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This book calls for an investigation of the "borderlands of narrativity" the complex and culturally productive area where the symbolic form of narrative meets other symbolic logics, such as data(base), play, spectacle, or ritual. It opens up a conversation about the "beyond" of narrative, about the myriad constellations in which narrativity interlaces with, rubs against, or morphs into the principles of other forms. To conceptualise these borderlands, the book introduces the notion of "narrative liminality", which the 16 articles utilize to engage literature, popular culture, digital technology, historical artifacts, and other kinds of texts from a time span of close to 200 years.
Dieses Buch setzt sich mit der viel diskutierten HBO-Serie Westworld auseinander. Aus multidisziplinaren Perspektiven fragen die Autor*innen danach, wie die Science-Fiction/Western-Serie als Erzahlung funktioniert und dabei Aspekte des Posthumanismus, Fragen kunstlicher Intelligenz und das Verhaltnis von Mensch und Maschine problematisiert.
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