Within Shakespeare's lifetime there was already some curiosity about what the writer of such brilliant poems, sonnets and plays looked like. Yet like so much else about him, Shakespeare's appearance is mysterious. Why is it so difficult to find images of him that were definitely made during his life? Which images are most likely to have been made by those close to Shakespeare, and why do these differ from each other? Also, why do newly 'discovered' images claimed as representations of the playwright emerge with such regularity? Shakespeare scholar Katherine Duncan-Jones examines these questions, beginning with an analysis of the tradition of the 'author portrait' before, during, and after Shakespeare's life. She provides a detailed critique of the three images of Shakespeare likeliest to derive from life-time portrayals: the bust in Holy Trinity Church, Stratford-upon-Avon; the 'Droeshout engraving' from the First Folio edition of Shakespeare's plays published in 1623; and the 'Chandos portrait', painted in oil on canvas in the early seventeenth century. Through a fresh exploration of the evidence and groundbreaking research, she identifies a plausible new candidate for the painter of 'Chandos'. This also throws new light on the last years of Shakespeare's life. This generously illustrated book also examines the afterlife of these three images, as memorials, in advertising and in graphic art, together with their adaptation in later commemorative statues: all evidence of a continuing desire to put a face to one of the most famous names in literature.

Shakespeare's Sonnets are universally loved and much-quoted throughout the world, while debates still rage as to the identity of the Dark Lady and how autobiographical the sonnets really are. This revised edition has been updated in the light of new scholarship and critical analysis since its first publication which won a wide range of critical acclaim. Author Katherine Duncan Jones tackles the controversies and mysteries surrounding these beautiful poems head on, and explores the issues of sexuality to be found in them, making this a truly modern edition for today's readers and students.

For more than a century educators, students and general readers have relied on The Arden Shakespeare to provide the very best scholarship and most authoritative texts available.

"Shall I compare thee to a summer's day?" Shakespeare's much-quoted sonnets are some of the most beautiful and moving poems in English literature. Dealing with love, beauty and the effects of time, they speak to us as directly now as they spoke to Elizabethan readers. This handsome edition of Shakespeare's sonnets is based on the Arden Shakespeare edition, making authoritative texts available to the more general reader who wants to read for pleasure rather than study. A must for all Shakespeare and poetry lovers. Published as a small format hardback with colourful jacket, book ribbon and bookplate this is a beautiful collector's edition of some of the greatest poetry in English

In 1593 Shakespeare awoke and found himself famous. Lines from his comic, erotic, tragic poem Venus and Adonis were on everyone 's lips.The appearance in 1594 of the darkly reflective and richly descriptive Rape of Lucrece confirmed his fame as 'Sweet Master Shakespeare', Elizabethan England's most brilliant non-dramatic poet. Shorter poems in this volume testify further to Shakespeare 's versatility and to his poetic fame. Some, like the much-debated 'Phoenix and Turtle ', pose problems of meaning; others raise questions about authorship and authenticity. Detailed annotation and a full Introduction seek to resolve such difficulties while also locating Shakespeare's poems in their literary context, which includes his own career as a playwright.

Essays exploring different facets of the life and influence of Edmund Campion, the sixteenth-century Jesuit and martyr. This volume forms the first modern study of Edmund Campion, the Jesuit priest executed at Tyburn in 1581, and through him focuses on a theme that has been attracting growing interest among sixteenth-century historians: the passagefrom a Catholic to an Anglican England, and the resistance to this move. The essays collected here investigate the historical context of Campion's mission; different aspects of his writing and work; the network of colleagues withwhom he was in contact; his relationship with contemporaries such as Sir Philip Sidney; the effect of his English mission; and the legacy he left. THOMAS M. MCCOOG, S.J. is the Archivist of the British province of theSociety of Jesus and a member of the Jesuit Historical Institute at Rome. Contributors: FRANCISCO DE BORJA MEDINA, JOHN BOSSY, NANCY POLLARD BROWN, KATHERINE DUNCAN-JONES, DENNIS FLYNN, VICTOR HOULISTON, JOHN J. LAROCCA, COLM LENNON, DAVID LOADES, JAMES MCCONICA, THOMAS M. MCCOOG, THOMAS MAYER, MICHAEL QUESTIER, ALISON SHELL, MICHAEL E. WILLIAMS

'All the world's a stage, And all the men and women merely players' Rosalind, banished by her cruel uncle, travels secretly to the Forest of Arden, where her exiled father holds court. There, dressed as a boy to avoid discovery, she encounters the man she loves - now a fellow exile - and resolves to remain in disguise to test his feelings for her. One of Shakespeare's most sunny, fast-paced and accessible comedies, As You Like It is an exuberant combination of concealed identities and verbal jousting, burlesque and pastoral dream, reconciliations and multiple weddings. Used and Recommended by the National Theatre General Editor Stanley Wells Edited by H. J. Oliver Introduction by Katherine Duncan-Jones

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Sidney's poetry and prose - all the major writing, complemented by letters and elegies - to give the essence of his work and thinking. Born in 1554, Sir Philip Sidney was hailed as the perfect Renaissance patron, soldier, lover, and courtier, but it was only after his untimely death at the age of 31 that his literary accomplishments were truly recognized. This collection ranges more widely through Sidney's works than any previous volume and includes substantial parts of both versions of the Arcadia, The Defence of Poesy and the whole of the sonnet sequence Astrophil and Stella. Supplementary texts, such as his letters and the numerous elegies which appeared after his death, help to illustrate the whole spectrum of his achievements, and the admiration he inspired in his contemporaries. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Philip Sidney was in his early twenties when he wrote his `Old' Arcadia for the amusement of his younger sister, the Countess of Pembroke. The book, which he called 'a trifle, and that triflingly handled', reflects their youthful vitality. The `Old' Arcadia tells a romantic story in a manner comparable to that of Shakespeare's early comedies. It is divided into five `Acts', and abounds in lively speeches, dialogues, and quasi-dramatic tableaux. Two young princes, Pyrocles and Musidorus, disguise themselves as an Amazon and a shepherd to gain access to the Arcadian Princesses, who have been taken into semi-imprisonment by their father to avoid the dangers foretold by an oracle. As a vehicle for Sidney's prophetic ideas about English versification, the `Old' Arcadia also includes over seventy poems in a wide variety of metres and genres. In clarity, symmetry, and coherence the `Old' version is greatly superior both to the ambitious but unfinished `New' Arcadia and the amalgamated, `composite' version, a hybrid monster which Sidney himself never envisaged. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

An original and provocative study of the evolution of Shakespeare's image, building on the success of Duncan-Jones' acclaimed biography, "Shakespeare: An Ungentle Life." Taking a broadly chronological approach, she investigates Shakespeare's changing reputation, as a man, an actor and a poet, both from his own viewpoint and from that of his contemporaries. Many different categories of material are explored, including printed books, manuscripts, literary and non-literary sources. Rather than a biography, the book is an exploration with biographical elements. The change in public opinion in Shakespeare's time is quite startling: Henry Chettle attacked him as an 'upstart Crow' in 1592, an attack from which Shakespeare sought to defend himself; and yet by the time of the First Folio in 1623 he had become the 'Sweet Swan of Avon ' and was fast becoming the literary treasure he remains today.

This engaging and fascinating study brings the politics and fashions of Shakespeare's literary and theatrical world vividly to life.

First time in paperback This major biography of Shakespeare was first published in 2001 to great critical acclaim. It remains highly regarded and much cited by critics and scholars. Its author, Katherine Duncan Jones was an advisor to William Boyd for his film about Shakespeare's life (A Waste of Shame). The book shows Shakespeare as a man among men and a writer among writers. He lives in a congested city, where he encounters disease, debt and cut-throat competition. His brilliance often makes him the object of envy and malice rather than adulation. He is a shrewd purchaser of property and shows no inclination to divert any of his wealth to charitable or altruistic ends. He appears to be more interested in relationships with well-born young men than with women. Duncan Jones takes us through the complexities of life in late Elizabethan and early Jacobean England in a compelling well-told story. For this paperback reissue, the author has written a new Preface, detailing some of the recent debates about Shakespeare's biography and identity. Katherine Duncan-Jones has published over forty articles on Elizabethan and Jacobean literature. Her biography "Sir Philip Sidney: Courtier Poet" appeared in 1991, and her edition of "Shakespeare's Sonnets" was published by Arden in 1997. She is a Tutorial Fellow in English at Somerville College, Oxford, and a Fellow of the Royal Society of Literature. "Engrossing...meticulously fleshes out her portrait of Shakespeare as social climber, as homosexual misogynist-cum-womanizer, and as skinflint...Her account of Shakespeare's hypothetical entry into the theatrical profession is a tour de force of biographical reconstruction...Striking and original elements... Katherine Duncan-Jones shines light into dark corners and brings skeletons out of the closet. Her courageous biography is partisan, idiosyncratic, and unforgettable. Anyone seriously interested in Shakespeare should read it.--"Shakespeare Quarterly"