"An insightful, riveting study of marriage." --People From the bestselling author of Ask Again, Yes, a masterful and "absorbing" (The New York Times) novel about a couple in a small town navigating the complexities of marriage, family, and longing. Malcolm Gephardt, handsome and gregarious longtime bartender at the Half Moon, has always dreamed of owning a bar. When his boss finally retires, Malcolm stretches to buy the place. He sees unquantifiable magic and potential in the Half Moon and hopes to transform it into a bigger success, but struggles to stay afloat. His smart and confident wife, Jess, has devoted herself to her law career. After years of trying for a baby, she is facing the idea that motherhood may not be in the cards for her. Like Malcolm, she feels her youth beginning to slip away and wonders how to reshape her future. "A quick and impactful read that will stay with you long after you finish it" (theSkimm), The Half Moon takes place over the course of one week when Malcolm learns shocking news about Jess, a patron of the bar goes missing, and a blizzard hits the town of Gillam, trapping everyone in place. With a deft eye and generous spirit, Mary Beth Keane explores the disappointments and unexpected consolations of midlife, the many forms forgiveness can take, the complicated intimacy of small-town living, and what it means to be a family.

Comprehensively explore topics and help students visualise and appreciate chemistry within the Caribbean context as they prepare for the CSEC (R) Examination. - Engage students with full colour design, colour photographs, clear diagrams and illustrations. - Reinforce and consolidate learning with end of chapter questions and practice exam questions. - Show relevance of Chemistry to everyday life with Caribbean and international examples. - Support SBA portion of the syllabus and offer new detailed content on metals and non-metals in the environment. - Extend learning with extra online resources for students and teachers.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The melodramatic and romantic cliche s that pervade popular conceptions of working-class Londoners in the 19th and 20th century are debunked in this innovative expose of proletariat London. The individual stories of muted historical figures, including an illiterate silk weaver, a grandmother in an asylum, a deserted family, an abused daughter, and a dead child, are brought to light through interpretations of the scraps they left behind-- gravestone inscriptions, photographs and certificates, the grimy contents of hidden cubbyholes, and even childhood recollections that have been passed down through the generations. The unusual contents of these stories intertwine to evoke a haunting and original picture of working-class London that adds a much-needed, though bleak facet to the city's social history.