A boy's nomadic life in Mongolia is under threat in a novel that "captures the mountains, valleys and steppes in all their surpassing beauty and brutality" (Minneapolis Star-Tribune). In the high Altai Mountains of northern Mongolia, a young shepherd boy comes of age, tending his family's flocks on the mountain steppes and knowing little of the world beyond the surrounding peaks. But his nomadic way of life is increasingly disrupted by modernity. This confrontation comes in stages. First, his older siblings leave the family yurt to attend a distant boarding school. Then the boy's grandmother dies, and with her his connection to the old ways. But perhaps the greatest tragedy strikes when his dog, Arsylang--"all that was left to me"--ingests poison set out by the boy's father to protect his herd from wolves. "Why is it so?" Dshurukawaa cries out in despair to the Heavenly Blue Sky, to be answered only by the wind. Rooted in the oral traditions of the Tuvan people, The Blue Sky weaves the timeless story of a boy poised on the cusp of manhood with the story of a people on the threshold. "Thrilling. . . . Tschinag makes it easy for his readers to fall into the beautiful rhythms of the Tuvans' daily life." --Los Angeles Times Book Review "In this pristine and concentrated tale of miraculous survival and anguished loss, Tschinag evokes the nurturing warmth of a family within the circular embrace of a yurt as an ancient way of life lived in harmony with nature becomes endangered." --Booklist

This is a biographical novel that tells the story of Chaim Soutine, a Jewish painter from Belorussia who had to be smuggled back to Paris in 1943. August 6, 1943. Chaim Soutine, a Jewish painter from Belorussia and a contemporary of Chagall, Modigliani, and Picasso, is hidden in a hearse that’s traveling from a small town on the Loire towards Nazi-occupied Paris. Suffering from a stomach ulcer, he urgently needs a life-saving operation. But the hearse must avoid the occupiers’ checkpoints, and it becomes increasingly likely that he will not survive the journey.   In a stream of extraordinary images, the morphine-induced artist hallucinates and remembers his life. He dreams of his childhood in Smilovichi near Minsk; his beginnings as a painter in Vilna; his arrival in 1913 in the art capital of the world, Paris, where he befriends Modigliani; and his survival of years of struggle and finding sudden success, only to be persecuted and forced into hiding when the Nazis invade. Back in the present, the painter believes that the power of milk is the only possible remedy for his ulcer. In his mind, he is traveling to a “white paradise�—a strange clinic where a “god in white� declares him healed but forbids him to paint. But for Soutine, neither paradise nor salvation exists if he cannot paint. So, he begins to paint again in secret, willing to pay the price of discovery.   A brilliant biographical novel about childhood, longing, friendship, bodily pain, and the wounds of exile, Ralph Dutli’s Soutine’s Last Journey is ultimately an exploration of language and the power of art.

When Branded: A Diary was published in Berlin in 1920, Emmy Hennings was called the most important woman writer of her day. Her autobiographical novel offers a sharp critique of patriarchy and the social injustices of the last decade of the German Empire, infused with a mysticism that celebrates sexual love as a spiritual gift and assigns saintly status to beggars and sex workers. Drawing on the experimentation of Dadaists and Expressionists and inspired by modern technologies such as the camera and gramophone, Hennings radically shatters novelistic conventions. Over a century after the novel's publication, this translation finally introduces an important modernist voice to English-language readers, accompanied by an illuminating selection of contextual materials and an informative introduction.

The only metric that tracks how much nature we have - and how much nature we use Ecological Footprint accounting, first introduced in the 1990s and continuously developed, continues to be the only metric that compares overall human demand on nature with what our planet can renew - its biocapacity - and distils this into one number: how many Earths we use. Our economy is running a Bernie Madoff-style Ponzi scheme with the planet. We use future resources to run the present, using more than Earth can replenish. Like any such scheme, this works for a limited time, followed by a crash. Avoiding ecological bankruptcy requires rigorous resource accounting - a challenging task, but doable with the right tools. Ecological Footprint provides a complete introduction, covering: Footprint and biocapacity accounting Data and key findings for nations Worldwide examples including businesses, cities, and countries Strategies for creating regenerative economies Whether you're a student, business leader, future-oriented city planner, economist, or have an abiding interest in humanity's future, Footprint and biocapacity are key parameters to be reckoned with and Ecological Footprint is your essential guide. AWARDS SILVER | 2020 Eric Zencey Prize SILVER | 2019 Nautilus Book Awards: Ecology & Environment FINALIST | 2019 Foreword INDIES: Ecology & Environment