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Showing 1 - 8 of
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A brilliantly inventive and often funny story of family and
identity, inheritance and birthright, ambiguous loss and finding
your way, Frank Walsh's voice will stay with you long after you've
finished reading. Frank Whelan is the seventh son of a seventh son,
so by now should have inherited his father's legendary healing
power, but still hasn't managed to graduate beyond small-time skin
afflictions. He already feels adrift when his twin, Bernie, reveals
a life-changing decision that calls into question everything Frank
thought he knew about his place in the family. And then he
discovers his father had been keeping secrets of his own. And so
Frank turns to an unlikely source for guidance and finds himself on
a quest for answers... from this world, and the next. A boundlessly
inventive novel about the past's hold over the present, set in an
Irish community alive with old magic and extraordinary possibility,
The Deadwood Encore is an electrifying debut from one of Ireland's
most acclaimed short-fiction authors.
On September 11, 1976, Kathleen Murray's life was drastically
changed when her husband Brian Murray, a NYPD bomb disposal expert,
was killed by a terrorist's bomb. Life Detonated is a powerful
memoir that tells the story of a young woman's journey out of
poverty and into the arms of a vibrant young man whose life and
death would forever impact her life. After her husband's passing,
Kathleen began a correspondence with one of the terrorists
imprisoned for the incident, seduced by persuasive letters that
offered a link back to Brian. Life Detonated details the
dysfunctional relationship that developed and their disastrous
meeting in person. This gripping true story is a dramatic statement
on resilience in the face of devastating loss, the long road to
healing, and ultimately, the empowerment found by coming away from
tragedy stronger than before.
Adaptation persists as a major area of inquiry in both film and
literary studies. Over the past two decades, scholars have extended
the debate well beyond George Bluestone's influential Novels into
Film (1957) by taking into account such concerns as intertextuality
and different forms of narrative enabled through new media. A
dominant trend has been to dispense straight away with questions of
fidelity and "faithfulness," the assumption being that such views
are naive, moralistic, and rooted in a cultural prejudice against
the audiovisual. While acknowledging the merits of this
position-namely its complication of the one-way "page-to-screen"
perspective-this collection seeks to put the question of fidelity
back into play. The essays explore the ways in which the newer,
more sophisticated approaches can still accommodate forms of
fidelity between two or more texts without having to reinscribe
untenable distinctions between "original" and "copy," and without
having to argue from a strict media essentialist position that
stages an impasse between linguistic and cinematic means of
articulation. In addition, the scholars in this volume seek to
recognize and account for fidelity's cultural currency among
filmmakers and audiences alike, no matter how impossible fidelity
might be in a literal sense. The selected essays offer an
opportunity to showcase both well established adaptation scholars
(Laura Mulvey, Dudley Andrew, Tom Gunning and James Naremore) and
emerging voices in the field.
Adaptation persists as a major area of inquiry in both film and
literary studies. Over the past two decades, scholars have extended
the debate well beyond George Bluestone's influential Novels into
Film (1957) by taking into account such concerns as intertextuality
and different forms of narrative enabled through new media. A
dominant trend has been to dispense straight away with questions of
fidelity and "faithfulness," the assumption being that such views
are naive, moralistic, and rooted in a cultural prejudice against
the audiovisual. While acknowledging the merits of this
position-namely its complication of the one-way "page-to-screen"
perspective-this collection seeks to put the question of fidelity
back into play. The essays explore the ways in which the newer,
more sophisticated approaches can still accommodate forms of
fidelity between two or more texts without having to reinscribe
untenable distinctions between "original" and "copy," and without
having to argue from a strict media essentialist position that
stages an impasse between linguistic and cinematic means of
articulation. In addition, the scholars in this volume seek to
recognize and account for fidelity's cultural currency among
filmmakers and audiences alike, no matter how impossible fidelity
might be in a literal sense. The selected essays offer an
opportunity to showcase both well established adaptation scholars
(Laura Mulvey, Dudley Andrew, Tom Gunning and James Naremore) and
emerging voices in the field.
More than eleven hundred dogs served in Vietnam as part of the
United States Armed Forces. Working alongside members of all
branches of service, these canine soldiers filled vital roles in
the campaign in Southeast Asia. Despite their numbers and heroics,
the history of the dogs and the servicemen who worked with them is
relatively unknown, even among the dog handlers themselves. Even
before American troops were formally committed in Vietnam, military
advisors to the region recognized the usefulness and importance of
military working dogs. As early as 1960 American scout and sentry
dogs were introduced in South Vietnam to assist the Army of the
Republic of Vietnam in protecting their military installations as
well as in searching for the Vietcong and soldiers of the North
Vietnamese Army. Utilizing dogs that had been left behind by the
French, U.S. Air Force personnel established the Army Republic of
Vietnam dog program.
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