"Newtopia: The State of Human Rights" looks at human rights through the work of 70 international contemporary artists. Many of these artists come from countries or regions where human rights has been or is a particularly pressing issue, such as the Arab World, China, India, Latin America, South Africa and Russia. Much more than a straightforward exhibition catalogue, "Newtopia" is composed of three sections. The first part assesses the current state of the human rights debate in essays and philosophical reflections; the second collects contributions by various international human rights activists, in which gripping testimonies and historical reconstructions alternate with socio-political analyses; and the third reproduces a selection of artworks. Among the artists included are Hans Haacke, Taryn Simon, Kendell Geers, Taysir Batniji, Alejandro Cesarco, Pablo Picasso, Andy Warhol, Woloo, Nikita Kadan, Pia Ronike, Kostis Velonis, Zhou Zixi, Ai Weiwei, Marina Abramovic, Wilchar, Simon Starling, Boniface Mwongi and An-my Le.

Bringing together works from the past 20 years, this book introduces readers to multidisciplinary Belgian artist Maarten Vanden Eynde Belgian artist Maarten Vanden Eynde (b. 1977) has established a research-based practice, which spans diverse social, economic, environmental, and anthropological perspectives. His work covers some of the most important subjects of our time from extractionism, ecology, and colonialism to the after-effects of colonialism. The book is built up as an alternative encyclopaedia of the history of human kind, investigating our influence on planet Earth. It proposes an industrial and post-industrial archaeology of the future, mapping out a speculative "future-fiction" of our evolutionary traces, and offers a survey of Vanden Eynde's work from the past two decades, including Plastic Reef, a massive sculpture made from plastic debris the artist has harvested from all the world's oceans. Distributed for Mercatorfonds Exhibition Schedule: Mu.ZEE, Kunstmuseum aan zee, Ostend.

For 12 years, the Schwarz Foundation has been organizing regular exhibitions on the island of Samos at Art Space Pythagorion as well as the Samos Young Artists Festival. Due to its location on the Greek–Turkish border, Samos symbolizes one of the most pressing humanitarian issues of our time: Migrants crossing the Mediterranean Sea, geopolitical conflicts at the borders of Europe, and the human impact on the oceans around he world. A Decade of Cultural Production presents the work of the Munich-based Schwarz Foundation, whose declared aim is to promote dialogue through music and art. The book highlights how its projects deal with issues of migration, social responsibility and intercultural coexistence. Text by: Fanie Antonelou, Tania Canas, Markellos Chryssicos, Michelangelo Corsaro, Boris Dezulovic, Dorukhan Doruk, Antje Ehmann, Marina Fokidis, Mulo Francel, Caspar Frantz, Konstantia Gourzi, Katerina Gregos, Masha Ilyashov, Alexis Karaiskakis-Nastos, Dimitris Kountouras, Guy Mintus, Ina Niehoff, Wolf-Dietrich Niemeier, Daniel Nodel, Lorenda Ramou, Lenia Safiropoulou, Nikos Tsouchlos, Ioli Tzanetaki, Alexander Ullman, Chiona Xanthopoulou-Schwarz, Nikos Xydakis, Katerina Zacharopoulou