A text for practiced poets, this book offers a springboard beyond the basics into more daring poetic traditions, experimentation and methods. It lays out the myriad conversations influencing contemporary poetics, paying attention to its roots in historical and theoretical thinking. With a focus on innovation and breaking established boundaries, Advanced Poetry introduces you to the poetics shaping the contemporary literary moment, first guiding you through the contexts and principles of these forms using a range of practical examples, before prompting you to pick up the pen yourself. Spanning decades and continents, and covering the rich field of poets writing today, this book shows how to read, explicate, and write poetry and includes discussion of: - received traditions and innovative forms - confessional and epistolary poetry - aesthetic experimentation with voice - methods and theories developed by early Surrealists -deep image and the poetics of spells - ecopoetics & poetry of place - writing the body based on queer theory and disability studies - docupoetics and lyric research - racial imaginaries and poetics of liberation - digital poetics - writing in community with other poets and collaborative, interdisciplinary projects - revision processes and putting together a collection or chapbook -advice on writing artist statements and other professional materials Bringing together a comprehensive craft guide with a carefully collated anthology showcasing the (existing) limits of what is possible in poetry, this text explores how poetry since the 20th century has embraced traditional structures, borrowed from other disciplines, and invented wildly new forms. With close readings, writing prompts, excerpts of interviews from key figures in the field and a supplementary companion website, this is the definitive text for any poet looking to continue their poetic journey.

Winner of the 2015 James Laughlin Award, Kathryn Nuernberger's The End of Pink is populated by strange characters--Bat Boy, automatons, taxidermied mermaids, snake oil salesmen, and Benjamin Franklin--all from the annals of science and pseudoscience. Equal parts fact and folklore, these poems look to the marvelous and the weird for a way to understand childbirth, parenthood, sickness, death, and--of course--joy. Finding myself in a mesmeric orientation, before me appeared Benjamin Franklin, who magnetized his French paramours at dinner parties as an amusing diversion from his most serious studies of electricity and the ethereal fire. I like thinking about how he would have stood on tiptoe to kiss their buzzing lips and everyone would gasp and clap for the blue spark between them. I believe in an honest and forthright manner, a democracy of plain speech, so I have to find a way to explain I don't care to have sex anymore. Kathryn Nuernberger has lived in various corners of Missouri, Louisiana, Ohio, and Montana. Her first book, Rag & Bone (Elixir Press, 2011), was a love letter to backwoods junk collectors and all of the abandoned cabins in the foothills to the Ozark Mountains. An unapologetic dilettante, she has received research fellowships from the American Antiquarian Society and The Bakken Museum of Electricity in Life to research aspects of the history of science and medicine. She currently lives in Columbia, Missouri, teaches at the University of Central Missouri, and serves as the director of Pleiades Press.

This amazingly wise and nimble collection investigates the horrors inflicted on so-called "witches" of the past. The Witch of Eye unearths salves, potions, and spells meant to heal, yet interpreted by inquisitors as evidence of evil. The author describes torture and forced confessions alongside accounts of gentleness of legendary midwives. In one essay about a trial, we learn through folklore that Jesus's mother was a midwife who cured her own son's rheumatism. In other essays there are subtle parallels to contemporary discourse around abortion and environmental destruction. Nuernberger weaves in her own experiences, too. There's an ironic look at her own wedding, an uncomfortable visit to the Prague Museum of Torture, and an afternoon spent tearing out a garden in a mercurial fit. Her researched material is eye-opening, lively, and often funny. An absolutely thrilling collection.

A text for practiced poets, this book offers a springboard beyond the basics into more daring poetic traditions, experimentation and methods. It lays out the myriad conversations influencing contemporary poetics, paying attention to its roots in historical and theoretical thinking. With a focus on innovation and breaking established boundaries, Advanced Poetry introduces you to the poetics shaping the contemporary literary moment, first guiding you through the contexts and principles of these forms using a range of practical examples, before prompting you to pick up the pen yourself. Spanning decades and continents, and covering the rich field of poets writing today, this book shows how to read, explicate, and write poetry and includes discussion of: - received traditions and innovative forms - confessional and epistolary poetry - aesthetic experimentation with voice - methods and theories developed by early Surrealists -deep image and the poetics of spells - ecopoetics & poetry of place - writing the body based on queer theory and disability studies - docupoetics and lyric research - racial imaginaries and poetics of liberation - digital poetics - writing in community with other poets and collaborative, interdisciplinary projects - revision processes and putting together a collection or chapbook -advice on writing artist statements and other professional materials Bringing together a comprehensive craft guide with a carefully collated anthology showcasing the (existing) limits of what is possible in poetry, this text explores how poetry since the 20th century has embraced traditional structures, borrowed from other disciplines, and invented wildly new forms. With close readings, writing prompts, excerpts of interviews from key figures in the field and a supplementary companion website, this is the definitive text for any poet looking to continue their poetic journey.

"One of the penalties of an ecological education," wrote Aldo Leopold, "is that one lives alone in a world of wounds." As climate change and other environmental degradations become more evident, experts predict that an increasing number of people will suffer emotional and psychological distress as a result. Many are feeling these effects already. In the pages of Solastalgia, they will find a source of companionship, inspiration, and advice. The concept of solastalgia comes from the Australian philosopher Glenn Albrecht, who describes it as "the homesickness we feel while still at home." It's the pain and longing we feel as we realize the world immediately around us is changing, with our love for that world serving as a catalyst for action on its behalf. This powerful anthology brings together thirty-four writers-educators, journalists, poets, and scientists-to share their emotions in the face of environmental crisis. They share their solastalgia, their beloved places, their vulnerability, their stories, their vision of what we can create.

One of Big Other's "Most Anticipated Small Press Books of 2020" In this fiercely feminist ecopoetic collection, Kathryn Nuernberger reclaims love and resilience in an age of cruelty. As the speaker-an artist and intellectual-finds herself living through a rocky marriage in a conservative rural state, she maintains her sense of identity by studying the science and folklore of plants historically used for birth control. Her botanical portraits of common herbs like Queen Anne's lace and pennyroyal are interwoven with lyric biographies of groundbreaking women ecologists whose stories have been left untold in textbooks. With equal parts righteous fury and tender wisdom, Rue reassesses the past and recontextualizes the present to tell a story about breaking down, breaking through, and breaking into an honest, authentic expression of self.