Table of Contents: Katlijne Van der Stighelen, Introduction - Eric Jan Sluijter, The Nude, the Artist and the Model: The Case of Rembrandt - Erna Kok, The Female Nude from Life: On Studio Practice and Beholder Fantasy - Victoria Sancho Lobis, Printed Drawing Books and the Dissemination of Ideal Male Anatomy in Northern Europe - Paul Taylor, Colouring Nakedness in Netherlandish Art and Theory - Hubert Meeus, Two Founts of Ivory: Nudity on Stage in the Seventeenth Century Low Countries - -Johan Verberckmoes, Is that Flesh for Sale? Seventeenth-Century Jests on Nudity in the Spanish Netherlands - Ralph Dekoninck, Art Stripped Bare by the Theologians, Even: Image of Nudity / Nudity of Image in the Post-Tridentine Religious Literature - Veerle De Laet, Een Naeckt Kindt, een Naeckt Vrauwken ende Andere Figueren: An Analysis of Nude Representations in the Brussels Domestic Setting.

2013 is officially Frans Hals Year, marking exactly 100 years since the Frans Hals Museum opened its doors to display the work of this key Dutch artist of the seventeenth century. The most important exhibition in this jubilee year is "Frans Hals: Eye to Eye with Rembrandt, Rubens and Titian," in which key works by Hals are presented alongside paintings by such famed colleagues as Titian, Rembrandt, Van Dyck, Jordaens and Rubens. In this eponymous publication, all the works in the exhibition are presented side by side, enabling the reader to compare the masterpieces and see just how the artists inspired one another. These unique comparisons and juxtapositions of master painters lead to a far deeper and more nuanced understanding of seventeenth-century painting and its tight web of artistic connections. Famous painters, after all, often produced their works in response to one another, with the aim of proving their creative and technical mettle--while also aiming to surpass (and perhaps even intimidate) their fellow artists. This painterly swordsmanship spurred individual artists--and art as a whole--to ever greater heights. A selection of distinguished international specialists casts new light on Hals' virtuosity, his central role in seventeenth-century culture and his artistic relationship with his contemporaries in Antwerp (Rubens, Van Dyck) and Amsterdam (Rembrandt).