Selected and arranged by the author, How To Be Invisible presents the lyrics of Kate Bush in a beautiful new paperback edition featuring a new cover by illustrator Jim Kay. 'The greatest singer-songwriter of the past 40 years, whose work is complex, ethereal and filled with so many secrets that one can listen to the albums for decades and still discover new delights every time [. . .] There's not a spare word anywhere in Bush's work. Everything means something.' Irish Times

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Selected and arranged by the author, and with a new introduction by novelist David Mitchell, How To Be Invisible presents the lyrics of Kate Bush for the first time in a beautiful cloth-bound Faber edition.

'For millions around the world, Kate is way more than another singer-songwriter: she is a creator of musical companions that travel with you through life. One paradox about Kate is that while her lyrics are proudly idiosyncratic, those same lyrics evoke emotions and sensations that feel universal. Literature works in similar mysterious ways. Kate's the opposite of a confessional singer-songwriter ... You don't learn much about Kate from her songs. She's fond of masks and costumes - lyrically and literally - and of yarns, fabulations and atypical narrative viewpoints. Yet, these fiercely singular songs, which nobody else could have authored, are also maps of the heart, the psyche, the imagination. In other words, art.' David Mitchell

For the past seven years, Hellen van Meene has been producing intimate portraits of adolescents. Though the introspective gaze of her models suggest that these are spontaneous, private moments in the lives of her subjects, the carefully considered natural light, lush textures, and striking compositions betray van Meene's hand in choreographing each image down to the finest detail. Throughout, the picturesque qualities are undercut by a disquieting tension: the models' clothes are ill-fitting or inside-out; one girl is asked to lie in a cold bath, fully clothed; another models a fresh bruise. This intimate collaboration between the photographer and her models simultaneously exposes the uncertain nature of adolescent identities and the complicated act of capturing them on film.