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Showing 1 - 6 of 6 matches in All Departments
Jesse Hamilton loves deeply; she loves her husband Tommy, their simple life on the island and their successful dive resort. She wants nothing more than to ride out their lives in this tranquil existence. Seth Warren loves nothing, his heart damaged and scarred years ago. And he wants it all; women, wealth and a life free of commitments and complications. When their lives collide, mysteries of the past force the pair on a quest in search of ancient treasure, self-forgiveness and the opportunity for a second chance. Will she be able to protect herself from becoming another victim in his wake?
Kit Baldwin is strong, stubborn and a little reckless, but she knows what she wants. She wants the treasure, the one she believes is resting beneath the waves off a tropical Caribbean island. Years of research have led her to this defining moment in her life and she won't allow anything or anyone to stand in her way, including Mike Peterson, the attractive dive shop owner that immediately vies for her attention. Surrounded by an intriguing cast of characters, Kit begins the journey she has been planning for years. Her fate has always been in her own hands, but now she is faced with the reality that she may need to let down her guard and trust those around her.
Collection of ten classic films from the award-winning British director. In 'The Sound Barrier' (1952), Ralph Richardson stars as an aircraft manufacturer whose all-consuming passion with making the ultimate supersonic jet kills both his son and son-in-law and almost destroys him and the rest of his family. In 'Hobson's Choice' (1953), Lancashire bootmaker Henry Horatio Hobson (Charles Laughton) keeps a tight rein on his three daughters until his eldest, Maggie (Brenda De Banzie), marries his assistant, Willie Mossop (John Mills), and sets him up in his own bootmaking firm. To Hobson's consternation, Willie has soon become his father-in-law's main business rival. In 'Blithe Spirit' (1945), cynical writer, Charles Condomine (Rex Harrison), asks a medium (Margaret Rutherford) to hold a seance in his house so he can collect material for his latest book. No one is more surprised than the medium when she inadvertently conjures up the ghost of Condomine's first wife (Kay Hammond). The ghost refuses to go away, preferring to taunt her less sophisticated replacement (Constance Cummings). In 'Brief Encounter' (1945), a respectable, happily married doctor (Trevor Howard) comes to the aid of an equally upstanding housewife (Celia Johnson) when a passing train blows cinder into her eye. Thus begins a tentative romance, conducted in the tearooms and railway cafe of a small English town. In 'Great Expectations' (1946), orphan, Pip (Anthony Wager), befriends an escaped convict before being elevated to higher circles as the companion of Miss Havisham and her niece, Estella (Jean Simmons), with whom the boy quickly falls in love. When the adult Pip (Mills) discovers a mysterious benefactor has paved the way for him to become a gentleman, he assumes Miss Havisham is responsible. In 'Oliver Twist' (1948), Oliver (John Howard Davis) is a young orphan boy who is expelled from the workhouse run by Mr Bumbel (Francis L. Sullivan). After becoming an apprentice to an undertaker, Oliver decides to run away to London, only to meet the Artful Dodger (Anthony Newley) and fall amongst his gang of thieves, led by the scheming Fagin (Alec Guinness). In 'Madeleine' (1949), Madeleine (Ann Todd) is the eldest daughter in a respectable Victorian Glasgow family. She begins an affair with Frenchman, Emile L'Anglier (Ivan Desny), without her father's knowledge. Meanwhile, Madeleine's father insists on her seeing various suitors. When Madeleine becomes engaged to William Minnoch (Norman Wooland), Emile threatens to reveal their relationship. 'The Passionate Friends' (1944) is an episodic tale of an average working class family in the interwar years. The story traces the melodrama caused by illicit affairs, family bereavement, the first ripples of women's liberation and political instability in the country during the General Strike. It highlights the fact that these internal wranglings are all happening in one house in an average street, and that each average house has its own dramatic stories to tell. Finally, 'In Which We Serve' (1942) is a World War II drama about a destroyer, told through flashbacks and the reminiscences of the surviving crew after their beloved ship is torpedoed.
Six classic Arthur Askey comedies. 'Back Room Boy' (1942) follows the antics of Askey and a timid meterologist who are packed off to an Orkney Island lighthouse. After a bit of mucking about they go off hot on the trail of a band of Nazi spies. 'Band Waggon' (1940) is a spin-off movie from Askey's popular BBC radio programme of the same name. After being evicted from Broadcasting House, Arthur and Richard 'Stinker' Murdoch move to a castle where they stumble upon television equipment which they use to put on a show. The show is of course the ideal vehicle for the variety acts from the radio show. In 'Bees in Paradise' (1944), Askey plays a pilot who bales out over Paradise Island, not knowing that he is about to land in a bee-worshipping colony of women and that he is about to become a drone for the queen bee. When he finds out that, as custom demands, he is due to be sacrificed two months after the honeymoon, he soon starts thinking about escape. The women of course have other ideas. In 'King Arthur Was a Gentleman' (1942), Askey is a newly recruited soldier who finds himself stationed in King Arthur County. Naturally when he unexpectedly chances upon a sword he is convinced it belonged to Arthur and that now he is indestructible. In 'Miss London Ltd.' (1943), Askey stars as a man trying to save his flagging escort agency. A new partner suggests getting some new girls in, just in time for the soldiers' leave. The film features English singing favourite of the 1940s, Anne Shelton. In 'I Thank You' (1941), the perils, humiliations and humour of trying to run a second-rate theatrical company are further compounded when financial aid, given by the former famous music-hall star Lady Randall (Lily Morris), is withdrawn. Not to be defeated, the stars decide the show must go on and devise a plan to persuade her to reinvest.
Three classic films adapted from novels by Charles Dickens. In 'A Tale of Two Cities' (1958), Sydney Carton (Dirk Bogarde) is a frivolous London barrister, hopelessly in love with Lucie (Dorothy Tutin), even after she marries Charles Darnay (Paul Guers), who is descended from an unpleasant French aristocrat. Darnay is lured back to France as the Revolution gets into swing where he is arrested and awaits execution. Sydney, seeing Lucie's despair, goes to France, frees Charles and takes his place in the queue for the guillotine. In 'Oliver Twist' (1948), Oliver (John Howard Davis) is a young orphan boy who is expelled from the workhouse run by Mr Bumble (Francis L. Sullivan). After becoming an apprentice to an undertaker Oliver decides to run away to London, only to meet the Artful Dodger (Anthony Newley) and fall amongst his gang of thieves, led by the scheming Fagin (Alec Guinness). Finally, in 'Great Expectations' (1946), orphan Pip (Anthony Wager) befriends an escaped convict before being elevated to higher circles as the companion of mad Miss Havisham (Martita Hunt) and her niece, Estella (Jean Simmons), with whom the boy quickly falls in love. When the adult Pip (John Mills) discovers a mysterious benefactor has paved the way for him to become a gentleman, he assumes Miss Havisham is responsible.
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