Eihei Dogen (1200-1253) is the most renowned of all the Japanese Zen masters, and he is also one of the greatest writers and philosophers Japan has ever produced. This title provides short, inspirational selections from his work, chosen by two of today's top authorities.

One hundred illuminating tales of the foibles and follies of everyday fools, this elegant, humorous, and masterful little book of wisdom is a welcome addition to the Buddhist canon "The One Hundred Parable Sutra" is known as the most humorous sutra in all of Buddhist literature. Here, Kazuaki Tanahashi, the celebrated translator, calligrapher, and Dogen scholar, and Peter Levitt, an award-winning poet, storyteller, and Zen practitioner, have translated and retold these jewel-like parables with storytelling panache for students, teachers, and seekers everywhere. With appropriate commentary, each tale becomes a simple lesson for everyday living. From the potter who seeks fame to the woman who possesses great lust, these tales are told with a gentle clarity that magnifies our appetites and delusions. In doing so, they become an accurate mirror of the human condition. A Flock of Fools is a perfect little book of wisdom, laughter, and compassion. Beautifully designed for gift giving, this handsome volume is illustrated with seventeen original brushwork drawings by Tanahashi, one of the world's most renowned calligraphers.

"Enlightenment Unfolds" is a sequel to Kaz Tanahashi's previous collection, "Moon in a Dewdrop," which has become a primary source on Dogen for Western Zen students. Dogen Zenji (1200-1253) is unquestionably the most significant religious figure in Japanese history. Founder of the Soto school of Zen (which emphasizes the practice of "zazen" or sitting meditation), he was a prolific writer whose works have remained popular for six hundred years. "Enlightenment Unfolds" presents even more of the incisive and inspiring writings of this seminal figure, focusing on essays from his great life work, "Treasury of the True Dharma Eye," as well as poems, talks, and correspondence, much of which appears here in English for the first time.
Tanahashi has brought together his own translations of Dogen with those of some of the most respected Zen teachers and writers of our own day, including Reb Anderson, Edward Espe Brown, Norman Fisher, Gil Fronsdal, Blanche Hartman, Jane Hirschfield, Daniel Leighton, Alan Senauke, Katherine Thanas, Mel Weitzman, and Michael Wenger.

Mitsu Suzuki is the widow of Shunryu Suzuki Roshi, the Zen monk who founded the San Francisco Zen Center and helped popularize Zen Buddhism in the United States. A White Tea Bowl is a selection of her poems, written after her return to Japan in 1993. These 100 haiku were chosen by editor Kazuaki Tanahashi and translated by Zen teacher Kate McCandless to celebrate Mitsu's 100th birthday on April 27, 2014. The introduction by Zen poet and priest Norman Fischer describes with loving detail a meeting with Mitsu at Rinso-in temple in 2010, considers the formative impact of war in Japan and social upheaval in America on her life, and places her poetry in the evolution of haiku as an international form.

A guide to the history and enjoyment of Chinese and Japanese calligraphy that offers the possibility of appreciating it in a hands-on way--with step-by-step instructions for brushing 150 classic characters. This book is a comprehensive and accessible introduction to the history and art of calligraphy as it's been practiced for centuries in China, Japan, and elsewhere in Asia. It works as a guide for the beginner hoping to develop an appreciation for Asian calligraphy, for the person who wants to give calligraphy-creation a try, as well as for the expert or afficionado who just wants to browse through and exult in lovely examples. It covers the history and development of the art, then the author invites the reader to give it a try.      The heart of the book, called "Master Samples and Study," presents 150 characters--from "action" to "zen"--each in a two-page spread. On each verso page the character is presented in three different styles, each one chosen for its beauty and identified by artist when possible. The character's meaning, pronunciation (in Chinese, Japanese, Korean, and Vietnamese), etymology, the pictograph from which it evolved, and other notes of interest are included. At the bottom of the page the stroke order is shown: the sequence of brush movements, numbered in their traditional order. On each facing recto page is Kaz's own interpretation of the character, full page.

Ryokan (1758-1831) is, along with Dogen and Hakuin, one of the three giants of Zen in Japan. But unlike his two renowned colleagues, Ryokan was a societal dropout, living mostly as a hermit and a beggar. He was never head of a monastery or temple. He liked playing with children. He had no dharma heir. Even so, people recognized the depth of his realization, and he was sought out by people of all walks of life for the teaching to be experienced in just being around him. His poetry and art were wildly popular even in his lifetime. He is now regarded as one of the greatest poets of the Edo Period, along with Basho, Buson, and Issa. He was also a master artist-calligrapher with a very distinctive style, due mostly to his unique and irrepressible spirit, but also because he was so poor he didn't usually have materials: his distinctive thin line was due to the fact that he often used twigs rather than the brushes he couldn't afford. He was said to practice his brushwork with his fingers in the air when he didn't have any paper. There are hilarious stories about how people tried to trick him into doing art for them, and about how he frustrated their attempts. As an old man, he fell in love with a young Zen nun who also became his student. His affection for her colors the mature poems of his late period. This collection contains more than 140 of Ryokan's poems, with selections of his art, and of the very funny anecdotes about him.

Dogen Zenji is the most famous & influential of all Japanese Zen masters. He is Japan's greatest philosopher & from his Soto school derives most of the Zen practised in the West.

An illuminating in-depth study of one of the most well-known and recited of all the Buddhist texts by the renowned modern translator. Now in paperback. The first-century classic "Prajnaparamita Hridaya Sutra" may be the best known of all the Buddhist scriptures. It's a key Zen text, chanted daily by many, but it is studied extensively in the Tibetan tradition too. In just forty-two lines, it expresses the truth of impermanence and the release of suffering that results from the understanding of that truth with a breathtaking economy of language. Kazuaki Tanahashi's guide to the "Heart Sutra" is the result of a life spent working with it and living it. He outlines the history and meaning and then analyzes the text line by line in its various forms (Sanskrit, Chinese, Japanese, Korean, Tibetan, Mongolian, and various key English translations), providing a deeper understanding of the history and etymology of the elusive words than is generally available to the nonspecialist, yet with a clear emphasis on the relevance of the text to practice. It includes a fresh, modern translation of the text by the author and Roshi Joan Halifax."

A collection of three hundred koans compiled by Eihei Dogen, the thirteenth-century founder of Soto Zen in Japan, this book presents readers with a uniquely contemporary perspective on his profound teachings and their relevance for modern Western practitioners of Zen. Following the traditional format for koan collections, John Daido Loori Roshi, an American Zen master, has added his own commentary and accompanying verse for each of Dogen's koans. Zen students and scholars will find "The True Dharma Eye "to be a source of deep insight into the mind of one of the world's greatest religious thinkers, as well as the practice of koan study itself.

Soen Nakagawa Roshi (1907-1984) was an extraordinary Zen master and a key figure in the transmission of Zen Buddhism from Japan to the Western world. A man of many faces, he was a simple Japanese monk, a world traveler, a spiritualized being of the highest order, a poetic genius, a creator of dynamic calligraphy - and a notoriously eccentric teacher who, for example, was known to conduct "tea ceremonies" using instant coffee and styrofoam cups. Endless Vow is the first English-language collection of the literary works of this remarkable teacher.

The best collection of Zen wisdom and wit since Zen Flesh, Zen Bones: koans, sayings, poems, and stories by Eastern and American Zen teachers and students capture the delightful, challenging, mystifying, mind-stopping, outrageous, and scandalous heart of Zen.