Katie Hall's poems are of the rare kind that pierce right into your soul, leaving a tingling feeling under your skin, matched only by the speechless silence enveloping the roaring storms in your mind. In other words: They touch you. Not as soapy pathos - on contrary, they touch your deepest, poorly-lit spots because they are so real and relevant. No matter if you have lived situations similar to what the poems get into, you feel that you are right there, right in it. You empathise not with 'the author' or 'a narrator' ...but with yourself. What makes Katie Hall's poetry lie so close to our own struggles and doubts are their way of spinning around the swirl formed by the eternal dilemma between needing and resisting, between shame and desire. Ultimately, between honesty and pretence. To be read one by one, reflected upon, and then re-read. If you are up to it. 'Cause you will discover sides of yourself that you had forgotten about or stowed away. Now, with Katie Hall, it is time to find it back. -Bj rn Clasen-

The Closeness That Separates Us - when feelings go beyond words 'We are already moving into a game, and I am not sure I like the gaming part. The risk is too high, fun, however it might be. I want real life, in all its aspects, and yes, also the risky ones. Games are just games. It's like fiction, where you can try out things, see if they work, throw possibilities up into the air and see whatever falls down, with a bump, with a crash, with a gentle landing, with a bounce, and what fl oats or flies around up there, in the sky, be it beautiful but out of reach, or controlled from the ground, by the artist. That's fine, but unreal. My half-told stories, my mediocre poems, my indifferent blog scribblings can do that, but I want real life, and real-life risks when it seems worth running them. So show it to me, your purgatory. Describe it. In a mail, or a picture, whatever you find fitting. Or not fitting at all. I want your words, if they are real, and I want to feel the person behind the words. So I am just saying: Keep feeding me mails, keep tickling my mind. If you one day want to tickle my toes, I am sure that can be negotiated too, somehow, somewhere, somewhen. As long as it's real and not just words and thoughts and "what if" speculations and dreams. Those, I have had plenty of, just like you mention. Short-lived, split-second things, roaring by before they became unblurry. This is different. You are different. I like it.'

Exam Board: Edexcel Level: A level Subject: History First teaching: September 2015 First exams: June 2017 This book: covers the essential content in the new specifications in a rigorous and engaging way, using detailed narrative, sources, timelines, key words, helpful activities and extension material helps develop conceptual understanding of areas such as evidence, interpretations, causation and change, through targeted activities provides assessment support for both AS and A level with sample answers, sources, practice questions and guidance to help you tackle the new-style exam questions. It also comes with three years' access to ActiveBook, an online, digital version of your textbook to help you personalise your learning as you go through the course - perfect for revision.

Valentine's Day means cards, candy, and laughter! This knock-knock joke book features classic puns and flaps with surprising reveals. Travel around the school, from art to music to gym, and crack jokes in each room! These Valentine's Day-themed jokes are perfect for the whole family and the flaps add a fun layer of visual humor. With new artwork from Steve Bjorkman, who has a unique ink art style and eye for visual comedy, this series is great for young comedians today. Knock, knock! Who's there? Igloo! Igloo who? Igloo my fingers together when I make Valentines!

An excellent Easter basket stuffer! Enjoy over two dozen knock-knock jokes that will crack up the whole family. Knock, knock! Who's there? Heidi. Heidi who? Heidi eggs under the bushes! Lift the flap to reveal new punchlines and surprises. A day at the park becomes even more exciting with all the fun Easter activities. Search for eggs, race with them, and paint them.

"Aftershock: Rethinking the Future Since September 11, 2001" is the record of a three-day conference held in Lower Manhattan September 6 - 8, 2006 at Pace University. Bringing together stellar speakers and informed panelists representing a wide range of constituencies, from first responders to families of those who died at the World Trade Center, the conference explored the economic, cultural, environmental, educational, and political consequences of the attacks.

The Closeness That Separates Us - when feelings go beyond words 'We are already moving into a game, and I am not sure I like the gaming part. The risk is too high, fun, however it might be. I want real life, in all its aspects, and yes, also the risky ones. Games are just games. It's like fiction, where you can try out things, see if they work, throw possibilities up into the air and see whatever falls down, with a bump, with a crash, with a gentle landing, with a bounce, and what fl oats or flies around up there, in the sky, be it beautiful but out of reach, or controlled from the ground, by the artist. That's fine, but unreal. My half-told stories, my mediocre poems, my indifferent blog scribblings can do that, but I want real life, and real-life risks when it seems worth running them. So show it to me, your purgatory. Describe it. In a mail, or a picture, whatever you find fitting. Or not fitting at all. I want your words, if they are real, and I want to feel the person behind the words. So I am just saying: Keep feeding me mails, keep tickling my mind. If you one day want to tickle my toes, I am sure that can be negotiated too, somehow, somewhere, somewhen. As long as it's real and not just words and thoughts and "what if" speculations and dreams. Those, I have had plenty of, just like you mention. Short-lived, split-second things, roaring by before they became unblurry. This is different. You are different. I like it.'

Katie Hall's poems are of the rare kind that pierce right into your soul, leaving a tingling feeling under your skin, matched only by the speechless silence enveloping the roaring storms in your mind. In other words: They touch you. Not as soapy pathos - on contrary, they touch your deepest, poorly-lit spots because they are so real and relevant. No matter if you have lived situations similar to what the poems get into, you feel that you are right there, right in it. You empathise not with 'the author' or 'a narrator' ...but with yourself. What makes Katie Hall's poetry lie so close to our own struggles and doubts are their way of spinning around the swirl formed by the eternal dilemma between needing and resisting, between shame and desire. Ultimately, between honesty and pretence. To be read one by one, reflected upon, and then re-read. If you are up to it. 'Cause you will discover sides of yourself that you had forgotten about or stowed away. Now, with Katie Hall, it is time to find it back. -Bj rn Clasen-

Studienarbeit aus dem Jahr 2009 im Fachbereich Geschichte - Sonstiges, Note: 1,3, Humboldt-Universitat zu Berlin, Sprache: Deutsch, Abstract: Zufall, Gluck, Willkur, personliche Vorlieben, die grosse Auslosung - und am Ende steht der stolze Gewinner fest. Bei der Wahl des Siegers der grossen Dionysien haben sich die Athener fur ein aussergewohnliches und kompliziertes Verahren entschieden. Es beinhaltet zwei Auslosungen, den Einsatz von Laien als Schiedsrichter und die Nichtbeachtung der Halfte aller abgegebenen Stimmen. In dieser Arbeit soll untersucht werden, wie jenes uns fragwurdig erscheinende Verfahren genau ablief und ob es die logische Schlussfolgerung aus den Prinzipien der attischen Gesellschaft ist und diese gegebenenfalls in ihren Grundzugen wiederspiegelt. Zeigt dieses Verfahren zur Siegerwahl Parallelen auf zur Lebenswelt der Griechen? Wie eng sind gesellschaftliche und politische Merkmale hier mit dem Theater verbunden? Im Mittelpunkt der Untersuchungen stehen die stadtischen Dionysien, die in Athen im Marz beziehungsweise April eines jeden Jahres statt fanden. Zunachst soll diskutiert werden, wie die Bedingungen der Siegerwahl waren, also wie der festgelegte Ablauf war und welche Bestimmungen es dafur gab. Dabei sind die Auslosung der zustandigen Schiedsrichter und die anschliessende Auslosung des Siegers eng miteinander verbunden. Es folgt die Darstellung wichtiger Pinzipien der attischen Gesellschaft und darauf folgend die Untersuchung, ob und in welcher Weise diese sich beim Ablauf der Siegerwahl zei

Considering the latest advances and developments in the arena of digital media, this book explores current materials, methods and applications of digital technology in art therapy. It looks thoroughly at the many potential uses and benefits of digital technology in art therapy practice, including the use of stop motion animation and therapeutic light painting photography. A worked example of how digital art therapy can be used in the treatment of traumatic brain injury is also included. The book explores innovative therapeutic uses of digital technologies such as gaming and virtual worlds. Contributions from experienced art therapists address professional and ethical issues, from the sensory qualities of digital media and their effects in practice, to identifying and using developmentally appropriate technologies. As art therapy programs increasingly recognize the importance of using digital media, this cutting-edge guide provides all the necessary knowledge to incorporate this emerging field into practice.

This, the second book in the Beyond Trilogy, expands on John and Katie's experiences and photographs of the orb phenomena covered in their first book. It reveals astounding new photographs and opens up exciting new questions about the whole nature of paranormal phenomena in general. John and Katie's photographs of orbs, angels and other apparitions have brought them into worldwide contact with other experiencers and researchers: it is from this basis that they now take a major step beyond the visible photographable phenomena, and current New Age notions about orbs, to reveal new insights about the paranormal. Could it be that orbs are the indicators of a wider, "beyond" reality? Is the symbology of orbs as images of oneness, drawing our attention to the most important orb of all: the orb of Earth on which we all live? Their ongoing photographs, personal experiences, and the amazing synchronistic events they found themselves part of reveal a conscious, purposeful phenomena that can interact with us as individuals, whoever and wherever we are. This inevitably leads to a spiritual perspective that crosses all religious and cultural boundaries, helping us to see that this one blue orb of Earth on which we all live, is greater than all that divides us! Orbs & Beyond is the vital visual link between Beyond Photography, and the forthcoming Beyond Reality.