The Velislav Bible is one of the most beautiful medieval Bohemian manuscripts. It is a heavily illustrated manuscript that contains only short selections of the text, that instruct the reader about the story depicted. The last picture in the manuscript shows a man kneeling before St. Catherine, identified as Velislav, hence the name of the manuscript. The Bible comprises stories from the Books of Genesis and Exodus, visions of Daniel, and the stories of Samson as well as of Judith. The narrative of the Antichrist precedes the Christological part. The New Testament continues with the Book of Revelation, stories following the Ascension of Christ, and key events from the lives of St. Peter and St. Paul. The manuscript closes with the legend of St. Wenceslas, the patron saint of Bohemia. The essays in The Velislav Bible, Finest Picture-Bible of the Late Middle Ages: Biblia depicta as Devotional, Mnemonic and Study Tool analyze the manuscript from historical, textual, art-historical, and iconographic perspectives. However, a shared concern of all the authors is to think about its functions. An edition of the Latin titulis is being published here for the first time.

This collection examines how the Society of Jesus used art and architecture in its missionary efforts in the Lands of the Bohemian Crown from the sixteenth century to the eighteenth. The Jesuits used a variety of visual media to re-invigorate the cult of miraculous images, saints, and local Catholic customs in the Central European region, where a tradition of religious dissent went back to the legendary Hussites of the 15th century. Jesuit art is seen as resulting from the transfer, local adaptation, and visualization of ideas about image theology, the order's global mission, its self-promotion, and the construction of the religious past. Examining the architecture, statues, images, murals, and decorative programs of Jesuit complexes and other visual media (devotional prints, medieval images), the essays here demonstrate how the Jesuit Order cultivated the subjects and functions of art to promote concepts of Catholic piety as they grew into one of the most successful agents of Catholic Reform in the Bohemian kingdom.

Concepts of visual communication form an explanatory framework for discussing the visual expressions of urban symbolic communication in urban life in towns in the center of Europe in the late medieval and early modern period, including the dramatic times of the Reformation and Counter-Reformation. This book examines the role of images and visual representation by concentrating on the varieties of symbolic communication in towns that made a range of relationships visual: the status and role of urban civic, professional, and religious communities and the relations between the town and its lord or powerful families and individuals. The geographical framework of this book is the region in the former Habsburg countries north of the Danube River embracing the region between western Bohemia and what is today eastern Slovakia, including the borderland towns of northern Austria. Two studies focus on specific local and occupational communities in the Prague towns, but most of the texts in this book focus on small towns by contemporary European standards in which many forms of urban topography, buildings, objects, and monuments survive, even though few written sources have been preserved. Accessing a wide range of literature in regional languages and German for English speakers, this collection describes typical urban landscapes in early modern Central Europe outside the well-known Central European urban centers and traditional areas of study. The book is a relevant new contribution to medieval and early modern studies, not only covering an underappreciated geographical area but also addressing general questions about the history of rituals and performance as well as visual culture, communication, and identity discourses in late medieval and early modern urban space.