'Expect to be heartbroken' Elle 'Its ending brought me close to tears' Beth O'Leary, author of The Flatshare 'Ever fallen in love with messy, confusing consequences for everyone involved? Then Good Intentions is for you' Stylist An unforgettable debut novel about first love, family obligation and finding your way. As Nur's family counts down to midnight on New Year's Eve, Nur is watching the clock more closely than most: he has made a pact with himself, and with his girlfriend, Yasmina, that at midnight he will finally tell his Pakistani parents the truth. That he has built a life with a woman he loves and she is Black. Nur wants to be the good son his parents ask him to be, and the good boyfriend Yasmina needs him to be. But as everything he holds dear is challenged, he is forced to ask, is love really a choice for a second-generation immigrant son like him? 'This powerful story will stay with me for a very long time' Louise O'Neill, author of Idol 'Addictive in every sense' Irenosen Okojie, author of Nudibranch 'An emotional ride through the highs, lows, and inescapable truths of modern love' Justin Myers, author of The Fake-Up 'Sensitive . . . Absorbingly honest' Diana Evans, author of Ordinary People 'A magnificent and messy love story that broke my heart' Huma Qureshi, author of How We Met

To go without food from dawn to dusk for the month of Ramadan - how does this feel? When we deny our major appetites, what do we become? Kazim Ali brings a poet's precision and ardor to his brilliant meditations on ritual fasting.Jane Hirshfield, author of AFTER and NINE GATES, says: "Kazim Ali -- a writer whose powers astonish in everything he puts pen to -- has made in FASTING FOR RAMADAN a book that is hybrid, peregrine, and deeply, quietly revelatory. Ali's meditations on the month-long ritual fast unfold, across cultures and spiritual practices, the deep meaning of a chosen foregoing. These journal-born pages are both intimate and public, at once ecumenical, particular, daily, and eloquently learned; planted on the deep roots of tradition, they breathe this moment's air. Is it possible for a work to be at once modest and an undeniable tour de force? This book proves: it is."

The Oasis of Now is the first U.S. book publication of the works of Sohrab Sepehri (1928 1980), one of the major Iranian poets of the twentieth century. Well-versed in Buddhism, mysticism, and Western traditions, Sepehri mingled Western concepts with Eastern ones, creating a poetry unsurpassed in the history of Persian literature. In Iran, his Persian verses are often recited in public gatherings and lines from them were used as slogans by the protesters in 2009. This first full-length American volume collects poems from three of Sepehri's most important books, including the highly acclaimed Water's Footfall. I want to know: Why is a horse noble and the dove beloved but no one keeps a pet vulture in a gilded cage. Why is the humble clover trodden upon rather than the red tulip. I want to see anew and wash the words of the world in wind and rain. Sohrab Sepehri wrote the poems collected in The Oasis of Now after traveling through Japan, China, and India, where he was exposed to the arts of those countries as well as the spiritual disciplines of Buddhism, Taoism, and Hinduism. This book is crucial for anyone interested in Iranian arts and culture. Kazim Ali is author of ten books of poetry, fiction, essays, and translations. He is an associate professor at Oberlin College and founding editor of Nightboat Books. Mohammad Jafar Mahallati is Presidential Scholar in the religion department of Oberlin College. He served as Iran's ambassador to the United Nations from 1987 to 1989 and was instrumental in brokering a peace agreement between Iran and Iraq during that time.

From the Bible to the Quaraan, the fortieth day symbolizes the last moment before deliverance, a moment in time when a supplicant or prophet or stormbeaten passenger knows there is no state after, but finally accepts the present state as a permanent one. In The Fortieth Day, Kazim Ali follows the fractured narratives and moving lyrics of his debut collection, The Far Mosque, with a deeply spiritual and meditative book exploring the rhetoric of prayer. Kazim Ali was born in the United Kingdom and raised in an Islamic household. He holds degrees from the University at Albany and New York University. He lives in Oberlin, Ohio.

'Expect to be heartbroken' Elle 'One of the most eagerly awaited debuts of 2022' Sunday Times 'Its ending brought me close to tears' Beth O'Leary, author of The Flatshare 'Ever fallen in love with messy, confusing consequences for everyone involved? Then Good Intentions is for you' Stylist An unforgettable debut novel about first love, family obligation and finding your way. As Nur's family counts down to midnight on New Year's Eve, Nur is watching the clock more closely than most: he has made a pact with himself, and with his girlfriend, Yasmina, that at midnight he will finally tell his Pakistani parents the truth. That he has built a life with a woman he loves and she is Black. Nur wants to be the good son his parents ask him to be, and the good boyfriend Yasmina needs him to be. But as everything he holds dear is challenged, he is forced to ask, is love really a choice for a second-generation immigrant son like him? 'This powerful story will stay with me for a very long time' Louise O'Neill, author of Idol 'Addictive in every sense' Irenosen Okojie, author of Nudibranch 'An emotional ride through the highs, lows, and inescapable truths of modern love' Justin Myers, author of The Fake-Up 'Sensitive . . . Absorbingly honest' Diana Evans, author of Ordinary People 'A magnificent and messy love story that broke my heart' Huma Qureshi, author of How We Met

An Outside Magazine Favorite Book of 2021 A Book Riot Best Book of 2021 A Shelf Awareness Best Book of 2021 "Places do not belong to us. We belong to them." The child of South Asian migrants, Kazim Ali was born in London, lived as a child in the cities and small towns of Manitoba, and made a life in the United States. As a man passing through disparate homes, he has never felt he belonged to a place. And yet, one day, the celebrated poet and essayist finds himself thinking of the boreal forests and lush waterways of Jenpeg, a community thrown up around the building of a hydroelectric dam on the Nelson River, where he once lived for several years as a child. Does the town still exist, he wonders? Is the dam still operational? When Ali goes searching, however, he finds not news of Jenpeg, but of the local Pimicikamak community. Facing environmental destruction and broken promises from the Canadian government, they have evicted Manitoba's electric utility from the dam on Cross Lake. In a place where water is an integral part of social and cultural life, the community demands accountability for the harm that the utility has caused. Troubled, Ali returns north, looking to understand his place in this story and eager to listen. Over the course of a week, he participates in community life, speaks with Elders and community members, and learns about the politics of the dam from Chief Cathy Merrick. He drinks tea with activists, eats corned beef hash with the Chief, and learns about the history of the dam, built on land that was never ceded, and Jenpeg, a town that now exists mostly in his memory. In building relationships with his former neighbors, Ali explores questions of land and power and in remembering a lost connection to this place, finally finds a home he might belong to.

""The Far Mosque" by Kazim Ali is a book in which the author has managed to render into the English language the universal inner voice. These poems talk to the reader from the realm in which we are all human. What a poet to be able to define spirit using the American vocabulary! These poems, so very different from my own, speak clearly to me. What a gift!"-Lucille Clifton

These gently fragmented narrative lyrics pursue enlightenment in long, elegant yet plain-spoken, dark yet ecstatic lines. Ali travels by water and by night, seeking the Far Mosque and its overarching paradox: that when God and Self are one, an ascent into Heaven is a voyage within.

"Still Life with Vase and Music"

"Four red boats clack against each other softly, lashed to the dock.
A vase is meant to hold, not to unravel."

"Each tow-rope is a thread. Each thread is a chance to weave."
The vase gives form to emptiness, as music does to silence.

"At the poet's tomb in Kashmir supplicants tie green threads
around the bars to achieve the fulfillment of their prayers."

"I do not want to return home without that which I came for.
"The poet was here-but he's gone now-you've missed him.""

"The river turns three times on the journey home.
I tie the thread around my own wrist bone."

Kazim Ali lives in New York's Hudson Valley, where he is co-editor of Nightboat Books and an assistant professor of liberal arts at The Culinary Institute of America. He received his MFA from New York University and is the author of a novel, "Quinn's Passage" (BlazeVox Books). His poetry has been published in "The Colorado Review," "Hayden's Ferry Review," "Rattapallax," and elsewhere.

Nightboat Books is proud to bring back this long out-of-print ecstatic, collaborative performative work. Written and arranged in an experimental mode akin to music or choreography, these fragmented lyrics create space and resonance honoring the physical splendor of both the body and the poem. This new edition includes several new poetic sequences and an extended essay.

A poetic, autobiographical collection from famed Mauritian writer Ananda Devi, engaging with loneliness, desire, violence, and aging. "I'm sick of biting off and chewing this dust, of scratching with my thin claws, searching for some chunk of literary gold to hell with all the disarrayed images of our homelands reflections of our particular misery." From eminent Mauritian writer Ananda Devi, a collection that transgresses genre lines with poetic, autobiographical flow. The pieces herein address the resonance of personal memories and regrets, the political world, and sexuality. In light of the complexity of human identity, Devi emphasizes the importance of each word chosen, speaking directly to the reader and asking them to "peel back my skin. Unclothe me of myself."

Kazim Ali introduces five autofiction novellas by Kristjana Gunnars-available in the U.S. for the first time, in a single, handsome volume Between the late eighties and late nineties, Kristjana Gunnars published five transgeneric novels comprised of a scintillating blend of fiction, autobiography, literary theory, and philosophy. Elusive and poetic... rigorous yet passionate...these books were treasured by a devoted readership and have been lauded by critics throughout the years since. - Kazim Ali, from the introduction From a childhood in Cold War Iceland to love affairs and deaths, these short works document a life of perpetual motion, told a discontinuous, subversive style to reflect the singular, feminist, nomadic life of the narrator. It is a life of thought, an ongoing engagement with writers from Proust to Kierkegaard to Kristeva, seeking and often finding a companionship in the writing of others. These five spellbinding narratives act as a bending bow, open to what life has to offer day by day and taking the gentler course, wherein nothing is forced and life's big questions remain beautifully unanswered. The Prowler is a reminiscence of childhood spent in Iceland, seen from a distance with the Cold War as a backdrop, just before the hyper-modernization of the mid-sixties, when the air of the past was still discernible. When an orange was a delicacy against the darkness. This is Gunnars' most lauded novella. Zero Hour is a contemplation and remembrance of the narrator's father and his death. The narrative traces the course of the father's illness and final moments, and confronts the reality and grief of absolute endings. The Substance of Forgetting is ultimately about happiness. Set in a lush valley in central B.C., the narrator begins to awaken to possibilities of love and transcendence. The Rose Garden is set in Germany and the narrator is on an academic exchange wherein all that happens are things that are not supposed to happen. Night Train to Nykobing is a darker exploration of life's (and love's) unknowns and the dangers inherent in choices we make. The narrator is travelling between Vancouver and Oslo in a continuous back and forth that gives rise to a sense of the liminality of life itself. "The intimacy, grace, and intelligence of these narratives is remarkable. The mystery and quietude honours the beauty of the everyday as it passes, while simultaneously gesturing to vast other worlds. Often I was taken by its openings and distances, and a marvellous, almost translucent quality that permeates the texts. Oddly, at times it felt as if I were inside a whispering many-chambered shell - resonant, enclosed, pearlescent - the pleasure afforded, enormous." - Carole Maso, author of Ghost Dance "From 1989 to 1998, the Icelandic-Canadian writer Kristjana Gunnars published five novellas, each detailing specific moments in the writer's life. Gathered here for the first time, they offer a significant new strand of thinking about the rise of autofiction and the history of innovative women's writing in Canada. If you loved discovering Annie Ernaux, you'll love discovering Kristjana Gunnars." - Sina Queyras, author of Lemon Hound

A Book Riot and Shelf Awareness "Best Book of 2021 "Places do not belong to us. We belong to them." The child of South Asian migrants, Kazim Ali was born in London, lived as a child in the cities and small towns of Manitoba, and made a life in the United States. As a man passing through disparate homes, he has never felt he belonged to a place. And yet, one day, the celebrated poet and essayist finds himself thinking of the boreal forests and lush waterways of Jenpeg, a community thrown up around the building of a hydroelectric dam on the Nelson River, where he once lived for several years as a child. Does the town still exist, he wonders? Is the dam still operational? When Ali goes searching, however, he finds not news of Jenpeg, but of the local Pimicikamak community. Facing environmental destruction and broken promises from the Canadian government, they have evicted Manitoba's electric utility from the dam on Cross Lake. In a place where water is an integral part of social and cultural life, the community demands accountability for the harm that the utility has caused. Troubled, Ali returns north, looking to understand his place in this story and eager to listen. Over the course of a week, he participates in community life, speaks with Elders and community members, and learns about the politics of the dam from Chief Cathy Merrick. He drinks tea with activists, eats corned beef hash with the Chief, and learns about the history of the dam, built on land that was never ceded, and Jenpeg, a town that now exists mostly in his memory. In building relationships with his former neighbors, Ali explores questions of land and power and in remembering a lost connection to this place, finally finds a home he might belong to.

From the Introduction: "The goal with this anthology is to represent that full range of contemporary expressions of Islam, as well as a full range of genres-poetry, fiction, essay, memoir, political writing, cultural writing, and of course plenty of texts which mix and match and blur all of these modes . . . the trajectories between the pieces-like that of kismet-will be multiple, nonlinear, abstract. The Muslim community is plural and contradictory. This collection of voices ought to be symphony and cacophony at once, like the body of Muslims as they are today."-Kazim Ali

To go without food from dawn to dusk for the whole month of Ramadan - how does this feel? What do we become when we deny our major appetites during the hours of daylight, and in what ways does this transform the nights? In these absences, what new presences, what illuminations and revelations arise? After many years of not practicing, acclaimed writer Kazim Ali has re-embraced the Ramadan tradition, and he brings a poet's precision and ardor to these brilliant meditations on an ancient and yet entirely contemporary ritual. Jane Hirshfield has said, "Kazim Ali - a writer whose powers astonish in everything he puts pen to - has made in FASTING FOR RAMADAN a book that is hybrid, peregrine, and deeply, quietly revelatory. Ali's meditations on the month-long ritual fast unfold, across cultures and spiritual practices, the deep meaning of a chosen foregoing. These journal-born pages are both intimate and public, at once ecumenical, particular, daily, and eloquently learned; planted on the deep roots of tradition, they breathe this moment's air. Is it possible for a work to be at once modest and an undeniable tour de force? This book proves: it is."