In our globalizing world, the movement of people and resources has accelerated, giving rise to transnational connections and interdependencies. "New Patterns for Mexico" examines novel and emerging patterns of United States giving to Mexico and its impact on equitable development. Last year alone, Mexican migrants living in the United States sent billions of dollars back to families and relatives living in Mexico. Most of these funds were for private consumption, but more and more diaspora resources support social and philanthropic endeavors in their country of origin. This bilingual volume asks: What are these new patterns of diaspora giving and how do they affect equitable development in Mexico?

Through its Global Philanthropy Program, the Global Equity Initiative of Harvard University aims to advance knowledge about global philanthropy and the role of private philanthropic investments in furthering global equity. This volume, one in a series on diaspora giving, builds upon the earlier work of "Diaspora Philanthropy: Perspectives on India and China" and continues the Program's research series on the relationship between diaspora engagement and equitable development.

Katherine Wells' obsession with petroglyphs (images pecked on stone) began in the 1960s. Three decades later, after careers as a teacher, a businessperson, and an artist in Southern California. Wells and Lloyd Dennis, her partner, purchased almost two hundred acres near Espanola in northern New Mexico. The large boulders on the property contained many examples of rock art from previous Native inhabitants and the lure was overwhelming. Wells describes the beginning of her new life and her exploration of the petroglyphs on her new land. Meeting New Mexico archaeologists and local rock art aficionados, and locating previously published information about petroglyphs and the prehistoric inhabitants of the Espanola area, Wells learned to identify the time periods when the glyphs were made and to understand many of the motifs found among the more than six thousand petroglyphs on the site. In addition to discovering all she could about her surroundings, Wells worked with Dennis to design and construct three buildings on their property, each constructed of straw bales. Each of their experiences introduced these transplanted New Mexicans to the oft-cited definition of manana: 'not today'. However, the beauty of their adopted homeland made the trials and struggles they encountered pale in comparison.