An exploration into the ways in which ethnography can create a greater understanding of Islam in particular social contexts This comparative approach to the various uses of the ethnographic method in research about Islam in anthropology and other social sciences is particularly relevant in the current climate. Political discourses and stereotypical media portrayals of Islam as a monolithic civilisation have prevented the emergence of cultural pluralism and individual freedom. Such discourses are countered by the contributors who show the diversity and plurality of Muslim societies and promote a reflection on how the ethnographic method allows the description, representation and analysis of the social and cultural complexity of Muslim societies in the discourse of anthropology. Key Features * shows the benefit of using ethnography as a method to engage with and relate to specific empirical realities * includes case studies on rituals and symbols in Syria, Tunisia, Damascus, Algeria, Britain, Pakistan, Brazil and Lebanon * covers practices such as veiling, students' religious practices, charitable activities, law, and scholarship in Egypt, Jordan, Turkey and Yemen

This book shows how ethnography can create a greater understanding of Islam in particular social contexts. Islam is stereotypically presented as a monolithic civilisation that has stifled the emergence of cultural pluralism and individual freedom. In contrast, this volume showcases the diversity and plurality of Muslim societies. The contributors reflect on how the ethnographic method allows the description, representation and analysis of the social and cultural complexity of Muslim societies in the discourse of anthropology. It shows the benefit of using ethnography as a method to engage with and relate to specific real-world examples. It includes case studies on rituals and symbols in Syria, Tunisia, Damascus, Algeria, Britain, Pakistan, Brazil and Lebanon. It covers practices such as veiling, students' religious practices, charitable activities, law and scholarship in Egypt, Jordan, Turkey and Yemen.

Following a period of rapid political change, both globally and in relation to the Middle East and South Asia, this collection sets new terms of reference for an analysis of the intersections between global, state, non-state and popular actors and their contradictory effects on the politics of gender. The volume charts the shifts in academic discourse and global development practice that shape our understanding of gender both as an object of policy and as a terrain for activism. Nine individual case studies systematically explore how struggles for political control and legitimacy determine both the ways in which dominant gender orders are safeguarded and the diverse forms of resistance against them.

Following a period of rapid political change, both globally and in relation to the Middle East and South Asia, this collection sets new terms of reference for an analysis of the intersections between global, state, non-state and popular actors and their contradictory effects on the politics of gender. The volume charts the shifts in academic discourse and global development practice that shape our understanding of gender both as an object of policy and as a terrain for activism. Nine individual case studies systematically explore how struggles for political control and legitimacy determine both the ways in which dominant gender orders are safeguarded and the diverse forms of resistance against them.

This explores the aesthetic dimensions of the Arab Spring and the worldwide protest movements that followed. From Egypt to India, and from Botswana to London, worker, youth and middle class rebellions have taken on the political and bureaucratic status quo. When most people can no longer earn a decent wage, they pit themselves against the privilege of small, wealthy and often corrupt elites. A remarkable feature of the protests from the Arab Spring onwards has been the importance of images, songs, videos, humour, satire and dramatic performances. This book explores the central role the aesthetic played in energising the massive mobilisations of young people, the disaffected, the middle classes and the apolitical silent majority. Discover how it fuelled solidarities and alliances among democrats, workers, trade unions, civil rights activists and opposition parties. It includes over 150 colour illustrations showing how visual media is used in protest movements across the globe. It offers a diversity of perspectives from political, media, visual, economic and linguistic anthropology, and the anthropology of work, art, social organisation and social movement.