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This edited volume provides new readings of the life and career of iconic actress Vivien Leigh (1913-67). Written by experts in theatre and film studies and curators from the Victoria and Albert Museum, it uses newly accessible family archives to explore the intensely complex relationship between Leigh's approach to the craft of acting for stage and screen and how she shaped, developed and projected her public persona as one of the most talked about and photographed actresses of her era. Featuring key contributors from the UK, France and the US, the chapters range from analyses of Leigh's work on stage and screen to her collaborations with designers and photographers, an analysis of her fan base, her interior designs and the 'public ownership' of Leigh's celebrity status during her lifetime and beyond. -- .
This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women's networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women's sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: 'Female theatre workers in the social and theatrical realm' looks at the relationship between women's work - on and off stage - and autobiography, activism, technique, touring, education and the law. 'Women and popular performance' focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford. -- .
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