Jonathan Swift's moral and political satires astonished his contemporaries and still have the power to disturb, with their compelling images and unsettling turns of argument, and to delight, with their charm and inventive wit. A Preface to Swift examines the complex appeal of this fierce critic of oppression. While thematically arranged, the text follows a broadly chronological account of Swift's life to show his development as a writer from the prolific and inventive iconoclast to the mature satirist whose enduring memory of past events produced warm friendship as well as strong resentment. It considers in detail his engagement with the corruption of over-secure politicians and his opposition to the easy rationalism of free-thinking pundits. Gulliver's Travels is shown to be a coherent critique of eighteenth-century ideas of science, education and politics in which the order of the books ('the progress of the fable') is highly significant for its whole meaning. While this is a major focus, Keith Crook also discusses a wide range of Swift's other works, including his early satires, his political writings, his poems and his letters. Detailed chronological charts place his life and works in the political and cultural context, and illustrations have been chosen with commentaries to extend the reader's sense of Swift's connections with London, Ireland and his contemporaries. This will be a particularly useful introduction to students who are studying satire as a genre; the early eighteenth-century literary, scientific, philosophical and political context; the representation of women; the political relation of Ireland to England; and the position of the artist within society, especially in connection with the levers of power.

Jonathan Swift's moral and political satires astonished his contemporaries and still have the power to disturb, with their compelling images and unsettling turns of argument, and to delight, with their charm and inventive wit. A Preface to Swift examines the complex appeal of this fierce critic of oppression.While thematically arranged, the text follows a broadly chronological account of Swift's life to show his development as a writer from the prolific and inventive iconoclast to the mature satirist whose enduring memory of past events produced warm friendship as well as strong resentment. It considers in detail his engagement with the corruption of over-secure politicians and his opposition to the easy rationalism of free-thinking pundits. Gulliver's Travels is shown to be a coherent critique of eighteenth-century ideas of science, education and politics in which the order of the books ('the progress of the fable') is highly significant for its whole meaning. While this is a major focus, Keith Crook also discusses a wide range of Swift's other works, including his early satires, his political writings, his poems and his letters.Detailed chronological charts place his life and works in the political and cultural context, and illustrations have been chosen with commentaries to extend the reader's sense of Swift's connections with London, Ireland and his contemporaries. This will be a particularly useful introduction to students who are studying satire as a genre; the early eighteenth-century literary, scientific, philosophical and political context; the representation of women; the political relation of Ireland to England; and the position of the artist within society, especially in connection with the levers of power.

The Imprisoned Traveler is a fascinating portrait of a unique book, its context, and its elusive author. Joseph Forsyth, traveling through an Italy plundered by Napoleon, was unjustly imprisoned in 1803 by the French as an enemy alien. Out of his arduous eleven-year 'detention' came his only book, Remarks on Antiquities, Arts, and Letters during an Excursion in Italy (1813). Written as an (unsuccessful) appeal for release, praised by Forsyth's contemporaries for its originality and fine taste, it is now recognized as a classic of Romantic period travel writing. Keith Crook, in this authoritative study, evokes the peculiar miseries that Forsyth endured in French prisons, reveals the significance of Forsyth's encounters with scientists, poets, scholars, and ordinary Italians, and analyzes his judgments on Italian artworks. He uncovers how Forsyth's allusiveness functions as a method of covert protest against Napoleon and reproduces the hitherto unpublished correspondence between the imprisoned Forsyth and his brother.

The Imprisoned Traveler is a fascinating portrait of a unique book, its context, and its elusive author. Joseph Forsyth, traveling through an Italy plundered by Napoleon, was unjustly imprisoned in 1803 by the French as an enemy alien. Out of his arduous eleven-year “detention� came his only book, Remarks on Antiquities, Arts, and Letters during an Excursion in Italy (1813). Written as an (unsuccessful) appeal for release, praised by Forsyth’s contemporaries for its originality and fine taste, it is now recognized as a classic of Romantic period travel writing. Keith Crook, in this authoritative study, evokes the peculiar miseries that Forsyth endured in French prisons, reveals the significance of Forsyth’s encounters with scientists, poets, scholars, and ordinary Italians, and analyzes his judgments on Italian artworks. He uncovers how Forsyth’s allusiveness functions as a method of covert protest against Napoleon and reproduces the hitherto unpublished correspondence between the imprisoned Forsyth and his brother. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.