In this brief but comprehensive introduction to Freud's theories, Mikkel Borch-Jacobsen provides a step-by-step overview of his ideas regarding the unconscious, the cure, sexuality, drives, and culture, highlighting their indebtedness to contemporary neurophysiological and biological assumptions. The picture of Freud that emerges is very different from that of the fact-finding scientist he claimed to be. Bold conceptual innovations – repression, infantile sexuality, the Oedipus complex, narcissism, the death drive – were not discoveries made by Freud, but speculative constructs placed on clinical material to satisfy the requirements of the general theory of the mind and culture that he was building. Freud's Thinking provides a final accounting of this mirage of the mind that was psychoanalysis.

In this brief but comprehensive introduction to Freud's theories, Mikkel Borch-Jacobsen provides a step-by-step overview of his ideas regarding the unconscious, the cure, sexuality, drives, and culture, highlighting their indebtedness to contemporary neurophysiological and biological assumptions. The picture of Freud that emerges is very different from that of the fact-finding scientist he claimed to be. Bold conceptual innovations – repression, infantile sexuality, the Oedipus complex, narcissism, the death drive – were not discoveries made by Freud, but speculative constructs placed on clinical material to satisfy the requirements of the general theory of the mind and culture that he was building. Freud's Thinking provides a final accounting of this mirage of the mind that was psychoanalysis.

Miller as a writer whose work does something more profound and violent to literary conventions than produce novel effects: it announces the possibility of difference and instability within language itself. Henry Miller is a cult figure in the world of fiction, in part due to having been banned for obscenity for nearly thirty years. Alongside the liberating effect of his explicit treatment of sexuality, however, Miller developed a provocative form of writing that encourages the reader to question language as a stable communicative tool and to consider the act of writing as an ongoing mode of creation, always in motion, perpetually establishing itself and creating meaning through that very motion. Katy Masuga provides a new reading of Miller that is alert to the aggressively and self-consciously writerly form of his work. Critiquing the categorization of Miller into specific literary genres through an examination of the small body of critical texts on his oeuvre, Masuga draws on Deleuze and Guattari's concept of a minor literature, Blanchot's "infinite curve," and Bataille's theory of puerile language, while also considering Miller in relation to other writers, including Proust, Rilke, and William Carlos Williams. She shows how Miller defies conventional modes of writing, subverting language from within. Katy Masuga is Adjunct Professor of British and American literature, cinema, and the arts in the Cultural Studies Department at the University of Paris III: Sorbonne Nouvelle.

Identifying six significant writers - Whitman, Dostoevsky, Rimbaud, Lewis Carroll, Proust and D. H. Lawrence - Katy Masuga explores their influence on Miller's work as well as Miller's retroactive impact on their writing. She explores four forms of intertextuality in relation to each 'ancestral' author: direct allusions; unconscious style; reverse influence; and participation of the ancestral author as part of the story within the text. The study is informed by the theories of Bakhtin, Barthes and Kristeva on polyvocity and of Blanchot, Wittgenstein and Deleuze on language games and the indefatigability of writing.

By presenting Miller in intertextual context, he emerges as a noteworthy modernist writer whose contributions to literature include the struggle to find a distinctive voice alongside a distinguished lineage of literary figures.

Key FeaturesMajor contribution to rehabilitating an important and often overlooked twentieth-century writerPlaces Miller's work in thought-provoking intertextual relationships among a diverse range of writersProvides an incisive critical approach to Miller's writing