Examines the way that theatrical representations of chastity inform broader concerns about the commoditisation of people in early capitalism Chaste Value reassesses chastity's significance in early modern drama, arguing that presentations of chastity inform the stage's production of early capitalist subjectivity and social difference. Plays invoke chastity--itself a quasi-commodity--to interrogate the relationship between personal and economic value. Through chastity discourse, the stage disrupts pre-capitalist ideas of intrinsic value while also reallocating such value according to emerging hierarchies of gender, race, class, and nationality. Chastity, therefore, emerges as a central category within early articulations of humanity, determining who possesses intrinsic value and, conversely, whose bodies and labor can be incorporated into market exchange. Key Features Reevaluates early modern drama's engagement with female chastity, situating them within broader anxieties about personal commoditization in early capitalist England Offers an update/corrective to new economic critical approaches by demonstrating how concerns about personal and economic value shape emerging hierarchies of race, class, gender, and nationality Uniquely synthesizes current topics of concern in early modern literary studies Offers innovative readings of seventeen literary works in relation to early modern debates about value, exchange, commoditization, and subjectivity

This volume features a wide range of plays that reimagine Shakespeare works from Borderlands perspectives. For several decades, Chicanx and Indigenous theatermakers have been repurposing Shakespeare's plays to reflect the histories and lived realities of the US-Mexico Borderlands and to create space to tell stories of and for La Frontera. Celebrating this rich tradition, The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera brings a wide range of Borderlands Shakespeare plays together for the first time in a multi-volume open-access scholarly edition. This anthology celebrates the dynamic, multilingual reworking of canon and place that defines Borderlands Shakespeare, and it situates these geographically and temporally diverse plays within the robust study of Shakespeare's global afterlives. The editors offer a critical framework for understanding the artistic and political traditions that shape these plays and the place of Shakespeare within the multilayered colonial histories of the region. Borderlands Shakespeare plays, they contend, do not simply reproduce Shakespeare in new contexts but rather use his work in innovative ways to negotiate colonial power and to envision socially just futures.

Examines the way that theatrical representations of chastity inform broader concerns about the commoditisation of people in early capitalism Chaste Value reassesses chastity's significance in early modern drama, arguing that presentations of chastity inform the stage's production of early capitalist subjectivity and social difference. Plays invoke chastity--itself a quasi-commodity--to interrogate the relationship between personal and economic value. Through chastity discourse, the stage disrupts pre-capitalist ideas of intrinsic value while also reallocating such value according to emerging hierarchies of gender, race, class, and nationality. Chastity, therefore, emerges as a central category within early articulations of humanity, determining who possesses intrinsic value and, conversely, whose bodies and labor can be incorporated into market exchange. Key Features Reevaluates early modern drama's engagement with female chastity, situating them within broader anxieties about personal commoditization in early capitalist England Offers an update/corrective to new economic critical approaches by demonstrating how concerns about personal and economic value shape emerging hierarchies of race, class, gender, and nationality Uniquely synthesizes current topics of concern in early modern literary studies Offers innovative readings of seventeen literary works in relation to early modern debates about value, exchange, commoditization, and subjectivity

This volume features a wide range of plays that reimagine Shakespeare works from Borderlands perspectives. For several decades, Chicanx and Indigenous theatermakers have been repurposing Shakespeare's plays to reflect the histories and lived realities of the US-Mexico Borderlands and to create space to tell stories of and for La Frontera. Celebrating this rich tradition, The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera brings a wide range of Borderlands Shakespeare plays together for the first time in a multi-volume open-access scholarly edition. This anthology celebrates the dynamic, multilingual reworking of canon and place that defines Borderlands Shakespeare, and it situates these geographically and temporally diverse plays within the robust study of Shakespeare's global afterlives. The editors offer a critical framework for understanding the artistic and political traditions that shape these plays and the place of Shakespeare within the multilayered colonial histories of the region. Borderlands Shakespeare plays, they contend, do not simply reproduce Shakespeare in new contexts but rather use his work in innovative ways to negotiate colonial power and to envision socially just futures.