A collection of memorable voyages, from 17 celebrated women writers, including a 1700-mile trek across the Australian outback, through the splendour of Darwin's Galapogos, up to the startling heights of Pakistan's Indus Gorge and into the day-long darkness of a north Finland winter.

A literary saga, spanning two generations and two cultures, Canadian and Japanese, reminiscent of the work of Isabel Allende. Suddenly finding herself motherless at the age of six, Vera is left in the care of her grandfather, who spends long periods away at sea, leaving her alone back in Vancouver. When she reaches her teens, Vera is taken by her grandfather's mistress to a small island in Japan. After years of loneliness, she finds an island where she can feel comfortable. The women of the island take her in and she learns to dive for pearls. Immersed in her surroundings, she meets a mysterious stranger, a man who is trained as a ceremonial sword polisher, who brings her into touch with the outside world. Every day, they listen to the mounting rhetoric on the radio and must live with the knowledge of the havoc that the Japanese are wreaking in China. Then the worst happens. Vera is forced to return to Canada by a father whom she has long thought is dead. World War Two breaks out. The idyll is over. But Vera never forgets her island life, the sword polisher, or her true identity. Determined to regain the passion and joy that she once knew, she must return to Japan, to the one place that she truly belonged.

Recounting the story of her life, Oei plunges us into the colorful world of nineteenth-century Edo, in which courtesans rub shoulders with poets, warriors consort with actors, and the arts flourish in an unprecedented moment of creative upheaval. Oei and Hokusai live among writers, novelists, tattoo artists, and prostitutes, evading the spies of the repressive shogunate as they work on Hokusai's countless paintings and prints. Wielding her brush, rejecting domesticity in favor of dedication to the arts, Oei defies all expectations of womanhood--all but one. A dutiful daughter to the last, she will obey the will of her eccentric father, the man who created her and who, ultimately, will rob her of her place in history.

Vivid, daring, and unforgettable, The Printmaker's Daughter shines fresh light on art, loyalty, and the tender and indelible bond between a father and daughter.

Alberta writing has a long tradition. Beginning with the pictographs of Writing-on-Stone, followed by Euro-Canadian exploration texts, the post-treaty writing of the agrarian colonization period, and into the present era, Alberta writing has come to be seen as a distinct literature. In this volume Melnyk and Coates continue the project of scholarly analysis of Alberta literature that they began with Wild Words: Essays on Alberta Literature (2009). They argue that the essays in their new book confirm that Alberta's literary identity is historically contingent with a diverse, changing content, that makes its definition a work-in-progress. The essays in this volume provide contemporary perspectives on major figures in poetry and fiction, such as Robert Kroetsch, Sheila Watson, Alice Major, and Fred Stenson. Other essays bring to light relatively unknown figures such as the Serbian Canadian writer David Albahari and the pioneer clergyman Nestor Dmytrow. Writing Alberta: Building on a Literary Identity offers a detailed discussion of contemporary Indigenous writers, an overview of Alberta historiography of the past century, and the fascinating autobiographical reflections of the novelist Katherine Govier on her literary career and its Alberta influences. This Collection demonstrates that Alberta writers, especially in the contemporary period, are not afraid to uncover, re-think, and re-imagine parts of Alberta history, thereby exposing what had been lain to rest as an unfinished business needing serious re-consideration.