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Art Therapy for Psychosis presents innovative theoretical and
clinical approaches to psychosis that have developed in the work of
expert clinicians from around the world. It draws on insights that
have emerged from decades of clinical practice to explain why and
how specialised forms of art therapy constitute a particularly
appropriate psychotherapeutic approach to psychosis. The
contributors present a diverse range of current theoretical
perspectives on the subject, derived from the fields of
neuroscience, phenomenology and cognitive analytic theory, as well
as from different schools of psychoanalysis. Collectively, they
offer insights into the specific potentials of art therapy as a
psychotherapeutic approach to psychosis, and describe some of the
specialised approaches developed with individuals and with groups
over the past 20 years. Throughout the book, the meaning and
relevance of art-making as a medium for holding and containing
unbearable, unthinkable and unspeakable experiences within the
psychotherapeutic setting becomes apparent. Several of the chapters
present detailed illustrated case studies which show how making
visual images with an appropriately trained art psychotherapist can
be a first step on the path into meaningful relatedness. This book
offers fresh insights into the nature of psychosis, the challenges
encountered by clinicians attempting to work psychotherapeutically
with people in psychotic states in different settings, and the
potentials of art therapy as an effective treatment approach. It
will be essential reading for mental health professionals who work
with psychosis, including psychiatrists, psychoanalysts,
psychotherapists and arts therapists, and those in training. Full
colour versions of the illustrations can be viewed at
http://isps.org/index.php/publications/book-series/publication-photos
Please see p. ix of the book for details of how to access them.
Art Therapy for Psychosis presents innovative theoretical and
clinical approaches to psychosis that have developed in the work of
expert clinicians from around the world. It draws on insights that
have emerged from decades of clinical practice to explain why and
how specialised forms of art therapy constitute a particularly
appropriate psychotherapeutic approach to psychosis. The
contributors present a diverse range of current theoretical
perspectives on the subject, derived from the fields of
neuroscience, phenomenology and cognitive analytic theory, as well
as from different schools of psychoanalysis. Collectively, they
offer insights into the specific potentials of art therapy as a
psychotherapeutic approach to psychosis, and describe some of the
specialised approaches developed with individuals and with groups
over the past 20 years. Throughout the book, the meaning and
relevance of art-making as a medium for holding and containing
unbearable, unthinkable and unspeakable experiences within the
psychotherapeutic setting becomes apparent. Several of the chapters
present detailed illustrated case studies which show how making
visual images with an appropriately trained art psychotherapist can
be a first step on the path into meaningful relatedness. This book
offers fresh insights into the nature of psychosis, the challenges
encountered by clinicians attempting to work psychotherapeutically
with people in psychotic states in different settings, and the
potentials of art therapy as an effective treatment approach. It
will be essential reading for mental health professionals who work
with psychosis, including psychiatrists, psychoanalysts,
psychotherapists and arts therapists, and those in training. Full
colour versions of the illustrations can be viewed at
http://isps.org/index.php/publications/book-series/publication-photos
Please see p. ix of the book for details of how to access them.
Art, Psychotherapy and Psychosis reveals the unique role of art
therapy in the treatment of psychosis. Illustrating their
contributions with clinical material and artwork created by
clients, experienced practitioners describe their work in a variety
of settings. Writing from different theoretical standpoints they
reflect the current creative diversity within the profession and
its links with psychotherapy, psychoanalysis, analytical psychology
and psychiatry. In part I specific issues involved in working with
psychosis are explored. These include discussion of the therapeutic
relationship, the process of symbolisation, the nature and meaning
of art made by psychotic patients and the interplay between words
and pictures. Part II recounts the history of art therapy and
psychosis, tracing its origins in art, to its present-day role as a
respected treatment in psychiatric, community and therapeutic
settings. Art, Psychotherapy and Psychosis extends the existing
theory, develops analytical approaches in art psychotherapy and
offers innovative perspectives for students and practitioners on
the treatment of borderline states as well as psychosis.
Art, Psychotherapy and Psychosis defines the unique role of art therapy in the treatment of psychosis. Using clinical material and many examples of clients'work, experienced practitioners describe working with patients in a variety of settings. Writing from different theoretical standpoints, they reflect the current diversity within the profession and its origins in psychotherapy, psychoanalysis, Jungian psychology and psychiatry. Part One explores issues involved in working with psychosis, examining the problem of symbolisation, the nature and meaning of art made by psychotic patients and the historical context of art therapy and psychosis tracing its development in psychiatric and psychotherapeutic settings to its new position in the community. Art, Psychotherapy and Psychosis extends the existing theory surrounding analytical art psychotherapy and offers fresh perspectives for students and practitioners on working with borderline, acute or long-term sufferers.
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Including contributions from some of the leading art therapists in
Britain, this important book addresses the key issues in the theory
and practice of art therapy. The fundamental significance of the
art in art therapy practice permeates the book, close attention
being paid by several writers to the art-making process and the
aesthetic responses of therapist and client. Other authors explore
the tensions between art and therapy, images and speech,
subjectivity and objectivity, arguing that the dynamic interplay
between these elements is inherent to the practice of art therapy.
The role of containment is another theme that is explored by
contributors in a variety of ways to highlight the importance not
only of the therapeutic containment of the client by the therapist,
but also the containment of the therapist. The physical contexts of
the session, within an art room and within the larger working
environment, are identified as important arenas where conflict and
tension is experienced and must be explored if art therapy is to
continue to develop.
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