This volume of new essays represents a collective, academic, and activist effort to interpret German literature and culture in the context of the international #MeToo movement, illustrating and interrogating the ways that "rape cultures" persist. Responding to the worldwide impact of the #MeToo movement, this volume investigates not only the ubiquity of sexual abuse and sexual violence but also the transhistorical and transnational failure to hold perpetrators accountable. From a range of disciplines, the collected essays engage current cultural and political discourses about systemic sexism, feminist theory and practice, and gender-based discrimination from an academic and activist perspective. The focus on national cultures of German-speaking Europe from the mid-eighteenth century to the present captures the persistence of normalized and institutionalized sexism, reframed through the lens of a contemporary political and social movement. German #MeToo argues that sexual violence is not a universal human constant. Rather, it is nurtured and sustained by the social, political, cultural, legal, and economic fabric of specific societies. The authors sustain and vary their exploration of #MeToo-related issues through considerations of rape, prostitution, sexual murder, the politics of consent, and victim-blaming as enacted in literary works by canonical and marginalized authors, the visual arts, the graphic novel, film, television, and theater. The analysis of rape myths - of discourses and practices in German history and culture that subtend and indemnify sexual violence - is a central subject of this edited volume. Throughout, German #MeToo challenges narratives of sex-based discrimination while emphasizing the strategies of resistance and the importance of telling one's own story.

Essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which German women's literature has been conceived. What is the status of women's writing in German today, in an era when feminism has thoroughly problematized binary conceptions of sex and gender? Drawing on gender and queer theory, including the work of Lauren Berlant, Judith Butler, and Michel Foucault, the essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which "women's literature" has been conceived. With aneye to the literary and feminist legacy of authors such as Christa Wolf and Ingeborg Bachmann, contributors treat the works of many of contemporary Germany's most significant literary voices, including Hatice Akyun, Sibylle Berg,Thea Dorn, Tanja Duckers, Karen Duve, Jenny Erpenbeck, Julia Franck, Katharina Hacker, Charlotte Roche, Julia Schoch, and Antje Ravic Strubel -- authors who, through their writing or their roles in the media, engage with questionsof what it means to be a woman writer in twenty-first-century Germany. Contributors: Hester Baer, Necia Chronister, Helga Druxes, Valerie Heffernan, Alexandra Merley Hill, Lindsay Lawton, Sheridan Marshall, Mihaela Petrescu, Jill Suzanne Smith, Carrie Smith-Prei, Maria Stehle, Katherine Stone. Hester Baer is Associate Professor of Germanic Studies at the University of Maryland. Alexandra Merley Hill is Associate Professor of German at the University of Portland.

Essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which German women's literature has been conceived. What is the status of women's writing in German today, in an era when feminism has thoroughly problematized binary conceptions of sex and gender? Drawing on gender and queer theory, including the work of Lauren Berlant, Judith Butler, and Michel Foucault, the essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which "women's literature" has been conceived. With aneye to the literary and feminist legacy of authors such as Christa Wolf and Ingeborg Bachmann, contributors treat the works of many of contemporary Germany's most significant literary voices, including Hatice Akyun, Sibylle Berg,Thea Dorn, Tanja Duckers, Karen Duve, Jenny Erpenbeck, Julia Franck, Katharina Hacker, Charlotte Roche, Julia Schoch, and Antje Ravic Strubel -- authors who, through their writing or their roles in the media, engage with questionsof what it means to be a woman writer in twenty-first-century Germany. Contributors: Hester Baer, Necia Chronister, Helga Druxes, Valerie Heffernan, Alexandra Merley Hill, Lindsay Lawton, Sheridan Marshall, Mihaela Petrescu, Jill Suzanne Smith, Carrie Smith-Prei, Maria Stehle, Katherine Stone. Hester Baer is Associate Professor of Germanic Studies at the University of Maryland. Alexandra Merley Hill is Associate Professor of German at the University of Portland.

Investigates why the question of women's complicity in National Socialism has struggled to capture the collective imagination, examining how a variety of female authors have conceptualized the role of women in the Third Reich In recent years, historians have revealed the many ways in which German women supported National Socialism-as teachers, frontline auxiliaries, and nurses, as well as in political organizations. In mainstream culture, however, thewomen of the period are still predominantly depicted as the victims of a violent twentieth century whose atrocities were committed by men. They are frequently imagined as post hoc redeemers of the nation, as the "rubble women" whospiritually and literally rebuilt Germany. This book investigates why the question of women's complicity in the Third Reich has struggled to capture the historical imagination in the same way. It explores how female authorsfrom across the political and generational spectrum (Ingeborg Bachmann, Christa Wolf, Elisabeth Plessen, Gisela Elsner, Tanja Duckers, Jenny Erpenbeck) conceptualize the role of women in the Third Reich. As well as offering innovative re-readings of celebrated works, this book provides instructive interpretations of lesser-known texts that nonetheless enrich our understanding of German memory culture. Katherine Stone is Assistant Professor in German Studies at the University of Warwick.

Imagine moonlight and roses. And London and Paris. And the intoxicating magic of a Louisiana bayou. Then journey with master storyteller Katherine Stone on this breathtaking voyage of danger, courage, and love.
They met beside the brilliant blue bayou. She was an innocent girl, and he was a reckless and angry boy. Claire Chamberlain believed in dreams, and Cole Taylor believed in nothing at all. Cole had no reason to believe--until her. They pledged their love beneath the silver winter moon. But the hopes of Cole and Claire were destined to be drowned in blood.
Now, twelve years later, Cole has returned to Harlanville. He has found fame as a singer of love songs. And Claire? Her life has changed, irrevocably, yet she has found a private peace--such a fragile one that Cole's very presence shatters her precarious serenity. And now Cole is asking her to do the impossible, to come away with him, to London. Claire knows he will break her heart again. But she will be with him, she has to be, for as long as she can bear the pain.
Claire's is not the only endangered heart in London. A murderer has sent Lady Sarah Pembroke an engraved Valentine invitation--to her own death. And is Claire's girlhood friend afraid of the knife-wielding monster? Hardly. The Global News's star correspondent, the woman who feels oddly sane amid the madness of war, has her own private demons, memories far more fearsome than a murderer who chooses the most romantic day of the year to inflict his lethal terror.
But neither Sarah's past nor the killer stalking her are as terrifying as Jack Dalton, the FBI consultant determined to save Sarah's life. Jack needs Sarah's help in his exhaustive, careful search for clues. But remarkably, and infuriatingly, Sarah resists. Sarah will not tell Jack the intimate information he needs to know. She cannot. And yet it is as if he already knows her anguished secrets, cares for her more than he should, and wants more from Lady Sarah Pembroke than she can ever give.
Imagine Love is an enthralling read, a beautifully crafted tapestry of suspense and love, of surprises you won't imagine, and of men and women you will never forget.

"From the Hardcover edition."