There has, in recent years, been an explosion of writing about place, landscape and the natural world. But within this, women's voices have remained in the minority. This anthology gathers the voices of women from the fourteenth to the twenty-first centuries whose subject is the natural world in Britain, Ireland and the outlying islands of our archipelago. Alongside the traditional forms of the travelogue, the walking guide, books on birds, plants and wildlife, Women on Nature embraces alternative modes of seeing and recording that turn the genre on its head. Katharine Norbury has sifted though the pages of women's fiction, poetry, biography, gardening diaries and recipe books and garnered accounts from artists, farmers, theologians and natural scientists to demonstrate the multitudinous ways in which women have observed the world about them. From the fourteenth-century spiritual revelations of Julian of Norwich to the seventeenth-century travel journals of Celia Fiennes, and including a host of twenty-first-century voices such Sarah Evans, Sinead Gleeson, Kathleen Jamie, Jackie Kay, Rachel Lichtenstein, Amy Liptrot, Helen Mort, Anita Sethi and more, Women on Nature presents a fresh vision of the natural world and is of unique importance in terms of women's history and the history of writing about nature.

There has, in recent years, been an explosion of writing about place, landscape and the natural world. But within this, women's voices have remained in the minority. This anthology gathers the voices of women from the fourteenth to the twenty-first centuries whose subject is the natural world in Britain, Ireland and the outlying islands of our archipelago. Alongside the traditional forms of the travelogue, the walking guide, books on birds, plants and wildlife, Women on Nature embraces alternative modes of seeing and recording that turn the genre on its head. Katharine Norbury has sifted though the pages of women's fiction, poetry, biography, gardening diaries and recipe books and garnered accounts from artists, farmers, theologians and natural scientists to demonstrate the multitudinous ways in which women have observed the world about them. From the fourteenth-century spiritual revelations of Julian of Norwich to the seventeenth-century travel journals of Celia Fiennes, and including a host of twenty-first-century voices such Sarah Evans, Sinead Gleeson, Kathleen Jamie, Jackie Kay, Rachel Lichtenstein, Amy Liptrot, Helen Mort, Anita Sethi and more, Women on Nature presents a fresh vision of the natural world and is of unique importance in terms of women's history and the history of writing about nature.

_______________ 'A beautiful, strange, intoxicating and utterly unique story' - Philip Pullman 'The memoirist's challenge ... is simple: "Give a true account of yourself". The Fish Ladder accomplishes this brilliantly' - Horatio Clare, Sunday Telegraph 'A beguiling amalgam of personal anecdote, travelogue and family history ... Norbury attains a wonder-struck prose poetry' - Independent _______________ SHORTLISTED FOR THE WAINWRIGHT PRIZE LONGLISTED FOR THE GUARDIAN FIRST BOOK AWARD TELEGRAPH BEST BOOK OF THE YEAR Katharine Norbury was abandoned as a baby in a Liverpool convent. Raised by loving adoptive parents, she grew into a wanderer, drawn by the beauty of the British countryside. One summer, following the miscarriage of a much-longed-for child, Katharine and her nine-year-old daughter Evie decide to follow a river from the sea to its source. But a chance circumstance forces Katharine to the door of the woman who gave her up all those years ago. Combining travelogue, memoir, exquisite nature writing, fragments of poetry and tales from Celtic mythology, The Fish Ladder is a captivating and life-affirming story about motherhood, marriage, family, and self-discovery, illuminated by the extraordinary majesty of the natural world. _______________