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A Tribute to Hans Foreword (K. Van der Stighelen) Laudatio (J. Mler
Hofstede) Bibliography of Hans Vlieghe 1960-2004 Aspects of Rubens'
Art K. Jonckheere, Wars van decorum. Een interpretatie van het
Laatste Avondmaal van Adriaen Thomasz Key; C. Goettler,
Affectionate Gifts: Rubens's early use of copper; C. Lawrence,
Rubens and De Rincon in Valladolid: a reconsideration of the first
Spanish sojourn and a new source for the Antwerp 'Raising of the
Cross'; A.-M. Logan, A Noble Genoese Lady: by or attributed to
Rubens?; J. Wood, Rubens and Raphael: The designs for the
tapestries in Sistine Chapel; J. Muller Hofstede, Rubens'
'Bethlehemitischer Kindermord' von ca 1610; K. Lohse Belkin, 'La
belle Helene' and her Beauty Aids: A New Look at 'Het Pelsken'; F.
Baudouin, Architecturale motieven op schilderijen van Rubens:
enkele voorbeelden; K. De Clippel, Bacchus bij Rubens; U. Haerting,
A Small Entertainment fuer King Charles II im Rubenshaus; B.
Haeger, The Choir Screen at St. Michael's Abbey in Antwerp: gateway
to the heavenly Jerusalem; N. Btner, Aristocracy and noble
business. Some remarks on Rubens's financial affaires; E. McGrath,
Garlanding the Great Mother: Rubens, Jan Breughel and the
celebration of Nature's fertility; C. Van de Velde, Rubens' brieven
in het Nederlands Around Rubens and Van Dyck: the context of
Flemish Painting B. Timmermans, The Elite as Collectors and
Middlemen in the Antwerp Art World of the Seventeenth Century; J.
Muller, Art and the Redemption of Slaves: The Brotherhood of the
Holy Trinity in the St. Jacob's Church at Antwerp; D. Howarth,
Charles I's Spaniel? The Relation between Charles I and Anthony van
Dyck reconsidered; K. Van der Stighelen, Van Dycks 'Sint-Martinus'
in Zaventem. Herboren of face-lifted?; F. Healy, Vive l'Esprit.
Sculpture as the Bearer of Meaning in Willem van Haecht's Art
Cabinet; J. Muylle, Adriaen Brouwer beroofd op zee. De echo van een
kunstenaarsanekdote?; G. Delmarcel, De Antwerpse schilder Pieter
van Lint(1609-1690) als ontwerper van wandtapijten. Een bijdrage;
V. Manuth, 'Peintre ordianaire de la Reyne'. De Antwerpse schilder
Pieter van Mol; B. Welzel, David Teniers II and Archduke Leopold
Wilhelm; I. Veldman, Zuid-Nederlandse schilders in het fonds van
prentuitgever Crispijn de Passe; W. Liedtke, Toward a New Edition
of Flemish Paintings in the Metropolitan Museum of Art.
Contents: J. Bos, Between Physiognomy and Pathognomy. Theoretical
Perspectives on the Representation of Characters and Emotions in
the Seventeenth Century - U. Heinen, Velum est timantis imago. The
Portraits of Stoics and the Stoicism of Portrait - B. Watteeuw,
Oppervlakkig of onderhuids? Over het psychologisch portret en de
psychologie van het portretteren (1600-1650) - J. Dequeker, A
Physician's View Beyond the Curtains of Seventeenth-Century Flemish
and Dutch Baroque Portraits - H. Roodenburg, Netherlandish Baroque
Portraits and Civil Conversation - R. Van Leeuwen, The Portrait
Historie in Religious Context and its Condemnation - D. Meuwissen,
A Change in Tradition. The Seventeenth-Century Portraits in the
Series with the Land Commanders of the Utrecht Bailiwick of the
Teutonic Order - K. De Clippel, Naked or Not Naked? Some Thoughts
on Nudity and Portraiture in Seventeenth-Century Flemish Paintin -
R. Ekkart, Het portret van de schilder en zijn familie. De familie
van Mierevelt geschilderd door Pieter van Mierevelt - B.
Timmermans, Het (familie-)portret als visuele stamboom en
maatschappelijk gezicht bij de zeventiende-eeuwse Antwerpse elites
- A. Jensen Adams, The Family Portrait Historie and the Viewer in
Narrative Time- J. De Landtsheer, Justus Lipsius (1547-1606). A
Scholar and His European Network - J. Muller, Eucharist and Eternal
Life. The Wardens of the Sacrament Chapel in the St. Jacob's Church
Antwerp, Immortalised in their Group Portrait by Pieter Thys - Z.
Zaremba Filipczak, Portraits of Women who Do Not Love to be Lead by
the Nose - K. Hearn, Pregnancy Portraits in Sixteenth- and Early
Seventeenth-Century England - K. Van der Stighelen, Portretten en
hun perceptie. De barokke blik op het portret. English and Dutch
Text.
Table of Contents: Katlijne Van der Stighelen, Introduction - Eric
Jan Sluijter, The Nude, the Artist and the Model: The Case of
Rembrandt - Erna Kok, The Female Nude from Life: On Studio Practice
and Beholder Fantasy - Victoria Sancho Lobis, Printed Drawing Books
and the Dissemination of Ideal Male Anatomy in Northern Europe -
Paul Taylor, Colouring Nakedness in Netherlandish Art and Theory -
Hubert Meeus, Two Founts of Ivory: Nudity on Stage in the
Seventeenth Century Low Countries - -Johan Verberckmoes, Is that
Flesh for Sale? Seventeenth-Century Jests on Nudity in the Spanish
Netherlands - Ralph Dekoninck, Art Stripped Bare by the
Theologians, Even: Image of Nudity / Nudity of Image in the
Post-Tridentine Religious Literature - Veerle De Laet, Een Naeckt
Kindt, een Naeckt Vrauwken ende Andere Figueren: An Analysis of
Nude Representations in the Brussels Domestic Setting.
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Sponsors of the Past : Flemish Art and Patronage : 1550-1700 - Proceedings of the Symposium Organized at the Katholieke Universiteit Leuven, December, 14-15, 2001, Faculteit Letteren, Department Archeologie, Kunstwetenschap Musicologie (Dutch, English, German, Paperback)
Katlijne Van der Stighelen, Hans Vlieghe
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R1,847
R1,653
Discovery Miles 16 530
Save R194 (11%)
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Ships in 12 - 17 working days
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Contents: K. De Jonge: A model court architect: Mary of Hungary and
Jacques Du Broeucq (1545-1556); J. Juan Perez Preciado: Aarschot
and Solre. The collections, patronage and influence in Spain of two
Flemish noblemen; S. van Sprang: Les peintres de la cour d' Albert
et Isabelle: une tentative de classification; D. Howarth: Rubens
and Philip IV: a reappraisal; H. Vlieghe: 'Frayicheyt ende kunst
daer syne inclinatie toe stryckt': beschouwingen over het mecenaat
van aartshertog Leopold-Wilhelm tijdens zijn landvoogdij over de
Zuidelijke Nederlanden (1647-1656); K. Van der Stighelen: 'Prima
inter pares'. Over de voorkeur van Aartshertog Leopold-Wilhelm voor
Michaelina Woutiers (ca 1620-na 1682); J. M. Muller: Institution
and framework: the new chapter of canons and its choir space in the
St. Jacob's Church, Antwerp; C. Gottler: Saints and patronage:
Peter Paul Rubens and Maximilian Villain de Gand in the cathedral
of Tournai; B. Haeger: Abbot Van der Steen and St Michael's abbey:
the restoration of its church, its images, and its place in
Antwerp; V. Herremans: Vroomheid verbeeld. Iconografie van de
17de-eeuwse Zuid-Nederlandse retabelsculptuur: het aandeel van de
opdrachtgever; B. Timmermans: Een elite als actor binnen een
zeventiende-eeuwse kunstwereld. Uitbouw en patronen van patronage
(netwerken) in de Antwerpse Nazomer; B. Welzel: Rubens' Anbetung
der Kige 1608 und 1628/29: die Gestaltung fur verschiedene Patrone.
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