Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base, and is Britain's foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field.

Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base, and is Britain's foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field.

Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base, and is Britain's foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field.

Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base, and is Britain's foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field.

Benedict Read died suddenly on 20 October 2016. His influence on art-history in the field of sculpture, and his ground-breaking authoritative volume, Victorian Sculpture (1982) were hugely important. He was instrumental in bringing about a sea-change in academic attitudes towards both the nineteenth century and to sculpture. This memorial Festschrift published by the PMSA of which Ben was a founder, former Chairman and trustee, celebrates his academic achievement, his considerable contribution to scholarship and the generosity of spirit with which he shared his knowledge. It is a powerful testament to the inspiration of a remarkable person. Sculpting Art History: Essays in Memory of Benedict Read contains 30 essays by friends, former students and colleagues - James Lomax, Marjorie Trusted, Julius Bryant, Rowan Bailey, Caroline Hedengren-Dillon, Jykri Suikonen, Joanna Barnes and Harriet Israel, Alison Inglis, Philip Ward-Jackson, Sandra Berresford, Ann Compton, Barbara Bryant, Claudine Mitchell, Alison Glew, Jane Winfrey, Andrew Jezzard, Juliette Peers, Mary Ann Steggles, Michael Paraskos, Sarah Crellin, Paula Murphy, Mark Stocker, Patrick Eyres, Katharine Eustace, Jonathan Black, Gerardine Mulcahy-Parker, Gillian Whiteley, Charles Avery and Jacqueline Banerjee together with 17 appreciations by Ben's family, friends and colleagues.

The collections of twentieth-century paintings in the Ashmolean Museum, Oxford, have developed largely through the generosity of individuals. Notable among these in the early decades of the century were Frank Hindley Smith and Mrs W F R Weldon, while since the Second World War the Museum's collections have been enriched through gifts and requests from Thomas Balston, R A P Bevan, Molly Freeman, Christopher Hewett and others. This book gives the reader a taste of the wide range of the collection, with its representative group of Camden Town and Euston Road School pictures, and important early works by Bonnard, Picasso and Matisse.

The collections of twentieth-century paintings in the Ashmolean Museum, Oxford, have developed largely through the generosity of individuals. Notable among these in the early decades of the century were Frank Hindley Smith and Mrs W F R Weldon, while since the Second World War the Museum's collections have been enriched through gifts and requests from Thomas Balston, R A P Bevan, Molly Freeman, Christopher Hewett and others. This book gives the reader a taste of the wide range of the collection, with its representative group of Camden Town and Euston Road School pictures, and important early works by Bonnard, Picasso and Matisse.

Britain's foremost scholarly journal dedicated to sculpture in all its aspects, Sculpture Journalprovides an international forum for writers and scholars in the field of postclassical and contemporary Western sculpture. Recent highlights include essays by art historian Catherine Speck on Jacob Epstein, Elyse Speaks on Louise Bourgeois, and Anna Seidel on Gian Lorenzo Bernini, alongside current exhibition news and book reviews. Academically focused but accessible and richly illustrated throughout, Sculpture Journal is an insightful read for researchers, enthusiasts, collectors, or anyone interested in sculpture.

Britain's foremost scholarly journal dedicated to sculpture in all its aspects, "Sculpture Journal "provides an international forum for writers and scholars in the field of postclassical and contemporary Western sculpture. Recent highlights include essays by art historian Catherine Speck on Jacob Epstein, Elyse Speaks on Louise Bourgeois, and Anna Seidel on Gian Lorenzo Bernini, alongside current exhibition news and book reviews. Academically focused but accessible--and richly illustrated throughout--"Sculpture Journal" is an insightful read for researchers, enthusiasts, collectors, or anyone interested in sculpture.