Accounts of female offenders' journeys into the criminal justice system are often silenced or marginalized. Featuring a Foreword from Pat Carlen and inspired by her seminal book 'Criminal Women', this collection uses participatory, inclusive and narrative methodologies to highlight the lived experiences of women involved with the criminal justice system. It presents studies focused on drug use and supply, sex work, sexual exploitation and experiences of imprisonment. Bringing together cutting-edge feminist research, this book exposes the intersecting oppressions and social control often central to women's experiences of the justice system and offers invaluable insights for developing penal policies that account for the needs of women.

Accounts of female offenders' journeys into the criminal justice system are often silenced or marginalized. Featuring a Foreword from Pat Carlen and inspired by her seminal book 'Criminal Women', this collection uses participatory, inclusive and narrative methodologies to highlight the lived experiences of women involved with the criminal justice system. It presents studies focused on drug use and supply, sex work, sexual exploitation and experiences of imprisonment. Bringing together cutting-edge feminist research, this book exposes the intersecting oppressions and social control often central to women's experiences of the justice system and offers invaluable insights for developing penal policies that account for the needs of women.

This anthology provides access to neglected theatrical work and broadens our understanding of the history of Irish theatre as well as the vital role of women within it. The introduction places these plays in dialogue with one another as well as within the national context of the repealing of women’s rights during the Irish Free State years. These are plays by authors including Mary Manning, Dorothy Macardle, Mary Devenport O’Neill, Kate O'Brien and Margaret O’Leary, which are difficult to access, but which are increasingly visible in Irish theatre scholarship. This unique collection places the playwrights in dialogue to form a tradition of women’s theatrical work that challenges the male-dominated literary canon of Irish theatre, as well as enriching the body of women’s theatrical work in the Anglophone world during the interwar years. Includes the plays: Kate O’Brien – Distinguished Villa (1926) Margaret O’Leary – The Woman (1929) Mary Manning – Youth’s the Season (1931) Dorothy Macardle – Witch’s Brew (1931) Mary Devenport O’Neill – Bluebeard (1933)

Mere Marie-Helene once turned her back on life, sealing up her heart in order to devote herself to God. Now the formidable Mother Superior of an Irish convent, she has, for some time, been experiencing grave doubts about her vocation. But when she meets Anna Murphy, the youngest-ever boarder, the little girl's solemn, poetic nature captivates her and she feels 'a storm break in her hollow heart'. Between them an unspoken allegiance is formed that will sustain each through the years as the Reverend Mother seeks to combat her growing spiritual aridity and as Anna develops the strength to resist the conventional demands of her background.

Mary Lavelle, a young and beautiful Irish woman, travels to Spain to work as a governess and see a little of life before returning to Mellick to marry her fiance, John. Despite the impressive surroundings and her three charming charges, she finds life as a governess to the Areavaga family lonely. But with the arrival of the family's brilliant but married son, Juanito, Mary finds her loyalties and beliefs challenged by his fiery politics and passion. With characteristic elegance and subtlety, Kate O'Brien, one of Ireland's most beloved writers, illuminates the anguish and ecstasies of a young woman at the heart of a family and a nation divided.

This anthology provides access to neglected theatrical work and broadens our understanding of the history of Irish theatre as well as the vital role of women within it. The introduction places these plays in dialogue with one another as well as within the national context of the repealing of women’s rights during the Irish Free State years. These are plays by authors including Mary Manning, Dorothy Macardle, Mary Devenport O’Neill, Kate O'Brien and Margaret O’Leary, which are difficult to access, but which are increasingly visible in Irish theatre scholarship. This unique collection places the playwrights in dialogue to form a tradition of women’s theatrical work that challenges the male-dominated literary canon of Irish theatre, as well as enriching the body of women’s theatrical work in the Anglophone world during the interwar years. Includes the plays: Kate O’Brien – Distinguished Villa (1926) Margaret O’Leary – The Woman (1929) Mary Manning – Youth’s the Season (1931) Dorothy Macardle – Witch’s Brew (1931) Mary Devenport O’Neill – Bluebeard (1933)

Ireland, 1880 and a prosperous, provincial family observes the three great autumnal feasts of the Church. As Teresa Mulqueen lies dying, her family gather round her and beneath this drama another, no less poignant, unfolds. Unmarried daughter Agnes awaits the return of her sister Marie-Rose and brother-in-law Vincent. She adores her sister, but secretly, pasionately, loves Vincent. And their marriage, she knows, is unhappy...Ahead lies a terrible battle between her uncompromising faith and the intensity of her love. In this delicately imagined novel, originally published in 1934, Kate O'Brien lays bare the struggles between personal need and the Catholic faith with the sympathy and insight which is the hallmark of her craft.