towns tell us about the American Dream? In Space We Read Time reveals this and much, much more. Here is both a model for thinking about history within physical space and a stimulating history of thought about space, as SchlOgel reads historical periods and events within the context of their geographical location. Discussions range from the history of geography in France to what a town directory from 1930s Berlin can say about professional trades that have since disappeared. He takes a special interest in maps, which can serve many purposes one poignant example being the German Jewish community's 1938 atlas of emigration, which showed the few remaining possibilities for escape. Other topics include Thomas Jefferson's map of the United States; the British survey of India; and the multiple cartographers with Woodrow Wilson at the Paris Peace Conference, where the aim was to redraw Europe's boundaries on the basis of ethnicity. Moving deftly from the Austro-Hungarian Empire to 9/11 and from Vermeer's paintings to the fall of the Berlin Wall, this intriguing book presents history from a completely new perspective.

Die Rede vom Russischen Raum bezieht sich nicht nur auf ein Stereotyp, sondern auf eine empirische Erfahrung, der die Weite und Grosse Russlands zugrundeliegen. Dabei geht es nie nur um die physisch-geographische Ausdehnung eines Territoriums, sondern um die Implikationen eines spezifischen Raumes fur den Verlauf von Geschichte, nicht zuletzt fur die Topographie der russischen Seele (Nikolaj Berdjaev). Der epochale Vorgang der Auflosung der Sowjetunion einerseits und die neue Aufmerksamkeit fur die raumliche Dimension geschichtlichen Geschehens andererseits eroffnen eine Perspektive, in der Raum und Raumbewaltigung als Probleme russischer Geschichte neu gedacht werden konnen. Mit Beitragen von Mark Bassin, Oksana Bulgakowa, Roland Cvetkovski, Susi K.Frank, Klaus Gestwa, Carsten Goehrke, Wladislaw Hedeler, Katharina Kucher, Christian Noack, Susan E. Reid, Frithjof Benjamin Schenk, Karl Schlogel"