Author Kathy Ross considers herself a western yogi safely disguised as a housewife and small town reporter. But destiny has a different role for her in the end. At a past life regression workshop, she is able to remember someone from a past life whom she hasn't met in this lifetime. And there he is, Hal, a very married lawyer from northern Ontario, sitting right beside her at an advanced meditation lecture. They have seven children between them. They just want to do the right thing. But they fall in love and soon share memories of many lifetimes together where they were never able--because of circumstance, age, position, duty, and tragedy--to choose a happy life together. And this lifetime? Well, you can just imagine.

Carlos de Siguenza y Gongora, one of seventeenth-century Mexico's best-known intellectuals, was a writer of fascinating and complex narratives that exemplify the heterogeneous nature of colonial Spanish American prose. This book, first published in 1993, was the first critical study to place both the writer and his narrative within the phenomenon of the barroco de Indias, or the Spanish American baroque. Approaching Siguenza as criollo historian preoccupied with the placement of the New World within a universal context, Professor Ross develops a theoretical framework within which his texts can be read and understood in the modern era. Professor Ross incorporates into her examination of the author methods of critical analysis in the study of colonial Spanish American literature, such as the use of narrative theory, the historiography, and feminist criticism.

Carlos de Siguenza y Gongora, one of seventeenth-century Mexico's best-known intellectuals, was a writer of fascinating and complex narratives that exemplify the heterogeneous nature of colonial Spanish American prose. This book, first published in 1993, was the first critical study to place both the writer and his narrative within the phenomenon of the barroco de Indias, or the Spanish American baroque. Approaching Siguenza as criollo historian preoccupied with the placement of the New World within a universal context, Professor Ross develops a theoretical framework within which his texts can be read and understood in the modern era. Professor Ross incorporates into her examination of the author methods of critical analysis in the study of colonial Spanish American literature, such as the use of narrative theory, the historiography, and feminist criticism.

Kathy considers herself a western yogi safely disguised as a housewife and small town reporter. But destiny has a different role for her in the end. At a past life regression workshop, she is able to remember someone from a past life whom she hasn t met in this lifetime. And there he is, Hal, a very married lawyer from northern Ontario, sitting right beside her at an advanced meditation lecture. They have seven children between them. They just want to do the right thing. But they fall in love and soon share memories of many lifetimes together where they were never able because of circumstance, age, position, duty, and tragedy to choose a happy life together. And this lifetime? Well, you can just imagine.

Many critics consider The Initials of the Earth to be the quintessential novel of the Cuban Revolution and the finest work by the Cuban writer and filmmaker Jesus Diaz. Born in Havana in 1941, Diaz was a witness to the Revolution and ardent supporter of it until the last decade of his life. In 1992 he took up residence as an exile in Berlin and later in Madrid, where he died in 2002. This is the first of his books to be translated into English.Originally written in the 1970s, then rewritten and published simultaneously in Havana and Madrid in 1987, The Initials of the Earth spans the tumultuous years from the 1950s until the 1970s, encompassing the Revolution and its immediate aftermath. The novel opens as the protagonist, Carlos Perez Cifredo, sits down to fill out a questionnaire for readmission to the Cuban Communist Party. It closes with Carlos standing before a panel of Party members charged with assessing his merit as an "exemplary worker." The chapters between relate Carlos's experiences of the pre- and postrevolutionary era. His family is torn apart as some members reject the Revolution and flee the country while others, including Carlos, choose to stay. He witnesses key events including the Bay of Pigs invasion, the Cuban missile crisis, and the economically disastrous sugar harvest of 1970. Throughout the novel, Diaz vividly renders Cuban culture through humor, slogans, and slang; Afro-Cuban religion; and references to popular music, movies, and comics. This edition of The Initials of the Earth includes a bibliography and filmography of Diaz's works and a timeline of the major events of the Cuban revolutionary period. In his epilogue, the Cuban writer Ambrosio Fornet reflects on Diaz's surprising 1992 renunciation of the Revolution, their decades-long friendship, and the novel's reception, structure, and place within Cuban literary history.

A classic work of Latin American literature, Domingo SarmientoOCOs "Facundo" has become an integral part of the history, politics, and culture of Latin America since its first publication in 1845. Partially translated into English when it was first published, this foundational text appears here for the first time in its entirety. An educator and writer, Sarmiento was President of Argentina from 1868 to 1874. His "Facundo" is a study of the Argentine character, a prescription for the modernization of Latin America, and a protest against the tyranny of the government of Juan Manuel de Rosas (1835OCo1852). The book brings nineteenth-century Latin American history to life even as it raises questions still being debated todayOCoquestions regarding the civilized city versus the barbaric countryside, the treatment of indigenous and African populations, and the classically liberal plan of modernization. "FacundoOCOs" celebrated and frequently anthologized portraits of the "caudillo" Juan Facundo Quiroga and other colorful characters give readers an exhilarating sense of Argentine culture in the making.Kathleen RossOCOs translation renders SarmientoOCOs passionate prose into English with all its richness intact, allowing the English-language reader the full experience of "FacundoOCOs" intensity and historical reach."