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After World War I, artists without formal training "crashed the
gates" of major museums in the United States, diversifying the art
world across lines of race, ethnicity, class, ability, and gender.
At the center of this fundamental reevaluation of who could be an
artist in America were John Kane, Horace Pippin, and Anna Mary
Robertson "Grandma" Moses. The stories of these three artists not
only intertwine with the major critical debates of their period but
also prefigure the call for inclusion in representations of
American art today. In Gatecrashers, Katherine Jentleson offers a
valuable corrective to the history of twentieth-century art by
expanding narratives of interwar American modernism and providing
an origin story for contemporary fascination with self-taught
artists.
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Betye Saar: Black Doll Blues (Hardcover)
Betye Saar; Foreword by Julie Roberts; Text written by Rachel Federman, Katherine Jentleson; Interview by Maddy Inez Leeser
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R1,284
Discovery Miles 12 840
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Ships in 12 - 17 working days
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