How does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question. Contributors address a plethora of creative works by Indigenous writers, poets, playwrights, filmmakers, and painters, including Richard Frankland, Lionel Fogarty, Lin Onus, Kim Scott, Sam Watson, and Alexis Wright, as well as Durrudiya song cycles and works by Western Desert artists. The complexity of these creative works transcends categorical boundaries of Western art, aesthetics, and literature, demanding new processes of reading and response. Other contributors address works by non-Indigenous writers and filmmakers such as Stephen Muecke, Katrina Schlunke, Margaret Somerville, and Jeni Thornley, all of whom actively engage in questioning their complicity with the past in order to challenge Western modes of knowledge and understanding and to enter into a more self-critical and authentically ethical dialogue with the Other. In probing the limitations of Anglo-European knowledge-systems, essays in this volume lay the groundwork for entering into a more authentic dialogue with Indigenous writers and critics.

What does it mean to read from elsewhere? Women Writers in Postsocialist China introduces readers to a range and variety of contemporary Chinese women's writing, which has seen phenomenal growth in recent years. The book addresses the different ways women's issues are understood in China and the West, attending to the processes of translation, adaptation, and the grafting of new ideas with existing Chinese understandings of gender, feminism, subjectivity, consumerism and (post) modernism. By focusing on women's autobiographical, biographical, fictional and historical writing, the book engages in a transcultural flow of ideas between western and indigenous Chinese feminisms. Taking account of the accretions of social, cultural, geographic, literary, economic, and political movements and trends, cultural formations and ways of thinking, it asks how the texts and the concepts they negotiate might be understood in the social and cultural spaces within China and how they might be interpreted differently elsewhere in the global locations in which they circulate. The book argues that women-centred writing in China has a direct bearing on global feminist theory and practice. This critical study of selected genres and writers highlights the shifts in feminist perspectives within contemporary local and global cultural landscapes.

What does it mean to read from elsewhere? "Women Writers in Postsocialist China "introduces readers to a range and variety of contemporary Chinese women s writing, which has seen phenomenal growth in recent years. The book addresses the different ways women s issues are understood in China and the West, attending to the processes of translation, adaptation, and the grafting of new ideas with existing Chinese understandings of gender, feminism, subjectivity, consumerism and (post) modernism. By focusing on women s autobiographical, biographical, fictional and historical writing, the book engages in a transcultural flow of ideas between western and indigenous Chinese feminisms. Taking account of the accretions of social, cultural, geographic, literary, economic, and political movements and trends, cultural formations and ways of thinking, it asks how the texts and the concepts they negotiate might be understood in the social and cultural spaces within China and how they might be interpreted differently elsewhere in the global locations in which they circulate. The book argues that women-centred writing in China has a direct bearing on global feminist theory and practice. This critical study of selected genres and writers highlights the shifts in feminist perspectives within contemporary local and global cultural landscapes.

Eliza Fraser was an English woman shipwrecked on the Australian coast in 1836, where she lived with an Aboriginal community until her rescue. The story of a 'civilised' white female being taken captive by 'savage' black men was both fascinating and repulsive. Images and narratives surrounding this notorious episode have proliferated from the 1830s to the present. Kay Schaffer looks at the various literary and artistic manifestations of Eliza Fraser as a fictional presence in Australian culture. Schaffer looks at the contemporary narratives, and at more recent representations of Mrs Fraser in film, in the art of Sidney Nolan, and the writing of Patrick White. The book uses these texts to examine historical discourses of colonialism, race, gender, and nation. This accessible and stimulating book promises to make an impressive contribution to women's studies, cultural studies, and Australian history.

Images of Australian identity, and of Australian nationhood, are social and cultural constructs. There are several dominant themes and elements, one of the most pervasive being the Australian bushman confronting a vast and barren landscape. This is a specifically Australian conception of the battle between Man and Nature. Throughout the myths, traditions and literary creations of Australia are underlying assumptions about gender and sexual difference: assumptions about masculinity and femininity within the nationalist tradition, which affect perceptions today. In this new critique, Kay Schaffer applies the insights of feminist scholarship and of literary analysis to examine the national character. She looks at how the concept of 'the typical Australian', and the woman who stands in relation to him, has evolved across a range of cultural forms, including historical and literary texts, film and the media. She concentrates in particular on the writings of Henry Lawson and of Barbara Bayton. The circulation of ideas about these writers, their contribution to a national mythology, and the different ways their importance has been represented to modern readers, is explored and discussed. This thoughtful and provocative study will interest readers concerned with Australian literary and cultural history, as well as the broader questions of Australia's changing self-image. It will be of particular value to those interested in feminist approaches to culture and society.

The Olympics thrill the world with spectacle and drama. They also carry a cultural and social significance that goes beyond the stadium, athletes, and fans. The Games are arenas in which individual and team athletic achievement intersect with the politics of national identity in a global context.
"The Olympics at the Millennium" offers groundbreaking essays that explore the cultural politics of the Games. The contributors investigate such topics as the emergence of women athletes as cultural commodities, the orchestrated spectacles of the opening and closing ceremonies, and the alternative sport culture offered via the Gay Games. Unforgettable events and decisions are discussed: Native American athlete Jim Thorpe winning--and losing--his two gold medals in 1912. Why America was one of the few countries to actually send Jewish athletes to the "Nazi Olympics." The disqualification of champion Ewa Klobukowska from competing as a woman, due to chromosomal testing in 1967.
With the 2000 Sydney Games imminent, several essays address concerns with which every host country must contend, such as the threat of terrorism. Highlighting the difficult issues of racism and nationalism, another article explores the efforts of this country's aboriginal people to define a role for themselves in the 2000 Games, as they struggle with ongoing discrimination. And with the world watching, Sydney faces profound pressure to implement a successful Olympics, as a matter of national pride.