This book explores television's current fascination with the Edwardian era. By exploring popular period dramas such as Downton Abbey , it examines how the early twentieth century is represented on our screens, and what these shows tell us about class, gender and politics, both past and present.

This timely collection examines representations of medicine and medical practices in international period drama television. A preoccupation with medical plots and settings can be found across a range of important historical series, including Outlander, Poldark, The Knick, Call the Midwife, La Peste and A Place to Call Home. Such shows offer a critique of medical history while demonstrating how contemporary viewers access and understand the past. Topics covered in this collection include the innovations and horrors of surgery; the intersection of gender, class, race and medicine on the American frontier; psychiatry and the trauma of war; and the connections between past and present pandemics. Featuring original chapters on period television from the UK, the US, Spain and Australia, Diagnosing history offers an accessible, global and multidisciplinary contribution to both televisual and medical history. -- .

Tuberculosis was a widespread and deadly disease which devastated the British population in the nineteenth century: consequently it also had a huge impact upon public consciousness. This text explores the representations of tuberculosis in nineteenth-century literature and culture. Fears about gender roles, degeneration, national efficiency and sexual transgression all play their part in the portrayal of 'consumption', a disease which encompassed a variety of cultural associations. Through an examination of a range of Victorian texts, from well-known and popular novels by Charles Dickens and Elizabeth Gaskell to critically neglected works by Mrs Humphry Ward and Charles Reade, this work reveals the metaphors of illness which surrounded tuberculosis and the ways those metaphors were used in the fiction of the day. The book also contains detailed analysis of the substantial body of writing by nineteenth-century physicians which exists about this disease, and examines the complex relationship between medical 'fact' and literary fiction.

This book explores television's current fascination with the Edwardian era. By exploring popular period dramas such as Downton Abbey , it examines how the early twentieth century is represented on our screens, and what these shows tell us about class, gender and politics, both past and present.

Tuberculosis was a widespread and deadly disease which devastated the British population in the nineteenth century: consequently it also had a huge impact upon public consciousness. This text explores the representations of tuberculosis in nineteenth-century literature and culture. Fears about gender roles, degeneration, national efficiency and sexual transgression all play their part in the portrayal of 'consumption', a disease which encompassed a variety of cultural associations. Through an examination of a range of Victorian texts, from well-known and popular novels by Charles Dickens and Elizabeth Gaskell to critically neglected works by Mrs Humphry Ward and Charles Reade, this work reveals the metaphors of illness which surrounded tuberculosis and the ways those metaphors were used in the fiction of the day. The book also contains detailed analysis of the substantial body of writing by nineteenth-century physicians which exists about this disease, and examines the complex relationship between medical 'fact' and literary fiction.

Rape in Period Drama Television considers the representation of rape and rape myths in a number of the most influential recent television period dramas. Like the corset, has become a shorthand for women's oppression in the past. Sexual violence has long been, and still is, commonplace in television period drama, often used to add authenticity and realism to shows or as a sensationalist means of chasing ratings. However, the authors illustrate that the depiction of rape is more than a mere reminder that the past was a dangerous place for women (and some men). In these series, they argue, rape functions as a kind of "anti-heritage" device that dispels the nostalgia usually associated with period television and reflects back on the current cultural moment, in which the #MeToo and #Timesup movement have increased awareness of the prevalence of sexual abuse, but in which legal and political processes have not yet caught up. In doing so, Rape in Period Drama Television sets out to explore the assumptions and beliefs which audiences continue to hold about rape, rapists, and victims.

Never before has period drama offered viewers such an assortment of complex male characters, from transported felons and syphilitic detectives to shell shocked soldiers and gangland criminals. Neo-Victorian Gothic fictions like Penny Dreadful represent masculinity at its darkest, Poldark and Outlander have refashioned the romantic hero and anti-heritage series like Peaky Blinders portray masculinity in crisis, at moments when the patriarchy was being bombarded by forces like World War I, the rise of first wave feminism and the breakdown of Empire. Scholars of film, media, literature and history explore the very different types of maleness offered by contemporary television and show how the intersection of class, race, history and masculinity in period dramas has come to hold such broad appeal to twenty-first-century audiences.

Never before has period drama offered viewers such an assortment of complex male characters, from transported felons and syphilitic detectives to shell shocked soldiers and gangland criminals. Neo-Victorian Gothic fictions like Penny Dreadful represent masculinity at its darkest, Poldark and Outlander have refashioned the romantic hero and anti-heritage series like Peaky Blinders portray masculinity in crisis, at moments when the patriarchy was being bombarded by forces like World War I, the rise of first wave feminism and the breakdown of Empire. Scholars of film, media, literature and history explore the very different types of maleness offered by contemporary television and show how the intersection of class, race, history and masculinity in period dramas has come to hold such broad appeal to twenty-first-century audiences.