How we can understand race, crime, and punishment in the age of Black Lives Matter When The Color of Crime was first published in 1998, it was heralded as a path-breaking book on race and crime. Now, in its third edition, Katheryn Russell-Brown's book is more relevant than ever, as police killings of unarmed Black civilians-such as George Floyd, Breonna Taylor, and Daniel Prude-continue to make headlines around the world. She continues to ask, why do Black and white Americans perceive police actions so differently? Is white fear of Black crime justified? With three new chapters, over forty new racial hoax cases, and other timely updates, this edition offers an even more expansive view of crime and punishment in the twenty-first century. Russell-Brown gives us much-needed insight into some of the most recent racial hoaxes, such as the one perpetrated by Amy Cooper. Should perpetrators of racial hoaxes be charged with a felony? Further, Russell-Brown makes a compelling case for race and crime literacy and the need to address and name White crime. Russell-Brown powerfully concludes the book with a parable that invites readers to imagine what would happen if Blacks decided to abandon the United States. Russell-Brown explores the tacit and subtle ways that crime is systematically linked to people of color. The Color of Crime is a lucid and forceful volume that calls for continued vigilance on the part of scholars, policymakers, journalists, and others in the age of Black Lives Matter.

View the Table of Contents.
Read the Introduction.

Winner of a 2005 Gustavus Myers Outstanding Book Award (Honorable Mention

""Underground Codes" is well written and thoroughly researched."--"Black Issue Book Review"

"This book should be taken as a challenge to do our jobs: to assess criticially the 'many issues involving crime and race that are overlooked, misunderstood and falsely linked.' It succinctly and critically sumarizes the extant literature that purports to shed light on the race/crime nexus."
--"Contemporary Sociology"

"Russell-Brown challenges the convetional wisdom of criminology."--"Black Issues in Higher Education"

"Compelling topic."
"Ebony"

Americans fear crime, are rattled by race and avoid honest discussions of both. Anxiety, denial, miscommunication, and ignorance abound. Imaginary connections between minorities and crime become real, self-fulfilling prophecies and authentic links to race, class, gender and crime go unexplored. Katheryn Russell-Brown, author of the highly acclaimed "The Color of Crime," makes her way through this intellectual minefield, determined to shed light on the most persistent and perplexing domestic policy issues.

The author tackles a range of race and crime issues. From outdated research methods that perpetuate stereotypes about African Americans, women, and crime to the over hyped discourse about gangsta rap and law breaking, Russell-Brown challenges the conventional wisdom of criminology. Underground Codes delves into understudied topics such as victimization rates for Native Americans--among the highest of any racial group--and how racial profiling affects the day-to-day lives of people of color.

Innovative, well-researched and meticulously documented, Underground Codes makes a case for greater public involvement in the debate over law enforcement--and our own language--that must be heard if we are to begin to have a productive national conversation about crime and race.

Inspired by the O.J. Simpson case, Protecting Our Own explores the reasons behind the rise of the "black protectionism" phenomenon and its implications for the future. Comparing the plight of the African American community to the melancholy lyrics but vibrant beat of the blues, Russell-Brown uses the lyrics of these songs to paint a vivid picture of the African American community struggling through the burdens of racial oppression such as second tier status and lynchings solely due to the color of their skins. Russell-Brown explains the feelings of protectionism towards African American celebrities, as many African Americans feel that they have to "protect their own" because no one else will. Many African Americans, Russell-Brown argues, feel that African American are still under siege and that the few lucky African Americans who find a way into the spotlight deserve a break. However, with more and more African Americans in the spotlight, this practice has new consequences. Protecting Our Own considers these issues in detail. The book sets out to accomplish three goals: to define Black protectionism, to explain how it works and how it can be reformulated to work in the best interests of the African American community. The book uses cases such as the infamous O.J. Simpson case to illustrate and explain the motivations behind black protectionism, even if the defendant is accused of grievous moral and ethical wrongdoing. Russell-Brown criticizes the use of black protectionism as a knee jerk reaction and expresses the need to hold African American celebrities accountable for their misdeeds. She suggests a selective approach to black protectionism that will benefit the African American community at large rather than just a lucky few. This book praises black protectionism at its best-a fight that will ensure racial justice in the future.

View the Table of Contents.
Read the Introduction.

Winner of a 2005 Gustavus Myers Outstanding Book Award (Honorable Mention

""Underground Codes" is well written and thoroughly researched."--"Black Issue Book Review"

"This book should be taken as a challenge to do our jobs: to assess criticially the 'many issues involving crime and race that are overlooked, misunderstood and falsely linked.' It succinctly and critically sumarizes the extant literature that purports to shed light on the race/crime nexus."
--"Contemporary Sociology"

"Russell-Brown challenges the convetional wisdom of criminology."--"Black Issues in Higher Education"

"Compelling topic."
"Ebony"

Americans fear crime, are rattled by race and avoid honest discussions of both. Anxiety, denial, miscommunication, and ignorance abound. Imaginary connections between minorities and crime become real, self-fulfilling prophecies and authentic links to race, class, gender and crime go unexplored. Katheryn Russell-Brown, author of the highly acclaimed "The Color of Crime," makes her way through this intellectual minefield, determined to shed light on the most persistent and perplexing domestic policy issues.

The author tackles a range of race and crime issues. From outdated research methods that perpetuate stereotypes about African Americans, women, and crime to the over hyped discourse about gangsta rap and law breaking, Russell-Brown challenges the conventional wisdom of criminology. Underground Codes delves into understudied topics such as victimization rates for Native Americans--among the highest of any racial group--and how racial profiling affects the day-to-day lives of people of color.

Innovative, well-researched and meticulously documented, Underground Codes makes a case for greater public involvement in the debate over law enforcement--and our own language--that must be heard if we are to begin to have a productive national conversation about crime and race.

Melba Doretta Liston loved the sounds of music from as far back as she could remember. As a child, she daydreamed about beats and lyrics, and hummed along with the music from her family s Majestic radio. At age seven, Melba fell in love with a big, shiny trombone, and soon taught herself to play the instrument. By the time she was a teenager, Melba s extraordinary gift for music led her to the world of jazz. She joined a band led by trumpet player Gerald Wilson and toured the country. Overcoming obstacles of race and gender, Melba went on to become a famed trombone player and arranger, spinning rhythms, harmonies, and melodies into gorgeous songs for all the jazz greats of the twentieth century: Randy Weston, Duke Ellington, Count Basie, Billie Holiday, and Quincy Jones, to name just a few. Brimming with ebullience and the joy of making music, Little Melba and Her Big Trombone is a fitting tribute to a trailblazing musician and a great unsung hero of jazz."

How we can understand race, crime, and punishment in the age of Black Lives Matter When The Color of Crime was first published in 1998, it was heralded as a path-breaking book on race and crime. Now, in its third edition, Katheryn Russell-Brown's book is more relevant than ever, as police killings of unarmed Black civilians-such as George Floyd, Breonna Taylor, and Daniel Prude-continue to make headlines around the world. She continues to ask, why do Black and white Americans perceive police actions so differently? Is white fear of Black crime justified? With three new chapters, over forty new racial hoax cases, and other timely updates, this edition offers an even more expansive view of crime and punishment in the twenty-first century. Russell-Brown gives us much-needed insight into some of the most recent racial hoaxes, such as the one perpetrated by Amy Cooper. Should perpetrators of racial hoaxes be charged with a felony? Further, Russell-Brown makes a compelling case for race and crime literacy and the need to address and name White crime. Russell-Brown powerfully concludes the book with a parable that invites readers to imagine what would happen if Blacks decided to abandon the United States. Russell-Brown explores the tacit and subtle ways that crime is systematically linked to people of color. The Color of Crime is a lucid and forceful volume that calls for continued vigilance on the part of scholars, policymakers, journalists, and others in the age of Black Lives Matter.