This volume brings together eminent Tagore scholars and younger writers to revisit the concepts of nation, nationalism, identity and selfhood, civilization, culture and homeland in Tagore's writings. As these ideas take up the centre-stage of politics in the subcontinent as also elsewhere in the world in the 21st century, it becomes extremely relevant to revisit his works in this context. Tagore's ambivalence towards nationalism as an ideology was apparent in the responses in his discussions with Indians and non-Indians alike. Tagore developed the concept of 'syncretic' civilization as a basis of nationalist civilizational unity, where society was central, unlike the European model of state-centric civilization. However, as the subterranean tensions of communalism became clear in the early 20th century, Tagore reflexively critiqued his own political position in society. He thus emerged as the critic of the nation/nation-state and in this he shared his deep unease with other thinkers like Romain Rolland and Albert Einstein. This volume for the first time covers the socio-political, historical, literary and cultural concerns relating to Tagore's efforts towards the 'de-colonization' of the Self. The volume begins with various perspectives on Tagore's 'ambivalence' about nationalism. It encompasses critical examinations of Tagore's literary works and other art forms as well as adaptations of his works on film. It also reads Tagore's nationalism in a comparative mode with contemporary thinkers in India and abroad who were engaged in similar debates.

This book explores queer potentialities in the tribal folktales of India. It elucidates the queer elements in the oral narratives of four indigenous communities from East and Northeast India, which are found to be significant repositories of gender fluidity and non-normative desires. Departing from the popular understanding that ‘Otherness’ results largely from undue exposure to Western permissiveness, the author reveals how minority sexualities actually have their roots in aboriginal indigenous cultures and do not necessarily constitute a mimicry of the West. The volume endeavours to demystify the politics behind such vindictive propagation to sensitize the queerphobic mainstream about the essential endogenous presence of the queer in the spaces that are aboriginal. Based on extensive interdisciplinary research, this book is a first of its kind in the study of indigenous queer narratives. It will be useful to scholars and researchers of queer studies, gender studies, tribal and indigenous studies, literature, cultural studies, postcolonialism, sociology, political studies and South Asian studies.

This book analyses regional expressions of the queer experience in texts available in the Indian vernacular languages. It studies queer autobiographies and literary and cinematic texts written in the vernacular languages on gay, lesbian, bisexual, and transgender issues. The authors outline the specific terms that are popular in the bhashas (languages) to refer to the queer people and discuss any neo coinages/ modes of communication invented by the queer people themselves. The volume also addresses the lack of queer representation in certain language communities and the lack of queer interaction in non-metropolitan cities in India. An important contribution to the field of queer studies in India, this timely book will be an essential read for scholars and researchers of gender studies, queer studies, cultural studies, discrimination and exclusion studies, language studies, political studies, sociology, postcolonial studies and South Asian studies.

This book explores queer potentialities in the tribal folktales of India. It elucidates the queer elements in the oral narratives of four indigenous communities from East and Northeast India, which are found to be significant repositories of gender fluidity and non-normative desires. Departing from the popular understanding that 'Otherness' results largely from undue exposure to Western permissiveness, the author reveals how minority sexualities actually have their roots in aboriginal indigenous cultures and do not necessarily constitute a mimicry of the West. The volume endeavours to demystify the politics behind such vindictive propagation to sensitize the queerphobic mainstream about the essential endogenous presence of the queer in the spaces that are aboriginal. Based on extensive interdisciplinary research, this book is a first of its kind in the study of indigenous queer narratives. It will be useful to scholars and researchers of queer studies, gender studies, tribal and indigenous studies, literature, cultural studies, postcolonialism, sociology, political studies and South Asian studies.

This volume brings together eminent Tagore scholars and younger writers to revisit the concepts of nation, nationalism, identity and selfhood, civilization, culture and homeland in Tagore's writings. As these ideas take up the centre-stage of politics in the subcontinent as also elsewhere in the world in the 21st century, it becomes extremely relevant to revisit his works in this context. Tagore's ambivalence towards nationalism as an ideology was apparent in the responses in his discussions with Indians and non-Indians alike. Tagore developed the concept of 'syncretic' civilization as a basis of nationalist civilizational unity, where society was central, unlike the European model of state-centric civilization. However, as the subterranean tensions of communalism became clear in the early 20th century, Tagore reflexively critiqued his own political position in society. He thus emerged as the critic of the nation/nation-state and in this he shared his deep unease with other thinkers like Romain Rolland and Albert Einstein. This volume for the first time covers the socio-political, historical, literary and cultural concerns relating to Tagore's efforts towards the 'de-colonization' of the Self. The volume begins with various perspectives on Tagore's 'ambivalence' about nationalism. It encompasses critical examinations of Tagore's literary works and other art forms as well as adaptations of his works on film. It also reads Tagore's nationalism in a comparative mode with contemporary thinkers in India and abroad who were engaged in similar debates.

This volume looks at the emerging forms of intimacies in contemporary India. Drawing on rigorous academic research and pop culture phenomena, the volume: Brings together themes of nationhood, motherhood, disability, masculinity, ethnicity, kinship, and sexuality, and attempts to understand them within a more complex web of issues related to space, social justice, marginality, and communication; Focuses on the struggles for intimacy by the disabled, queer, Dalit, and other subalterns, as well as people with non-human intimacies, to propose an alternative theory of the politics of belonging; Explores the role of social and new media in understanding and negotiating intimacies and anxieties. Comprehensive and thought-provoking, this book will be useful to scholars and researchers of political studies, sociology, sexuality and gender studies, women's studies, cultural studies, and minority studies.

This volume looks at the emerging forms of intimacies in contemporary India. Drawing on rigorous academic research and pop culture phenomena, the volume: Brings together themes of nationhood, motherhood, disability, masculinity, ethnicity, kinship, and sexuality, and attempts to understand them within a more complex web of issues related to space, social justice, marginality, and communication; Focuses on the struggles for intimacy by the disabled, queer, Dalit, and other subalterns, as well as people with non-human intimacies, to propose an alternative theory of the politics of belonging; Explores the role of social and new media in understanding and negotiating intimacies and anxieties. Comprehensive and thought-provoking, this book will be useful to scholars and researchers of political studies, sociology, sexuality and gender studies, women's studies, cultural studies, and minority studies.

Stereotypes are mere 'pictures in our heads'. Prejudice and suspicion against all that is perceived of as 'different' give rise to cultural stereotypes. Creating stereotypes also involves connecting the created categories with values, equipping the categories with an ideational label. Thus, stereotypes often contain the presupposition that one's own group represents the normal, or even universal and that one's own culture and ist socially construed concepts of reality is superior and normative in relation to other cultures and world-views. The stereotypes are not just one person's private attitude but are always shared with a larger socio-cultural group. Stereotypes result in simplifications that prevent people from seeing the 'otherized' individuals as they truly are. This book, aims at transgressing the boundaries of the strategically generated stereotyped image of a homogenous Indian culture. Rather, by highlighting the marginalised issues related to class, caste and gender, this book, by citing examples of select Indian literary and cinematic representations, argues that the stigma related to the non-conformist /alternative/minority identities, is baseless and fraudulent.