This edited collection is positioned at the nexus of sports, society and creative writing. In its explorations of the intersections of sports writing, analysis of literary contributions and examinations of craft, it offers rare consideration of a rich diversity of form in narratives that occur in, and as creative practice. Included in the collection are dynamic academic investigations into football writing and poetry focused on community sporting activities in Afghanistan, to those addressing the intersections of writing and boxing in the reflexive reclamation of the post-trauma self, the absence of women in the rodeo and who and what is represented in our sports shelves. This book breaks new ground in approaches to sport’s role in creative writing and what creative writing can provide in furthering our understanding of sport in society. The works in this edited book draw on a diverse range of methods to interrogate the processes, concepts and liminal spaces through an intersectional array of voices, offering analysis and insight into the application of creative writing knowledge and practice in relation to sport and its impact on wider discipline discussion and research. It is relevant to students and scholars studying and researching creative writing, sports writing, sports studies, cultural studies and sports media studies.

This book presents the most comprehensive mapping and analysis of women’s football in Oceania and is the first to examine the game’s historical development alongside social, political, and cultural issues, weaving origin stories with players’ day-to-day challenges. Alongside presentation of the contemporary state of play and its overarching narrative of women’s game in the region, the book highlights key issues, discusses established and emergent themes, examines relevant contexts, investigates the status of the game at local and national levels, and lays foundations for further research. Its primary objective is to detail and illustrate the historical, social, and organisational development of the women’s game, including international tournaments, national competitions, and teams in an effort to amplify the efforts of the individuals that made or make a significant contribution to the game. It draws on extensive formal and informal discussion, realises insight, proposes the means and related fields of further investigation, and generates new knowledge alongside the uncovering of old. Women’s Football in Oceania covers key events, actors, and moments and fills a gap in research for scholars of sports history and women’s history.