Cairn: A marker on open land, a memorial, a viewpoint shared by strangers. For the last five years poet and author Kathleen Jamie has been turning her attention to a new form of writing: micro-essays, prose poems, notes and fragments. Placed together, like the stones of a wayside cairn, they mark a changing psychic and physical landscape. The virtuosity of these short pieces is both subtle and deceptive. Jamie's intent 'noticing' of the natural world is suffused with a clear-eyed awareness of all we endanger. She considers the future her children face, while recalling her own childhood and notes the lost innocence in the way we respond to the dramas of nature. With meticulous care she marks the point she has reached, in life and within the cascading crises of our times. Cairn resonates with a beauty and wisdom that only an artist of Jamie's calibre could achieve.

The Editors of Irish Pages - Chris Agee, Cathal O Searcaigh, Kathleen Jamie and Meg Bateman - have assembled a new issue of the journal, entitled "The Anthropocene." It aims to evoke the escalating global ecological crisis in the round, through many of its key components, including climate change, deforestation, the treatment of animals, oceanic pollution and over-fishing, the melting of glaciers, extinctions, land-use, plastic pollution and the waste crisis, the eco-vandalism of mining and the fashion industry, the extermination of indigenous peoples and languages, biodiversity and ecocide generally, and so on - and on. * A certain amount of poetry and prose deals with humanity and human consciousness more generally, in their historical, cultural, psychological, artistic and religious dimensions. * There is also a special section devoted to writing on the Pandemic. * As with other issues, however, there is also work included that does not bear explicitly on the theme of the issue.

With a foreword by Kathleen Jamie. Trees can evoke powerful feelings. For Henry David Thoreau, the woods are places beyond civilisation; for Ursula Le Guin and J. R. R. Tolkien, they are loaded with otherworldly potential; and for those fleeing captivity, they can provide a welcome sanctuary. Woods can strike fear. They can inspire wonder. They can be lovely, dark and deep. John Miller builds upon the ecological arguments for saving forests to raise the compelling question of their cultural value, with beautiful illustrations from the British Library’s unparalleled collections of books and manuscripts. This book roams freely across literature and culture from around the world, weaving in personal memoir, to explore why woods matter to us. In the midst of a climate crisis, there is hope to be found in our deeply emotional connection to trees, and the instinct it awakens in us to value and protect them.

Experience a new history of Scotland told through its places. Writers Kathleen Jamie, Alexander McCall Smith, Alistair Moffat, James Robertson and James Crawford pick twenty-five buildings to tell the story of the nation. Travelling across the country, from abandoned islands and lonely glens to the heart of our modern cities, these five authors seek out the diverse narrative of the Scottish people. Follow Kathleen Jamie as she searches for the traces of our first family hearths in the Cairngorms and makes a midsummer journey to Shetland to meet the unlikely new inhabitants of an Iron Age broch. Tour the wondrous and macabre Surgeons' Hall with Alexander McCall Smith, or walk with him over sacred ground to Iona's ancient Abbey. Join Alistair Moffat as he discovers a lost whisky village in the wilds of Strathconon, and climbs up through the vertiginous layers of history in Edinburgh Castle. Accompany James Robertson as he goes from the standing stones of Callanish to the humble cottage of Hugh MacDiarmid - via the engineering colossus of the Forth Rail Bridge. And journey with James Crawford from a packed crowd in Hampden Park, to an off-the-grid eco-bothy on the Isle of Eigg. Who Built Scotland is a landmark exploration of Scotland's social, political and cultural histories. Moving from Neolithic families, exiled hermits and ambitious royal dynasties to highland shieling girls, peasant poets, Enlightenment philosophers and iconoclastic artists, it places our people, our ideas and our passions at the heart of our architecture and archaeology. This is the remarkable story how we have shaped our buildings and how our buildings, in turn, have shaped us.

It's surprising what you can find by simply stepping out to look. Kathleen Jamie, award winning poet, has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer. Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern narrative, peculiarly alive to her connections and surroundings.

Collective Winner of the 2019 Highland Book Prize Under the ravishing light of an Alaskan sky, objects are spilling from the thawing tundra linking a Yup'ik village to its hunter-gatherer past. In the shifting sand dunes of a Scottish shoreline, impressively preserved hearths and homes of Neolithic farmers are uncovered. In a grandmother's disordered mind, memories surface of a long-ago mining accident and a 'mither who was kind'. For this luminous new essay collection, acclaimed author Kathleen Jamie visits archaeological sites and mines her own memories - of her grandparents, of youthful travels - to explore what surfaces and what reconnects us to our past. As always she looks to the natural world for her markers and guides. Most movingly, she considers, as her father dies, and her children leave home, the surfacing of an older, less tethered sense of herself. Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.

'What we build always reveals things that are deeply and innately human. Because all buildings are stories, one way or another.' Kathleen Jamie, Alexander McCall Smith, Alistair Moffat, James Robertson and James Crawford travel across the country to tell the story of the nation, from abandoned islands and lonely glens to the heart of our modern cities. Whether visiting Shetland's Mousa Broch at midsummer, following in the footsteps of pilgrims to Iona Abbey, joining the tourist bustle at Edinburgh Castle, scaling the Forth Bridge or staying in an off-the-grid eco-bothy, the authors unravel the stories of the places, people and passions that have had an enduring impact on the landscape and character of Scotland.

The outer world flew open like a door, and I wondered - what is it that we're just not seeing? In this greatly anticipated sequel to Findings, prize-winning poet and renowned nature writer Kathleen Jamie takes a fresh look at her native Scottish landscapes, before sailing north into iceberg-strewn seas. Her gaze swoops vertiginously too; from a countryside of cells beneath a hospital microscope, to killer whales rounding a headland, to the constellations of satellites that belie our sense of the remote. Written with her hallmark precision and delicacy, and marked by moments in her own life, Sightlines offers a rare invitation to pause and to pay heed to our surroundings.

In this new Selected Poems, Kathleen Jamie explores the multi-faceted world of George Mackay Brown's Orkney, the poet's lifelong home and inspiration. George Mackay Brown's concerns were the ancestral world, the communalities of work, the fables and religious stories which he saw as underpinning mortal lives. Brown believed from the outset that poets had a social role and his true task was to fulfil that role. This is not the attitude of a shrinking violet, tentatively exploring his 'voice'. Art was sprung from the community, and his role as poet to know that community, to sing its stories. But there was also room for introspection; the poet's task was simultaneously to 'interrogate silence'.

Archipelago is one of the most important and influential literary magazines of the last twenty years. Running to twelve editions, it was edited by scholar-poet Andrew McNeillie, with the assistance later of James McDonald Lockhart, and began as an attempt to reimagine the relationships between the islands of Ireland and Britain. Archipelago has brought together established and emerging artists in creative conversations that have transformed the study of islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from the Aran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through some of the best in contemporary writing about place and people. This collection gathers poetry, prose and visual art in clusters grouped around the Irish and British archipelago, with contributions from an array of significant artists. With fifty contributors, Archipelago: A Reader includes: Moya Cannon is an Irish poet with seven published collections, the most recent being Collected Poems (2021). Deirdre Ni Chonghaile is a graduate of the University of Oxford and University College Cork. She is associated with NUI, Galway, and the University of Notre Dame, and is known for her work in music studies. Tim Dee is a naturalist, BBC radio producer and author of The Running Sky (2018). Seamus Heaney (1939-2013) was born in Northern Ireland. His career included teaching at Harvard and Oxford. He received many awards including the Nobel Prize in Literature, 1995. Kathleen Jamie is a Scottish writer whose work has appeared internationally. She has taught poetry at the University of Stirling since 2010. Michael Longley is a Northern Irish poet, and winner of the Whitbread Poetry Prize, the Hawthornden Prize, and the PEN Pinter Prize in 2017. Robert Macfarlane is a Writing Fellow of Emmanuel College, Cambridge. He has won the EM Forster Award for Literature. Derek Mahon (1941-2020) was a Northern Irish poet. He won the David Cohen Prize for Literature and the Poetry Now Award. Andrew McNeillie is a Welsh poet and current Literature Editor at Oxford University Press. His memoir An Aran Keening was published by The Lilliput Press, and he is founder of the Clutag Press and publisher of the Archipelago series. Sinead Morrisey is a Northern Irish winner of the T.S. Eliot Prize and the Forward Poetry Prize. She has taught in Belfast and Newcastle. 'Archipelago met and extended my own strong sense that there was a need to turn the compass-rose of some storytelling and art in Britain and Ireland away from the south and east and towards the north and west; away from the metropolis and towards the margins.' -Robert Macfarlane

'Luminous' The Times 'Beautiful' Caught by the River Bringing together contemporary Scottish writing on nature and landscape, this inspiring collection takes us from walking to wild swimming, from red deer to pigeons and wasps, from remote islands to back gardens, through prose, poetry and photography. Edited and introduced by Kathleen Jamie, and with contributions from Amy Liptrot, Jim Crumley, Chitra Ramaswamy, Malachy Tallack, Amanda Thomson and many more, Antlers of Water urges us to renegotiate our relationship with the more-than-human world, in writing which is by turns celebratory, radical and political.

The Keelie Hawk is a landmark collection from Kathleen Jamie, the current Makar (National Poet) of Scotland. For the first time, Kathleen Jamie has brought her astonishing lyric talent to the language of her homeland, with outstanding results. The Keelie Hawk is a deeply resonant collection written in Scots, with each poem accompanied by a translation into English. Its publication is a significant event in Scottish literature, not only a reclaiming by one of our finest poets of the mouth-music of literary Scots, but a furthering of that language: ‘by making poems, a language develops’, Jamie observes in a fascinating afterword.

The Golden Treasury of Scottish Verse is a timeless collection of Scottish poetry. It contains over three hundred poems ranging from the early medieval period to the twenty-first century, and paints a full-colour portrait of Scotland's poetic heritage and culture. Edited and introduced by award-winning poets Kathleen Jamie, Don Paterson and Peter Mackay, and including poems by Robert Burns, Carol Ann Duffy, Sorley MacLean, Violet Jacob, William Dunbar, Meg Bateman, George Mackay Brown, Mairi Mhor nan Oran, Robert Louis Stevenson, Jackie Kay, Liz Lochhead and many more, The Golden Treasury of Scottish Verse is a joyous celebration of Scotland's literary past, present and future.

Kathleen Jamie’s Selected Poems gathers together some of the finest work by one of the foremost poets currently writing in English. Although Jamie is perhaps best known for her writing on nature, landscape, and place, Selected Poems shows the full and remarkably diverse range of her work – and why many regard her work as crucially relevant to our troubled age.

No poet currently writing has a keener eye or ear; no poet has paid more careful attention to the other consciousnesses with whom we share the planet – and no poet has Jamie’s almost miraculous ability to show us just how the world might look when the human eye ceases to gaze on it. This exceptional collection of poetry, spanning several decades, allows readers to chart the development of one of our most important contemporary talents, and serves as perfect introduction to her work.

In her extraordinary collection, Kathleen Jamie examines her native Scotland - a country at once wild and contained, rural and urban - and her place within it. In the author's own words: '2014 was a year of tremendous energy in my native Scotland, and knowing I wanted to embrace that energy and participate in my own way, I resolved to write a poem a week, and follow the cycle of the year.' The poems also venture into childhood and family memory - and look to ahead to the future. The Bonniest Companie is a visionary response to a year shaped and charged by both local and global forces, and will stand as a remarkable document of our times.

Kathleen Jamie is one of Britain's leading poets. Her work is intelligent and subtle, her language inventive and refreshing. Mr and Mrs Scotland Are Dead is a selection from her early collections, from times of change and travel. It reveals the generous range of her concerns, from life in the wilder parts of Pakistan and Tibet to the 'difficult questions' of identity posed in her much celebrated collection, The Queen of Sheba, which was shortlisted for both the T.S. Eliot and Forward Prizes. Mr and Mrs Scotland Are Dead is a seminal volume in modern Scottish poetry. Shortlisted for the Griffin Poetry Prize, it was a Poetry Book Society Special Commendation. It includes most of her poems from Black Spiders (1982), A Flame in Your Heart (1986), The Way We Live (1987), The Autonomous Region (1993) and The Queen of Sheba (1994).

In October 2007, writers Mike Small and Kevin Williamson launched Bella Caledonia at the Radical Book Fair in Edinburgh. Since then, Bella has consistently explored ideas of self-determination and offered Scotland's most robust political commentary. In the run up to Scottish independence referendum, international interest grew and Bella Caledonia had more than 500,000 unique users a month, with a peak of one million in August - in 2015, the site was named as one of the top 10 political blogs in the UK by Cision. This anthology, curated by Mike Small, is a flavour of Bella's output over these 14 years the editor's pick. Bella is aligned to no political party and sees herself as the bastard child of parent publications too good for this world; from Calgacus to Red Herring, from Harpies & Quines to the Black Dwarf. Under Mike's editorship, Bella has developed a 'Fifth Estate' as a way of disrupting the passive relationship of old media, creating something more active and appropriate for the 21st century - it's about concentration of ownership, and bringing together radical coverage with cultural analysis. Hence the plethora of wide-ranging voices in this anthology, each representing outlier viewpoints in contemporary society - novelists, poets, bloggers and journalists publishing in non-mainstream media outlets, and the social media. "Bella Caledonia has been a flagship for progressive thought in Scotland, providing a platform for informed and creative writing, advocating a progressive and independent nation fit for the future." Stuart Cosgrove "Bella has been to be a constant thorn in the side of the powerful voices who would prefer that conventional wisdom went unchallenged, that awkward questions went unasked, and bold solutions went unheard." Peter Geoehgan

The Overhaul is Kathleen Jamie's first collection since the award-winning The Tree House, and it broadens her poetic range considerably. The Overhaul continues Jamie's lyric enquiry into the aspects of the world our rushing lives elide, and even threaten. Whether she is addressing birds or rivers, or the need to accept loss, or sometimes, the desire to escape our own lives, her work is earthy and rigorous, her language at once elemental and tender. As an essayist, she has frequently queried our human presence in the world with the question 'How are we to live?' Here, this is answered more personally than ever. The Overhaul is a mid-life book of repair, restitution, and ultimately hope - of the wisest and most worldly kind.

Other Ways to Leave the Room features the work of three of the most beloved and lauded poets currently at large. Between them, Kathleen Jamie, Don Paterson and Nick Laird write lyrical, luminous and often darkly witty poems about the rugged wildness of the Scottish landscape; about fatherhood; about whisky-drinking, alcohol abuse and tenement life; about sex, love and the pursuit of the spiritual; about childhood in the Ireland of the Troubles, and about the strange possibilities of the technological future. What all three have in common is an ability to combine observations of gritty real life with a sense of the mythical proportions always lurking just under the surface of the everyday. The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment.

When ten Pakistani men walk into Kathleen Jamie's small Scottish town on a peace march, in November 2001, she is thrown back to her own travels in Northern Pakistan and a book she wrote a decade earlier. Among Muslims is the account of Jamie's time travelling alone and living among the Shia and Ismaili Muslims in the Northern Areas - the mountainous regions wedged between Afghanistan, India and China and one of the most volatile borderlands in the world. A bold, sympathetic and superbly written book, Among Muslims delves into Jamie's own Scottish upbringing to find links with the purdah-observing lifestyle of her Shia Muslim hosts. It is a privileged account from an acclaimed poet, who during her travels was often literally the only woman on the bus. Among Muslims was originally published as The Golden Peak. For this edition, Kathleen Jamie returned to Pakistan to write an Afterword and Preface.