Major sites such as Hamwic and Dorestad typically dominate any discussion of early medieval trade and emporia - this study is altogether atypical in many ways. Comprising nineteen papers taken from a conference held at Worcester College, Oxford in 2000, the focus here is very much on the smaller, more rural trading centres and inland markets of Northern Europe. The contributors reflect very different approaches to the material, including studies that examine up-to-date historical, archaeological and numismatic evidence from Britain, Denmark, the Netherlands, Norway and Sweden dating from the 7th to 9th century. The authors consider the rather controversial use of metal-detecting in identifying and defining new sites and patterns of interaction and exchange, highlighting its positive contribution. Contributors include Mark Blackburn, David Griffiths, Lars Jorgensen, Michael Metcalf, Julian D Richards, Peter Sawyer and Astrid Tummuscheit.

The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul Jacobsthal's Early Celtic Art in 1944. The papers chart the history of attempts to understand Celtic art and argue for novel approaches in discussions spanning the whole of Continental Europe and the British Isles. This new body of international scholarship will give the reader a sense of the richness of the material and current debates. Artefacts of rich form and decoration, which we might call art, provide a most sensitive set of indicators of key areas of past societies, their power, politics and transformations. With its broad geographical scope, this volume offers a timely opportunity to re-assess contacts, context, transmission and meaning in Celtic art for understanding the development of European cultures, identities and economies in pre- and proto-history. Essays in honour of Vincent Megaw on his 80th birthday.

Subtitled The archaeology of Middle Saxon Lincolnshire and Hampshire compared', this study assesses and compares the historical and archaeological record of these two counties from the conversion of England in c. 650 to Alfred's reign in 870. One of the author's principal aims is to quantify the involvement of the church in the Middle Saxon economy during this time of fundamental religious, political and social change by examining economic centres, industries and trade. This study makes use of a large collection of metal detector finds, largely neglected until now, which have enabled Ulmschneider to identify new sites. Includes gazetteers of sites in Lincolnshire and Hampshire.

The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul Jacobsthal's Early Celtic Art in 1944. The papers chart the history of attempts to understand Celtic art and argue for novel approaches in discussions spanning the whole of Continental Europe and the British Isles. This new body of international scholarship will give the reader a sense of the richness of the material and current debates. Artefacts of rich form and decoration, which we might call art, provide a most sensitive set of indicators of key areas of past societies, their power, politics and transformations. With its broad geographical scope, this volume offers a timely opportunity to re-assess contacts, context, transmission and meaning in Celtic art for understanding the development of European cultures, identities and economies in pre- and proto-history. Essays in honour of Vincent Megaw on his 80th birthday.