'An absolute treat of a read with all the ingredients of a vintage murder mystery: a country house, mysterious dead bodies and three actresses all keen to catch the killer. Perfect weekend reading!' Janice Hallett, author of The Appeal 'Celebrates and gently satirises Golden Age crime novels in a hugely entertaining country house mystery' The Times ---------- Three rival actresses team up to solve a murder at the stately home of the author who made them famous - only to discover the solution lies in the stories themselves. A contemporary mystery with a Golden Age feel, perfect for fans of Agatha Christie and Jessica Fellowes. In attendance: the VIP fans, staying at Aldermere; the fan club president turned convention organiser; the team behind the newest movie adaptation of Davenport's books; the Davenport family themselves - and the three actresses famous for portraying Lettice's 1930s detective, Dahlia Lively. National treasure Rosalind King, from the original movies. TV Dahlia for thirteen seasons, Caro Hooper. And ex-child star Posy Starling, fresh out of the fame wilderness (and rehab) to take on the Dahlia mantle for the new movie. Each actress has her own interpretation of the character - but this English summer weekend they will have to put aside their differences, as the crimes at Aldermere turns anything but cosy. When fictional death turns into real bodies, can the three Dahlias find the answers to the murders among the fans, the film crew, the family - or even in Lettice's books themselves? ---------- PRAISE FOR THE THREE DAHLIAS 'Dame Agatha would approve' Daily Mail 'The perfect holiday read' Woman and Home 'A wonderful celebration of Golden Age crime. . . a read you can sink into, just like the perfect country house weekend. You will definitely love Dahlia in all her guises by the end' S.J. Bennett, author of The Windsor Knot 'A sprightly offering. . . a pleasant summer read' The Critic 'A fun, 1930s style murder-mystery, which makes for perfect holiday reading' Woman's Weekly 'A cosy whodunnit told with modern flair' Yours

Winner of the NCTE George Orwell Award for Distinguished Contribution to Honesty and Clarity in Public Language Although Roe v. Wade identified abortion as a constitutional right 45 years ago, it still bears stigma-a proverbial scarlet A. Millions of Americans have participated in or benefited from an abortion, but few want to reveal that they have done so. Approximately one in five pregnancies in the US ends in abortion. Why is something so common, which has been legal so long, still a source of shame and secrecy? Why is it so regularly debated by politicians, and so seldom divulged from friend to friend? This book explores the personal stigma that prevents many from sharing their abortion experiences with friends and family in private conversation, and the structural stigma that keeps it that way. In public discussion, both proponents and opponents of abortion's legality tend to focus on extraordinary cases. This tendency keeps the national debate polarized and contentious, and keeps our focus on the cases that occur the least. Professor Katie Watson focuses instead on the cases that happen the most, which she calls "ordinary abortion." Scarlet A gives the reflective reader a more accurate impression of what the majority of American abortion practice really looks like. It explains how our silence around private experience has distorted public opinion, and how including both ordinary abortion and abortion ethics could make our public exchanges more fruitful. In Scarlet A, Watson wisely and respectfully navigates one of the most divisive topics in contemporary life. This book explains the law of abortion, challenges the toxic politics that make it a public football and private secret, offers tools for more productive private exchanges, and leads the way to a more robust public discussion of abortion ethics. Scarlet A combines storytelling and statistics to bring the story of ordinary abortion out of the shadows, painting a rich, rarely seen picture of how patients and doctors currently think and act, and ultimately inviting readers to tell their own stories and draw their own conclusions.

Reproductive health care professionals in fields such as Obstetrics and Gynecology, Family Medicine, and Pediatrics face difficult ethical issues because they work at the crossroads of patient decision-making, scientific advancement, political controversy, legal regulation, and profound moral considerations. The dilemmas these professionals face expose big-picture bioethics questions of interest to everyone. Yet for clinicians striving to deliver excellent patient care, the ethical questions that make daily practice challenging can be just as nuanced. This volume presents a carefully curated compilation of essays written by leading experts in the fields of medicine, ethics, and law, who address key issues at the forefront of reproductive ethics. It is organized into three main sections: I. Contraception and Abortion Ethics - Preventing Pregnancy and Birth, II. Assisted Reproduction Ethics - Initiating Pregnancy, and III. Obstetric Ethics - Managing Pregnancy and Delivery. Each section begins with a short introduction by the editors providing an overview of the area and contextualizing the essays that follow. This volume's primary aim is to be useful to practicing clinicians, students, and trainees by providing short and practical essays covering urgent topics-from race, religion and abortion, to legal liability, violations of confidentiality and maternal choices that risk future children's health. This collection provides clinicians at all levels of training with frameworks they need to approach the intimate and high-stakes encounters central to their profession.

Reproductive health care professionals in fields such as Obstetrics and Gynecology, Family Medicine, and Pediatrics face difficult ethical issues because they work at the crossroads of patient decision-making, scientific advancement, political controversy, legal regulation, and profound moral considerations. The dilemmas these professionals face expose big-picture bioethics questions of interest to everyone. Yet for clinicians striving to deliver excellent patient care, the ethical questions that make daily practice challenging can be just as nuanced. This volume presents a carefully curated compilation of essays written by leading experts in the fields of medicine, ethics, and law, who address key issues at the forefront of reproductive ethics. It is organized into three main sections: I. Contraception and Abortion Ethics - Preventing Pregnancy and Birth, II. Assisted Reproduction Ethics - Initiating Pregnancy, and III. Obstetric Ethics - Managing Pregnancy and Delivery. Each section begins with a short introduction by the editors providing an overview of the area and contextualizing the essays that follow. This volume's primary aim is to be useful to practicing clinicians, students, and trainees by providing short and practical essays covering urgent topics-from race, religion and abortion, to legal liability, violations of confidentiality and maternal choices that risk future children's health. This collection provides clinicians at all levels of training with frameworks they need to approach the intimate and high-stakes encounters central to their profession.

One murder mystery movie. Three Dahlias. And a whole cast of suspects... Ex child star Posy Starling is finally filming her dream role - Dahlia Lively in The Lady Detective movie. But things take a nightmare turn when a prop weapon is replaced with the real thing - with almost fatal consequences for her fellow Dahlia, Rosalind King. There's something very wrong on the set of The Lady Detective - which means it's time to call in Caro Hooper, so the three Dahlias can investigate. In between filming scenes, signing autographs for locals, photoshoots on set and jetting off to France for an impromptu party, the three Dahlias do what they do best - surreptitiously sleuth. And very soon the evidence starts to point towards one particular co-star... But before they can prove it, a murder rocks the production. And this time, with a storm raging, the river flooded and the bridge washed out, there are no police to rely on so it's up to the three Dahlias to stop a murderer in their tracks... before another victim is claimed. Praise for A Very Lively Murder 'A truly entertaining crime novel in the Three Dahlias series, very much in the Agatha Christie tradition, and I hope this series will continue' Shots Magazine 'Will please those who liked the opening book' The Critic Praise for Katy Watson 'An absolute treat of a read with all the ingredients of a vintage murder mystery: a country house, mysterious dead bodies and three actresses all keen to catch the killer. Perfect weekend reading!' Janice Hallett, author of The Appeal 'Celebrates and gently satirises Golden Age crime novels in a hugely entertaining country house mystery' The Times 'Dame Agatha would approve' Daily Mail 'A wonderful celebration of Golden Age crime. . . a read you can sink into, just like the perfect country house weekend. You will definitely love Dahlia in all her guises by the end' S.J. Bennett, author of The Windsor Knot 'I loved it - witty, engaging and hugely enjoyable. A must for fans of classic mysteries' Frances Brody 'An affectionate homage to the Golden Age of Detective Fiction and a wry nod to our continuing fascination with it. Great fun. Warm, ingenious and. . . lively!' L C Tyler 'A sprightly offering. . . a pleasant summer read' The Critic 'A pleasure to read from beginning to end' Shots 'A fun, 1930s style murder-mystery, which makes for perfect holiday reading' Woman's Weekly 'Perfect Holiday Read' Woman and Home 'Smartly executed with wit and a cunning plot' Peterborough Telegraph 'A cosy whodunnit told with modern flair' Yours

It wouldn't be a country house weekend without a little murder. . . Three rival actresses team up to solve a murder at the stately home of Lettice Davenport, the author whose sleuthing creation of the 1930s, Dahlia Lively, had made each of them famous to a new generation. A contemporary mystery with a Golden Age feel, perfect for fans of Agatha Christie and Jessica Fellowes - and Janice Hallett and Richard Osman, of course! In attendance at Aldermere: the VIP fans, staying at house; the fan club president turned convention organiser; the team behind the newest movie adaptation of Davenport's books; the Davenport family themselves; and the three actresses famous for portraying Dahlia Lively through the decades. There is national treasure Rosalind King, from the original movies, who's feeling sensitive that she's past her prime, TV Dahlia for thirteen seasons, Caro Hooper, who believes she really IS Dahlia Lively, and ex-child star Posy Starling, fresh out of the fame wilderness (and rehab) to take on the Dahlia mantle for the new movie - but feeling outclassed by her predecessors. Each actress has her own interpretation of the character and her own secrets to hide - but this English summer weekend they will have to put aside their differences as the crimes at Aldermere turn anything but cosy. When fictional death turns into real bodies, can the three Dahlias find the answers to the murders among the fans, the film crew and the family - or even in Lettice's books themselves? Praise for The Three Dahlias 'An absolute treat of a read with all the ingredients of a vintage murder mystery: a country house, mysterious dead bodies and three actresses all keen to catch the killer. Perfect weekend reading!' Janice Hallett, author of The Appeal 'Celebrates and gently satirises Golden Age crime novels in a hugely entertaining country house mystery' The Times 'Dame Agatha would approve' Daily Mail 'A wonderful celebration of Golden Age crime. . . a read you can sink into, just like the perfect country house weekend. You will definitely love Dahlia in all her guises by the end' S.J. Bennett, author of The Windsor Knot 'I loved it - witty, engaging and hugely enjoyable. A must for fans of classic mysteries' Frances Brody 'An affectionate homage to the Golden Age of Detective Fiction and a wry nod to our continuing fascination with it. Great fun. Warm, ingenious and. . . lively!' L C Tyler 'A sprightly offering. . . a pleasant summer read' The Critic 'A pleasure to read from beginning to end' Shots 'A fun, 1930s style murder-mystery, which makes for perfect holiday reading' Woman's Weekly 'Perfect Holiday Read' Woman and Home 'Smartly executed with wit and a cunning plot' Peterborough Telegraph 'A cosy whodunnit told with modern flair' Yours

Winner of the NCTE George Orwell Award for Distinguished Contribution to Honesty and Clarity in Public Language Although Roe v. Wade identified abortion as a constitutional right in1973, it still bears stigma-a proverbial scarlet A. Millions of Americans have participated in or benefited from an abortion, but few want to reveal that they have done so. Approximately one in five pregnancies in the US ends in abortion. Why is something so common, which has been legal so long, still a source of shame and secrecy? Why is it so regularly debated by politicians, and so seldom divulged from friend to friend? This book explores the personal stigma that prevents many from sharing their abortion experiences with friends and family in private conversation, and the structural stigma that keeps it that way. In public discussion, both proponents and opponents of abortion's legality tend to focus on extraordinary cases. This tendency keeps the national debate polarized and contentious, and keeps our focus on the cases that occur the least. Professor Katie Watson focuses instead on the cases that happen the most, which she calls "ordinary abortion." Scarlet A gives the reflective reader a more accurate impression of what the majority of American abortion practice really looks like. It explains how our silence around private experience has distorted public opinion, and how including both ordinary abortion and abortion ethics could make our public exchanges more fruitful. In Scarlet A, Watson wisely and respectfully navigates one of the most divisive topics in contemporary life. This book explains the law of abortion, challenges the toxic politics that make it a public football and private secret, offers tools for more productive private exchanges, and leads the way to a more robust public discussion of abortion ethics. Scarlet A combines storytelling and statistics to bring the story of ordinary abortion out of the shadows, painting a rich, rarely seen picture of how patients and doctors currently think and act, and ultimately inviting readers to tell their own stories and draw their own conclusions. The paperback edition includes a new preface by the author addressing recent cultural developments in abortion discourse and new legal threats to reproductive rights, and updated statistics throughout.

It wouldn’t be a country house weekend without a little murder. . .

Three rival actresses team up to solve a murder at the stately home of Lettice Davenport, the author whose sleuthing creation of the 1930s, Dahlia Lively, had made each of them famous to a new generation. A contemporary mystery with a Golden Age feel, perfect for fans of Agatha Christie and Jessica Fellowes – and Janice Hallett and Richard Osman, of course!

In attendance at Aldermere: the VIP fans, staying at house; the fan club president turned convention organiser; the team behind the newest movie adaptation of Davenport’s books; the Davenport family themselves; and the three actresses famous for portraying Dahlia Lively through the decades.

There is national treasure Rosalind King, from the original movies, who’s feeling sensitive that she’s past her prime, TV Dahlia for thirteen seasons, Caro Hooper, who believes she really IS Dahlia Lively, and ex-child star Posy Starling, fresh out of the fame wilderness (and rehab) to take on the Dahlia mantle for the new movie – but feeling outclassed by her predecessors. Each actress has her own interpretation of the character and her own secrets to hide – but this English summer weekend they will have to put aside their differences as the crimes at Aldermere turn anything but cosy.

When fictional death turns into real bodies, can the three Dahlias find the answers to the murders among the fans, the film crew and the family – or even in Lettice’s books themselves?